Throughout the twentieth century calls to modernize natural history motivated a range of responses. It was unclear how research in natural history museums would participate in the significant technological and conceptual changes that were occurring in the life sciences. By the 1960s, the Museum of Vertebrate Zoology at the University of California, Berkeley, was among the few university-based natural history museums that were able to maintain their specimen collections and support active research. The MVZ (...) therefore provides a window to the modernization of natural history. This paper concentrates on the directorial transitions that occurred at the MVZ between 1965 and 1971. During this period, the MVZ had four directors: Alden H. Miller (Director 1940–1965), an ornithologist; Aldo Starker Leopold (Acting Director 1965–1966), a conservationist and wildlife biologist; Oliver P. Pearson (Director 1966–1971), a physiologist and mammalogist; and David B. Wake (Director 1971–1998), a morphologist, developmental biologist, and herpetologist. The paper explores how a diversity of overlapping modernization strategies, including hiring new faculty, building infrastructure to study live animals, establishing new kinds of collections, and building modern laboratories combined to maintain collections at the MVZ’s core. The paper examines the tensions between the different modernization strategies to inform an analysis of how and why some changes were institutionalized while others were short-lived. By exploring the modernization of collections-based research, this paper emphasizes the importance of collections in the transformation of the life sciences. (shrink)

Whatever its merits and difficulties, the concept of logic embedded in much of the "new philosophy" of the early modern period was then understood to supplant contemporary views of formal logic. The notion of compiling a natural history of the understanding constituted the basis of this new concept of logic. The following paper attempts to trace this view of logic through some of the major and numerous minor texts of the period, centering on the development and influence of (...) John Locke's understanding of the analysis of the cognitive faculties as the discipline of logic. (shrink)

A. NATURAL. HISTORY. OF. THE. SENSES. “This is one of the best books of the year—by any measure you want to apply. It is interesting, informative, very well written. This book can be opened on any page and read with relish.... thoroughly  ...

This article presents the main features of the work of Domenico Vandelli (1735-1816), an Italian-born man of science who lived a large part of his life in Portugal. Vandelli's scientific interests as a naturalist paved the way to his activities as a reformer and adviser on economic and financial issues. The topics covered in his writings are similar to those discussed by Linnaeus, with whom Vandelli corresponded. They clearly reveal that the scientific preparation indispensable for a better knowledge of (...) class='Hi'>natural resources was also a fundamental condition for correctly addressing problems of efficiency in their economic allocation. The key argument put forward in this article is that the relationship between natural history and the agenda for economic reform and development deserves to be further analysed. It is indeed a central element in the emergence of political economy as an autonomous scientific discourse during the last decades of the eighteenth century. (shrink)

This article presents a new argument concerning the relation between Kant’s theory of race and aspects of the critical philosophy. It argues that Kant’s treatment of the problem of the systematic unity of nature and knowledge in the Critique of Pure Reason and the Critique of the Power of Judgment can be traced back a methodological problem in the natural history of the period – that of the possibility of a natural system of nature. Kant’s transformation of (...) the methodological problem from natural history into a set of philosophical problems proceeds by way of the working out of his own problem in natural history – the problem of the natural history of the human races – and specifically the problem of the unity in diversity of the human species, in response to which he develops a theory of race. This theory of race is, further, the first developed model of the use of teleological judgment in Kant’s work. The article thus argues that Kant’s philosophical position on the sy... (shrink)

The general popularity of natural history in the eighteenth century is mirrored in the frequency and importance of the more than 4,500 articles on natural history in the "Encyclopédie". The main contributors to natural history were Daubenton, Diderot, Jaucourt and d'Holbach, but some of the key animating principles derive from Buffon, who wrote nothing specifically for the "Encyclopédie". Still, a number of articles reflect his thinking, especially his antipathy toward Linnaeus. There was in principle (...) a natural tie between encyclopedism, with its emphasis on connected knowledge, and the task of natural historians who concentrated on the relationships among living forms. Both the encyclopedists and natural historians aimed at a sweeping overview of knowledge, and we see that Diderot's discussions of the encyclopedia were apparently informed by his reading of natural history. Most of the articles on natural history drew from traditional sources, but there are differences in emphasis and choice of subject, depending upon the author. Diderot's 300 contributions are often practical, interesting, and depend upon accounts from other parts of the world. Jaucourt, who wrote more articles on natural history than anyone else, followed in his footsteps. Daubenton's 900 articles reflected a more narrow, professional approach. His contributions concluded for the most part with Volume 8, and Jaucourt carried on almost single-handedly after that. While staking out traditional ground (description, taxonomy) and advancing newer theoretical views linked with Buffon, natural history in the "Encyclopédie" avoided almost completely the sentimentalism concerning nature that developed after Rousseau. (shrink)

As recent research has shown, many of the activities of early modern (including eighteenth‐century) naturalists were carried out in the household. This article investigates the ways in which family members in particular, both male and female, ended up engaging in kinds of labor which furthered the pursuit of natural history in the eighteenth century. Examining evidence from various different parts of Europe and its colonies, the article argues that natural history can be seen to have often (...) been what might be termed a family enterprise, one to which many different family members might contribute in ways shaped by concerns of kinship and inheritance. (shrink)

Living organisms are the ultimate survivalists, having evolved phenotypes with unprecedented adaptability, ingenuity, resourcefulness, and versatility compared to human technology. To harness these properties, functional descriptions and design principles from all sources of biodiversity information must be collated − including the hundreds of thousands of possible survival features manifest in natural history museum collections, which represent 12% of total global biodiversity. This requires a consortium of expert biologists from a range of disciplines to convert the observations, data, and (...) hypotheses into the language of engineering. We hope to unite multidisciplinary biologists and natural history museum scientists to maximize the coverage of observations, descriptions, and hypotheses relating to adaptation and function across biodiversity, to make it technologically useful. This is to be achieved by developments in meta‐ taxonomic classification, phylogenetics, systematics, biological materials research, structure and morphological characterizations, and ecological data gathering from the collections − the aim being to identify and catalogue features essential for good biomimetic design. (shrink)

ABSTRACT In a series of papers read to the Cambridge Philosophical Society through the 1820s, the Cambridge mathematician George Peacock laid the foundation for a natural history of arithmetic that would tell a story of human progress from counting to modern arithmetic. The trajectory of that history, Peacock argued, established algebraic analysis as a form of universal reasoning that used empirically warranted operations of mind to think with symbols on paper. The science of counting would suggest arithmetic, (...) arithmetic would suggest arithmetical algebra, and, finally, arithmetical algebra would suggest symbolic algebra. This philosophy of suggestion provided the foundation for Peacock's “principle of equivalent forms,” which justified the practice of nineteenth-century English symbolic algebra. Peacock's philosophy of suggestion owed a considerable debt to the early Cambridge Philosophical Society culture of natural history. The aim of this essay is to show how that culture of natural history was constitutively significant to the practice of nineteenth-century English algebra. (shrink)

The concept of natural history has received a great deal of attention in contemporary practical philosophy, especially as a result of Michael Thompson's concept of natural-historical judgments which aims to explain the normativity of the human life-form. With this concept, the norms effective in a life-form are understood as something natural and constitutive for that life-form. Although Thompson does not present a historical-philosophical model, he claims to be able to determine the normativity of the historically developing (...) human life-form. By contrast, Theodor W. Adorno developed his own concept of natural history on the one hand as an interpretative conceptual model of historical reality, on the other hand, to indicate the normativity of the natural-historical course of human history itself. The normativity of natural history that Adorno focuses on is historically and socially determined, in contrast to the categorically conceived natural normativity that is at the heart of Thompson's approach. This article analyses the similarities and differences between the two approaches in such a way that it becomes clear to what extent ethical naturalism also provides possibilities for critique that can be made fruitful for a critical theory inspired by Adorno. (shrink)

Theodor Adorno's concept of 'natural history' [Naturgeschichte] was central for a number of Adorno's theoretical projects, but remains elusive. In this essay, I analyse different dimensions of the concept of natural history, distinguishing amongst (a) a reflection on the normative and methodological bases of philosophical anthropology and critical social science; (b) a conception of critical memory oriented toward the preservation of the memory of historical suffering; and (c) the notion of 'mindfulness of nature in the subject' (...) provocatively asserted in Max Horkheimer and Adorno's Dialectic of Enlightenment. These strands are united by the notion of transience and goal of developing a critical theory sensitive to the transient in history. The essay concludes by suggesting some implications of an expanded concept of natural history for issues in the discourse theory of Jürgen Habermas. (shrink)

Natural history collections are typically studied in terms of how they were formed rather than how they were received. This gives us only half the picture. Visiting accounts can increase our historical understanding of collections because they can tell us how people in the past understood them. This essay examines the responses of visitors to Walton Hall in West Yorkshire, home of the traveller-naturalist Charles Waterton and his famous taxidermic collection. Waterton’s specimens were not interpreted in isolation. Firstly, (...) they were experienced as components of a larger visiting experience, in which travelling to the Hall, being admitted to the grounds, viewing the park, and meeting the owner, were all just as significant as seeing the specimens themselves. Secondly, they were interpreted in conjunction with familiar stories and images relating to Waterton’s adventurous collecting activities. Visiting accounts can help us begin to recover what people thought about Waterton and his collection in the nineteenth century. Furthermore, in so far as they were responsible for a large part of his subsequent reputation, they can help us better understand our own, present-day conceptions of Charles Waterton and Walton Hall. (shrink)

This copiously illustrated volume is the first systematic general work to do justice to the fruits of recent scholarship in the history of natural history. Public interest in this lively field has been stimulated by environmental concerns and through links with the histories of art, collecting and gardening. The centrality of the development of natural history for other branches of history - medical, colonial, gender, economic, ecological - is increasingly recognized. Twenty-four specially commissioned essays (...) cover the period from the sixteenth century, when the first institutions of natural history were created, to its late nineteenth-century transformation by practitioners of the new biological sciences. An introduction discusses novel approaches that have made this a major focus for research in cultural history. The essays, which include suggestions for further reading, offer a coherent and accessible overview of a fascinating subject. An epilogue highlights the relevance of this wide-ranging survey for current debates on museum practice, the display of ecological diversity and concerns about the environment. (shrink)

In this article, I address an uncharted topic in the scholarship on Salomon Maimon – the great influence that Bacon's philosophy had on Maimon. I suggest that by considering Maimon as a Baconian, we achieve a better understanding of Maimon's work, especially in three respects: (i) his use of natural histories to achieve philosophical insights, (ii) the employment of induction to find new propositions and establish known ones as certain but not as objectively necessary and (iii) a probabilistic view (...) of science, wherein we acknowledge that we can achieve higher degrees of certainty attributed to propositions but are unable to show that empirical propositions are objectively necessary. It is in this context that I propose to use the term ‘ladder of certainty’ and discuss how it is connected to Maimon's skeptical stance. (shrink)

This paper examines how communities of naturalists in mid-nineteenth-century Britain were formed and solidified around the shared practices of public meetings, the publication and reading of periodicals, and the making and printing of images. By focusing on communities of naturalists and the sites of their communication, this article undermines the distinction between amateur and professional scientific practice. Building on the notion of imagined communities, this paper also shows that in some cases the editors and illustrators utilized imagery to construct a (...) specifically British naturalist community. Following three ‘amateur’ natural-history periodicals (Science Gossip,Midland Naturalistand theJournal of the Quekett Microscopical Club) the article demonstrates how the production and reproduction of natural history in the nineteenth century was contingent on community debate – and that this debate both was highly visual and moved across printed and geographical boundaries. This paper investigates images both for their purported success and for their ascribed value to natural history. Additionally, it considers the debates over their limitations and alleged failures of printing. Altogether, the article argues that investigating the communal practices of observation, writing, drawing and engraving allows for a better understanding of the shared practices of nineteenth-century natural history. (shrink)

ABSTRACT Post-truth, understood as a turn from collective sense and judgment to nonpublic forms of epistemic justification, is a distinctly rhetorical problem. This article offers, in response, a theorization of knowledge making as the means by which affective and material impingements upon bodies become publicly legible and rhetorically available. For this, the author turns, perhaps unexpectedly, to John Locke. Locke’s works offer the foundations of an empirical theory of rhetoric that embraces the sensible realm not as a conduit to reality (...) but as a space where social connection becomes possible. Locke engages this realm through natural historical inquiry. Tracing this inquiry to his commonplacing practices, the author presents the rhetorical-dialectical topics as a basis for the shared sense and judgment that he pursued and that post-truth demands. The topics, this article argues, guide and enlarge the senses, forming objects of knowledge with which to sustain public life—objects about which plural truths are possible. (shrink)

Contemporary philosophy of mind is dominated by a conception of our propositional attitude concepts as comprising a proto-scientific causal-explanatory theory of behavior. This conception has given rise to a spate of recent worries about the prospects for “naturalizing” the theory. In this paper I return to the roots of the “theory-theory” of the attitudes in Wilfrid Sellars’s classic “Empiricism and the Philosophy of Mind.” I present an alternative to the theory-theory’s account of belief in the form of a parody of (...) Sellars’s “Myth of Jones,” one that highlights the normative and pragmatic aspects of this concept and, hopefully, enables us to bypass questions about its physical “realization.”. (shrink)

This chapter develops a naturalistic and evolutionary psychological account of shame and the sense of shame, according to which shame is a social rank‐based emotion. Culture, itself a part of nature, can modify our Homo sapiens bioprogram. In a special case of the cultural modification of our shame program, Early Confucian culture sought to exploit shame in order to decrease high rates of violence in the Warring States period (475–221 BCE). Early Confucian leaders believed that if people were to acquire (...) increases in social rank primarily through prestige rather than violence, peace would reign. For several reasons, not least having to do with high‐fidelity cultural transmission of Confucianism through Chinese history, East Asians today display a heightened shame profile that makes them outliers with respect to the rest of the world. This is developed in the final part of the paper. (shrink)

The basic question cognitivists and most analytic philosophers of mind ask is how consciousness arises in matter. This article outlines basic reasons for thinking the question spurious. It does so by examining 1) definitions of life, 2) unjustified and unjustifiable uses of diacritical markings to distinguish real cognition from metaphoric cognition, 3) evidence showing that corporeal consciousness is a biological imperative, 4) corporeal matters of fact deriving from the evolution of proprioception. Three implications of the examination are briefly noted: 1) (...) the need to re-think the common assumption that unconsciousness historically preceded consciousness; 2) the need to delve as deeply and seriously into natural history as into brains and their computational analogues; 3) the need for a critical stance toward arm-chair judgments about consciousness and a correlative turn toward corporeal matters of fact. (shrink)

Inspired by a debate between Noam Chomsky and Jean Piaget, this work traces the development of natural history from Aristotle to Darwin, and demonstrates how the science of plants and animals has emerged from the common conceptions of folkbiology.

In the past, human violence was associated with food shortage, but recently it has increased even in relatively well-fed societies. The reason appears from studies of monkeys under relaxed, spacious conditions and under crowding stress. Uncrowded monkeys have unaggressive leaders, rarely quarrel, and protect females and young. Crowded monkeys (even well-fed) have brutal bosses, often quarrel, and wound and kill each other, including females and young. Crowding has similar behaviour effects on other mammals, with physiological disturbances including greater susceptibility to (...) infections. All this appears to be a regular response to overpopulation, reducing the population before it has depleted its natural resources. Human beings, like monkeys and other mammals, need ample space, and become more violent when crowded. Human history is marked by population cycles: population outgrows resources, the resulting violence, stress and disease mortality cuts down the population, leading to a relief period of social and cultural progress, till renewed population growth produces the next crisis. The modern population crisis is world-wide, and explains the increase of violence even in well-fed societies. The solution to the problem of violence is to substitute voluntary birth control for involuntary death control, and bring about relaxed conditions for a reduced world population. (shrink)

This article follows shorebirds—migratory animals that have gone from game to nongame animals over the course of the past century in North America—as a way to track modern field biology, bureaucratic institutions, and the valuation of wildlife. Doing so allows me to make interrelated arguments about the history of wildlife management and science. The first is to note the endurance of observation-based natural history methods in field biology over the long twentieth century and the importance of these (...) methods for the persistent contribution of amateurs. The second major line of argument advances the historical significance of scientific, government bureaucracies as sites of natural knowledge production. Historians of biology and ecology have tended to stress scientists with institutional homes in universities, museums, and at land-grant field stations—particularly as various forms of field biology became professionalized over the twentieth century. In contrast, migratory animals like shorebirds, whether under the auspices of the US Biological Survey or the contemporary Fish and Wildlife Service, were primarily studied and conserved by biologists in bureaucratic agencies. Mid- to low-level bureaucrats, along with avocational birders, have mainly been responsible for developing what we know about shorebird migration, behavior, and life history. And third, shorebirds foreground the importance of bureaucratic context for the valuation of nature, from their economic value to agriculture in the early twentieth century to their value as rare, endangered species in the twentyfirst. (shrink)

Excerpt from Cultures and Institutions of Natural History: Essays in the History and Philosophy of Science This volume consists mainly of papers delivered at two meetings cosponsored by the Museo Civico di Storia Naturale in Milan and the California Academy of Sciences in San Francisco. The first, on the Culture of Natural History, was held in Milan, November l4-l 6, I996. The second, on Institutions of Natural History, was held in San Francisco, October (...) 5 - 7, 1998. They followed two earlier conferences on Biology as History (pinna and Ghiselin I996; Ghiselin and Pinna I996) likewise held in Milan and San Francisco. We intend to continue the series of meetings and have publications based on them in commemoration of the Academy's sesquicentennial in 2003. The emphasis here is mainly upon natural history museums and the kind of science that goes on in them. Although the essays were originally written to stand by themselves, when arranged in chronological order they suggest a common theme. To paraphrase Darwin, the culture and institutions of natural history have been, and are being, evolved. They have adapted to local circumstances, diversified, and sometimes even progressed. We may hope that the future holds more than just retrogression and extinction in store. Read as case studies the essays provide valuable insights into not just how, but why, the institutions have come into being and subsequently been transformed. Previous generations had quite different ideas than we do about how a collection of naturalia is supposed to function and how it should be organized. And there were con icting goals and serious disputes about policy, much as there are today. Often, though not always, the institutions turn out to be very different from what had been envisioned by their founders. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.". (shrink)

Translating current research into accessible terms, Taylor discusses the brain's electrical and chemical processes, amnesia, mystical states, and multiple personality and the nature of dreaming, memory, pain, and intelligence.

Early-modern natural history has frequently been interpreted as a handmaid of natural philosophy. Mary Poovey, for example, has argued that seventeenth-century nuggets of information only became ‘m...

_ Source: _Volume 9, Issue 2, pp 220 - 239 Art has been crucial for Western philosophy roughly since Kant – that is, for what is becoming known as “correlationist” philosophy – because it has so often had assigned to it a singular ontological status. The artwork, in this view, is material being that has been transfigured and shot through with subjectivity. The work of art, what art does and how it works have all been understood as mediating between the (...) otherwise irreconcilable opposites of historical spirit and the mute material world, between communicative thought and the unresponsiveness otherness of nature. I revisit this aesthetic tradition from the perspective of the Anthropocene, the proposed name of the new geological epoch of the present, distinguished by the fact that collective human action has now acquired the scale of a world-shaping natural force. The Anthropocene is at once a geological epoch and a historical period. What forms of narrative might possibly relate these two temporal orders together? What other aesthetic categories might help us think through the conceptual impasse of the Anthropocene present? How might aesthetic experience illuminate the history of Anthropocene? What natural histories might artworks tell today? My speculative endpoint: the Anthropocene globe is the universal artwork of the contemporary moment. (shrink)

Investigators of animal behavior since the eighteenth century have sought to make their work integral to the enterprises of natural history and/or the life sciences. In their efforts to do so, they have frequently based their claims of authority on the advantages offered by the special places where they have conducted their research. The zoo, the laboratory, and the field have been major settings for animal behavior studies. The issue of the relative advantages of these different sites has (...) been a persistent one in the history of animal behavior studies up to and including the work of the ethologists of the twentieth century. (shrink)

This paper examines Allen Carlson's influential view that knowledge from natural science offers the best (and perhaps only) framework for aesthetically appreciating nature for what it is in itself. Carlson argues that knowledge from the natural sciences can play a role analogous to the role of art-historical knowledge in our experience of art by supplying categories for properly ‘calibrating’ one's sensory experience and rendering more informed aesthetic judgments. Yet, while art history indeed functions this way, Carlson's formulation (...) leaves out a second (and often more important) role played by art-historical knowledge over the last century – namely, providing the context needed for interpretations of meaning. This paper explores whether natural science can also inform our aesthetic experience of nature in this second sense. I argue that a robust sense of meaning from our aesthetic experience of nature is indeed made possible by coupling our aesthetic experience of animals with knowledge from the natural science of animal ethology. By extending the scope of Carlson's analogy to include interpretations of meaning, my argument shows that the cognitive, scientific model can accommodate a wider range of aesthetic engagement with nature than previously recognised. (shrink)

This article uses the mythological figure of the satyr to examine European attitudes towards incorporating mythical creatures into zoology and, more broadly, to survey attempts to reconcile the relative status of myth vis-à-vis modern science. Evidence is used from the past five hundred years to argue for the longevity of these debates, which continue to repeat the same arguments based on the same sources. It is argued that scholars’ attitudes towards Ancient civilizations play a significant role in explaining whether they (...) decide to consider the satyr as the product of the imperfect observation of monkeys or as a creature on its own right. (shrink)

This paper argues that the construction of natural histories, as advocated by Francis Bacon, played a central role in John Locke's conception of method in natural philosophy. It presents new evidence in support of John Yolton's claim that "the emphasis upon compiling natural histories of bodies ... was the chief aspect of the Royal Society's programme that attracted Locke, and from which we need to understand his science of nature". Locke's exposure to the natural philosophy of (...) Robert Boyle, the medical philosophy of Thomas Sydenham, his interest in travel literature and his conception of the division of the sciences are examined. From this survey, a cumulative case is presented which establishes, independently of an in-depth exegesis of his Essay Concerning Human Understanding, the central role for Locke of the construction of natural histories in natural philosophy. (shrink)

This article analyses the production and reception of the natural history film seriesSecrets of Nature(1919–33) and its sequelSecrets of Life(1934–47), exploring what these films reveal about the role of cinema in public discourses about science and nature in interwar Britain. The first part of the article introduces theSecretsusing an ‘intermedial’ approach, linking the kinds of natural history that they displayed to contemporary trends in interwar popular science, from print publications to zoos. It examines how scientific knowledge (...) was communicated in the series, especially the appeal to everyday experience as a vehicle to engage mass audiences with scientific subjects. The second part examines theSecretsseries through the lens of knowledge co-production, detailing how a range of different figures, including academic scientists, nature photographers, producers and teachers, became entangled in making the films. Recovering the term ‘ciné-biology’, it argues thatSecretsdeveloped a unique style of filmmaking that generated cultural space for the life sciences in British popular culture. The third part analyses two interwar cinema experiments to explore how audiences, imagined and real, shaped the kinds of natural knowledge characterized by theSecretsfilms. (shrink)