Kritische Theorie und Philosophische Anthropologie gelten noch immer als grundsätzlich einander widerstreitende Strömungen. Die Philosophien Helmuth Plessners und Theodor W. Adornos jedoch lassen sich, so die These dieses Buches, unter dem Namen der negativen Anthropologie zusammenführen. Edinger begreift negative Anthropologie im systematischen Sinn als strukturell negativ verfasstes Konzept, um elementare und exklusive Gemeinsamkeiten zwischen Adorno und Plessner sichtbar zu machen. Neben den grundsätzlichen Überlegungen, u.a. zum Konzept der Anthropologie bei Sonnemann und Gehlen, widmet sich der Autor auch beispielhaft den (...) Motiven der Kritik der Moderne und die Kritik der Geschichtsphilosophie durch Plessner und Adorno. Damit erreicht er eine neue Sicht auf das Verhältnis der beiden philosophischen Richtungen, die die gemeinhin akzeptierte unversöhnliche Frontstellung von philosophischer Anthropologie und Kritischer Theorie aufhebt. (shrink)

Negative theology is the attempt to describe God by speaking in terms of what God is not. Historical affinities between Jewish modernity and negative theology indicate new directions for thematizing the modern Jewish experience. Questions such as, What are the limits of Jewish modernity in terms of negativity? Has this creative tradition exhausted itself? and How might Jewish thought go forward? anchor these original essays. Taken together they explore the roots and legacies of negative theology (...) in Jewish thought, examine the viability and limits of theorizing the modern Jewish experience as negative theology, and offer a fresh perspective from which to approach Jewish intellectual history. (shrink)

The author attempts at questioning Habermas’ and Honneth’s claim that the linguistic turn within Critical Theory of society represents a way out of the “dead end” of the first generation of Frankfurt School theorists, who were unable to formulate an action-theoretic understanding of social conflicts. By presenting a view that Adorno, in his “Negative dialectic”, develops an insight into a crucial characteristic of the conflict nature of modern societies, which eludes the lingustic-pragmatist Critical Theory, the author tries to defend (...) and reactualize Adorno’s perspective. The paper analyzes some key aspects of the original idea of Critical Theory, and the “negativistic turn” that Adorno and Horkheimer made with the writing of “Dialectic of Enlightenment”. Having considered the central arguments of the “Negative Dialectic”, the author presents his understanding of Adorno’s concept of social conflict, which is then being contrasted with Habermas’ understanding of social conflict, formulated in terms of a systemic colonization of the lifeworld. Pointing out the weaknesses of Habermas’ concept, the author aims at sharpening the image of the conflict nature of modern societies that Adorno sketches, concluding that his perspective is able to question the framework of intersubjectivity that Habermas and Honneth take for granted. (shrink)

This book explores contemporary French philosophical readings of negative theology. It is the first general and comparative treatment of the role of negative theology in contemporary French thought.

A historical understanding of the virtue of consolation, as contrasted to empathy, compassion, or sympathy, is developed. Recent findings from neuroscience are presented which support and affirm this understanding. These findings are related to palliative care and its current practice in bioethics.

Among the biggest challenges facing the contemporary human condition, and therefore also education, is responding to the climate crisis. One of the sources of the crisis is assumed to be _absent-mindedness_, presented by Leslie Dewart as a distortion of the development of human consciousness. Dewart’s poorly-known philosophical consciousness study is presented in this paper in broad outline. The problems in the study of consciousness, the most important of which are the qualitative representations—qualia—and the question of free will, are also briefly (...) discussed. These problems are then examined transcendental analytically, with the question of what one must assume in order to allow the emergence of these phenomena. From the resulting conception of causal relationship, we proceed to the circular causality as a prerequisite for life, namely the homeostatic systems and negative feedback. An organization of action that is essential to animals and humans is presented, using William Powers’ perceptual control theory (PCT), and the role of consciousness in this organization is drafted according to the studies of Martin Taylor. Action is seen as continuous problem solving, in which negative feedback is used to bring perceptions into line with the goals. The fundamental function of consciousness is revealed as the direction and enhancement of learning. Based on PCT, it can be shown that the main practical problems in animal and, especially, human action, are related to adverse side effects of action and the resulting various conflicts. The climate crisis is a typical example of the problematic side effects of collective action. Dewart’s concept of absent-mindedness can therefore be defined as an inability to responsibly account for the side effects of action. Thus, the main task of education is to forestall, through negative feedback and in cooperation with learner consciousness, absent-mindedness and the problems it causes. (shrink)

Seventeenth century scholastics had a rich debate about the ontological status and nature of lacks, negations, and privations. Realists in this debate posit irreducible negative entities responsible for the non-existence of positive entities. One of the first scholastics to develop a realist position on negative entities was Thomas Compton Carleton. In this paper I explain Carleton's theory of negative entities, including what it is for something to be negative, how negative entities are individuated, whether they (...) are abstract or concrete, and how they affect their subjects. I argue that for Carleton, negative entities are conceived as spatially extended simples that affect their subjects by means of spatial overlap. I also show how Carleton responds to some theological worries about his realism concerning negative entities. (shrink)

During the past few decades, Quentin Skinner has been one of the most prominent critics of the ideas about negative liberty that have developed out of the writings of Isaiah Berlin. Among Skinner?s principal charges against the contemporary doctrine of negative liberty is the claim that the proponents of that doctrine have overlooked the putative fact that people can be made unfree to refrain from undertaking particular actions. In connection with this matter, Skinner contrasts the present-day theories with (...) the prototypical liberal account of negative freedom propounded by Thomas Hobbes. The present essay challenges Skinner?s position both philosophically and exegetically. Because an agent can always elect to cease his activity as an agent, the ostensible inescapability of certain actions is not the same as the outright inescapability of certain instances of inaction. Once this point is properly recognized, the way is clear for a re-evaluation of Hobbes (and of Skinner on Hobbes). (shrink)

Cantor argued that absolute infinity is beyond mathematical comprehension. His arguments imply that the domain of mathematics cannot be grasped by mathematical means. We argue that this inability constitutes a foundational problem. For Cantor, however, the domain of mathematics does not belong to mathematics, but to theology. We thus discuss the theological significance of Cantor’s treatment of absolute infinity and show that it can be interpreted in terms of negative theology. Proceeding from this interpretation, we refer to the recent (...) debate on absolute generality and argue that the method of diagonalization constitutes a modern version of the vianegativa. On our reading, negative theology can evoke an attitude of humility with respect to the boundedness of the human condition. Along these lines, we think that the foundational problem of mathematics concerning its domain can be addressed through a methodological attitude of humility. (shrink)

The advent of Modernity was accompanied by a radical criticism of traditional metaphysics. In particular since the 20th century, rationality is predominantly conceived of as positivistic and scientistic, reducing reality to what is positively knowable. The price to pay is the cutting out of any kind of phenomenon of negativity. The present volume explicitly explores the philosophical and epistemological potential of negativity. The contributions brought together in this book tackle the question of negativity from historical as well as from (...) systematical perspectives. From different angles, they defend the claim that philosophical approaches recurring to negativity can build a non-reductive conceptualization of rationality, and thus offer a valuable contribution to the orientation of humankind in the 20th and 21st century.0This volume contains contributions in English, French, and German. (shrink)

In this paper, the establishment of "modern" features, as subjectivity, representation and rational, and thus a concise statement of the post-modern critique of modernity, questioned and denied, in order to outline the negative characteristics of post-modern micro. However, more importantly, this will be more committed to master the modern mark out exactly what is very different from the new vision of modernity, made ​​any new way of life and ethical principles. This claim, post-modern addition to the challenge (...) of modernity, critical and negative, but also made ​​a positive value and vision. In other words, the "postmodern" will not just be a negative concept, puts a positive concept, can provide a positive value and ethical life. Which were open to him, to him who care for him who, for his generous and selfless person, and in which the pottery into the self, will be a future source of ethical principles and values ​​of life. Moreover, the rise of art from the post-modern sense of the sublime, it will be innovative and more importantly, aesthetic value, or is linked religious, ethical and artistic value of the key. Finally, out for the post-modern dualistic thinking, while offering more serious plight of relativism, we are trying to address the use of comparative philosophy, the problem of dualism, and advocated the micro-world and multi-cultural world, the ongoing language extrapolated to take and mutual learning, as a solution to relativism, to promote mutual understanding and a wealth of positive way. (shrink)

Negative theology or apophasis - the idea that God is best identified in terms of 'absence', 'otherness', 'difference' - has been influential in modern Christian thought, resonating as it does with secular notions of negation developed in continental philosophy. Apophasis also has a strong intellectual history dating back to the early Church Fathers. Silence and the Word both studies the history of apophasis and examines its relationship with contemporary secular philosophy. Leading Christian thinkers explore in their own way the (...) extent to which the concept of the apophatic illumines some of the deepest doctrinal structures of Christian faith, and of Christian self-understanding both in terms of its historical and contemporary situatedness, showing how a dimension of negativity has characterised not only traditional mysticism but most forms of Christian thought over the years. (shrink)

In this chapter, I reexamine how the interpretation of nothingness and negativity in Schopenhauer—within the wider nineteenth-century philosophical context, particularly in reference to his perceived rival Hegel and his heir and critic Nietzsche—informed his encounter with “oriental thought,” his reception of Buddhism as a philosophical and religious system centering on negativity, and trace how he construed the central Buddhist concept of emptiness in the context of Western ideas of nothingness. Nineteenth-century German philosophers are inadequately aware of the changing senses and (...) complex argumentative discourses concerning the Sanskrit expression śūnyatā and the Chinese term kong 空 and the problem of translating Buddhist emptiness as nothing or void. Relying on the same range of historical sources that were then becoming available in the German speaking world, Schopenhauer and other thinkers such as Hegel perceived similar philosophical questions in these sources, while arriving at conflicting diagnoses of their philosophical and practical significance. We consequently can trace how the reception of Buddhist emptiness becomes interculturally entangled with and a source in argumentation concerning the nature of being and nothingness in modern German philosophy. (shrink)

Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch's notion of (...) exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare's works. Petrarch and Shakespeare poetically show how identity is alien and decentred - yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers. (shrink)

Does modernity still have a future? The news from the modern world suggests a negative answer. It is true, the project of modernity, in the fourth century after its inception, has still not been brought to its completion. Modern man has not yet succeeded in establishing himself as maître et possesseur de la nature. Nevertheless, he has elevated himself above his earthly existence by mastering the laws of space travel; the man in the moon, formerly a mythological (...) figure, has now an American name. Modern man has not yet reached Utopia where the necessity of labor and the ease of leisure would be reconciled; in many regards, he is still bound to toil for his subsistence. But he has invented artificial intelligence and thus has found a humanoid substitute for an endless number of cumbersome tasks; work is transformed into computer games. Modern man has not yet become the Lord of his life, he continues to miss a complete control over infirmities, afflictions, and, finally, death. But he has fathomed the biochemical basis of life and acquired the skills to manipulate the forms of being; the breath of life is recorded as genetic code. (shrink)

I argue that in Julia Kristeva’s concept of negativity, conceived of as the recuperation, through transformation, of a traumatic remnant of the past, we can find a parallel to what Theodor Adorno, following Walter Benjamin, calls a mimesis that in its emphasis on non-identity is able to remain faithful to the ban on graven images interpreted materialistically rather than theologically. A connection between negativity and the theological ban on images is suggested in Adorno’s claim that a ban on positive representations (...) of utopia leads to a practice of negating the negative, that is, of exposing the injustices of modern life. Both Adorno and Kristeva discern in contemporary art a capacity to critique modernity and envision a better world, but insist that this art must not represent what it indicates. I also examine Benjamin’s writings on photography in order to argue that a mimesis that respects the ban on graven images moves us beyond the systematic optimism of the Hegelian dialectic, and extends the philosophy of history into the unknown of the unconscious. (shrink)

The tradition of negative theology has very deep roots which go back to the Late Greek Antiquity and the Early Christian period. Although Dionysius is usually regarded as “the Father” of negative theology, yet he has not initiated a revolution in the religious philosophy, but rather brought together various elements of thinking regarding the knowledge of God and built a system which is a synthesis of Platonic, neo-Platonic and Christian ideas. The aim of this article is to illustrate (...) the views of some more modern theologians on the nature, types and levels of apophaticism in the Greek Patristic tradition, trying to establish the role that negation can play in facilitating man’s attaining to the knowledge of God. (shrink)

Adorno describes Bergson and Husserl as the proper originators of philosophical modernity. What is characteristic of the initiatives these thinkers take is, according to him, an essay in breaking out both from the philosophical systems of idealism and from neo-Kantian formalism. It is shown in the present paper that Adorno’s own project to elaborate a negative dialectics can be understood as a continuation, or re-enactment, of this Ausbruchsversuch of his great predecessors. Moreover, in one of his lecture courses (...) given in the early sixties of the last century, Adorno makes it clear that his main philosophical project is mediated by Husserlian phenomenology and Heideggerian ontology. On the other side, however, the justification of a negative dialectics relies, to a large extent, on a criticism of Bergsonian intuitionism, as well of Husserlian phenomenology and Heideggerian ontology. The upshot of these conflicting tendencies in Adorno’s later philosophical work is a tragic feature, which, in the present paper, is exhibited and highlighted on the ground of an enquiry into the idea of a spiritual experience put forward by Adorno in one of his lecture courses from the sixties, as well as in the Introduction to his main philosophical work Negative Dialectics. (shrink)

This chapter examines the notion of philosophical truth that Adorno, in Negative Dialectics, believes to be possible by means of his changed conception of philosophy. What that examination finds is that philosophical truth, as Adorno recommends it, is realized through “singular” philosophical experiences. The critical question is that of how the truths that are conveyed through “singularity” can be understood to have persuasive force over us, Adorno's readers. Also examined is the relationship between the philosophically authentic “singularity” approach and (...) the critical endeavors evident, in the same book, through Adorno's engagements with a range of figures from the modern philosophical tradition. (shrink)

In this article, I will first present a number of contemporary philosophical conceptions that offer various solutions to the “paradox of negative emotions” as a general problem of how one can enjoy art that involves painful emotions. Solutions presented include ambivalence and value judgments theories, compensatory theories, and theories of catharsis. Then the article highlights a number of modern empirical studies devoted to this paradox. Despite the fact that they contain methodological and substantive problems, and do not add up (...) to a coherent system, their results are valuable, since they challenge the possibility of a universal solution to the paradox. (shrink)

Can mythology be a form of critical theory in the service of right? From the standpoint of an Enlightenment tradition, the answer is no. Mythology is characterised by irrationality, and works to mystify reality, whilst critical theory is set against the irrational, its entire force directed at demystifying reality. In a post-Enlightenment tradition, reason, including critical reason, may take mythological form—indeed, there is identity as much as non-identity between the two forms, a mimetic relationship in which the rational cannot be (...) freed of the mythological any more than myth can stand outside reason. However, the work of critical theory remains essentially the same. Whether in the form of rational myth or mythological reason, critical theory must remain in the service of right in the sense of ‘the true’, and thus remains an enlightenment project. In contrast, the aim of this essay is to put forward a model of critical theory that is sympathetic with mythology, not only in its form, but also in the work that it does, which is not in the service of the true but of the good. That model is Peter Fitzpatrick’s seminal work of jurisprudence, The Mythology of Modern Law. After addressing how Fitzpatrick’s Mythology is in the form of a negative mythology, the essay elaborates the critical work of such mythological critical theory. In the case of Mythology, that work involves creating the conditions for a mythological legal pluralism, through the decolonisation of law. (shrink)

From climate change, debt, and refugee crises, to energy security, environmental disasters, and terrorism, the events that lead nightly newscasts and drive public policy demand a global perspective. In the twentieth century the world sought solutions through formal institutions of international governance such as like the United Nations, the International Criminal Court, and the World Bank, but present-day our responses to global realities are often more provisional, improvisational, and contingent. Tracing this uneven history in order to identify principal actors, contesting (...) ideologies, and competing rhetoric, Negative Cosmopolitanism challenges the Kantian ideal of cosmopolitanism as the precondition for a perpetual global peace. Uniting researchers working on contemporary problems with those studying related issues of the past--including slavery, industrial capitalism, and corporate imperialism--essays in this volume scrutinize the entanglement of cosmopolitanism within expanding networks of trade and global capital from the eighteenth-century to the present. By doing so, the contributors pinpoint the ways in which whole populations have been unwillingly caught up in a capitalist reality that has little in common with the earlier ideals of cosmopolitanism. A model for provoking new and necessary questions about neoliberalism, biopolitics, colonialism, citizenship, and xenophobia, Negative Cosmopolitanism establishes a fresh take on the representation of globalization and modern life in history and literature. (shrink)

Characterizing Hegel’s complex assessment of modernity has always depended on which texts one looks at, and how one understands the “modernity problem.” It is obvious enough that Hegel’s pre-Jena and early Jena writings do indeed partly reflect what Nietzsche called a kind of German “homesickness,” a distaste with Enlightenment “positivity,” and an appeal to the models of the Greek polis and the early Christian communities as ways of understanding, by contrast, the limitations of modern philosophic, religious and political (...) life. In these texts, the Enlightenment victory over religion is portrayed as Pyrrhic, as the idealization of a calculating, fragmenting model of rationality, all in a way that merely transferred an oppressive, alien law-giver from without to within. This Enlightenment is a “hubbub of vanity without a firm core,” a purely “negative” reaction to custom and religion that tries to “turn this nothingness into a system.” On such a familiar view, Hegel represents, together with Schiller, Schelling and others, a “romantic reaction” to modernity continuous with Rouseau’s Second Discourse, united in various attempts to reject the abstract, materialist, “dehumanizing” nature of modern institutions, without a regression into premodern forms of thought. (shrink)

The world (specifically the universe in which modern mankind, the same below) there is no absolute essence. The world's primitive also has uncertainty; the existence of all is possible. On the universe in which modern human live, the unity and distinction of material and spirit constitute the world's basic contradiction. (1) The unity of material and spirit. Many have a negative in the overall delicate generation: the material includes the spirit, the spirit depends on the material, among them under (...) certain conditions can be transformed into each other. (2) The material and spirit is distinct: The material is essentially an objective system, the objective freedom is the essence of the spirit.The collection system is the unity of opposites; freedom is relative to the state system. (3) The spirit and awareness are two different concepts, it is necessary to distinguish between. Material and the sense of confrontation: the material is an objective reality, subjective consciousness is reflected. (4) The material and the sense of unity: the material is the source of awareness, consciousness is a product of material; material decides consciousness, awareness counterproductive in the material. Material and a sense of the unity of opposites minor contradictions in the world. (5) World of certainty and uncertainty, know and unknown, relative and absolute, as well as activity problems are dialectical. (6) Dialectics generally applicable to the entire world, but also dialectical view of its own, it should be the development of a multiple, three-dimensional, not the sleek dialectics. (shrink)

Loneliness is one of the most neglected aspects of emotion history, despite claims that the 21st century is the loneliest ever. This article argues against the widespread belief that modern-day loneliness is inevitable, negative, and universal. Looking at its language and etymology, it suggests that loneliness needs to be understood firstly as an “emotion cluster” composed of a variety of affective states, and secondly as a relatively recent invention, dating from around 1800. Loneliness can be positive, and as much (...) a part of the body as the mind. Using a longue durée approach, I argue that we cannot understand loneliness as a “modern epidemic” without considering its history, its meanings, its practice, and its links with the body. (shrink)

Negative feedback is an important mechanism whereby the organism maintains its balance in a complicated system. It may beregarded as a modern version of the ancient Eastern wisdom of Yin and Yang balance. Control of pain and analgesia, is no exception: CCK seems to serve as a built-in mechanism for the modulation of opioid analgesia system [dickenson].

This article elaborates Theodor W. Adorno’s understanding of ‘negation’ and ‘negative theology.’ It proceeds by introducing a typology of negation within modern philosophy roughly from Descartes onwards, showing how Adorno both fits and also stands out in this typology. Ultimately, it is argued that Adorno’s approach to negation and thereby to negative theology is throughout distinguished and infused by an ethical commitment.

This article shows how Jürgen Habermas and Claude Lefort try to explain the relationship between universality and particularity in modern democratic societies, politics and civil society. It will demonstrate that Habermas defends a substantive kind of universality that is opposed to particular positions and thus to real politics. This article further argues that Lefort’s lesser known theory of negative universality is better at combining a universal and a particular perspective. It claims that where Habermas requires citizens to transform their (...) particular interests, Lefort emphasizes that individual actors should acknowledge their particular position and interests when invoking universal principles. The article further argues that their disagreement leads to a different interpretation of ideology, politics, power, civil society, human rights, popular sovereignty, elections and the state. (shrink)

In “Modern Abstract Sacrifice in Robespierre’s Terror and Hitler’s Holocaust,” I use Hegel’s analysis of Robespierre’s Terror in the Phenomenology and Adorno and Horkheimer’s analysis of the Nazi Holocaust in the Dialectic of Enlightenment to identify what I term “modern abstract sacrifice” as the dominant kind of instrumental destruction that took place during these nation-building mass-sacrifices. As I show, these events relied upon a justificatory instrumental logic—a sacrificial story—even if that sacrificial story broke down or was abandoned in practice, in (...) which case the destruction became indiscriminate rather than targeted. First, I analyze Hegel’s critique of the Reign of Terror, which he sees as a product of the immediate identity of the general will and the individual will: the revolutionaries collapsed the will of all and the will of each, rendering individuality as such logically impossible. As a result, all individuals became objects of suspicion worthy of sacrifice by guillotine, for the sake of guaranteeing the triumph of the state based on reason. Next, I analyze Adorno and Horkheimer’s critique of the fascist sacrifice of the Jewish people using their political-economic and pathological theories of antisemitism. Adorno and Horkheimer see fascist antisemitism as a manifestation of the logic of substitution, operative in both liberal capitalist ideology—in which the Jewish people represent the forces of capital, obsolete pre-modern tradition, and statelessness—as well as fascist ideology—in which the Jewish people represent the metaphysical forces of evil and “negativity as such.” Finally, I assert that the principal commonality between modern abstract sacrifice in the Terror and the Holocaust is the fact that the victims were all reduced to exchangeable representatives of an abstract category, in spite of the fact that their unique identities were indispensable for the ideological justification of these mass-sacrifices. (shrink)

Nietzsche, Aesthetics and Modernity analyses Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments (...) on figures as diverse as Wagner, Zola, Delacroix and Laurence Sterne, it highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice. As such, Nietzsche the dialectician articulates a position that proves to be intimately connected to the negative dialects of Theodor Adorno. (shrink)

Against the common supposition that Adorno’s thinking remains caught in a distressing form of pessimism rendering it impotent in the face of modern capitalism and the fungibility of subjects, the article argues that the operation of negative dialectics inherently contains a productive moment that suggests the promise of a qualitatively different philosophy. Through an analysis that employs the multivalent senses of play at work in Adornian thinking — and particularly the notions of gamble, risk and chance — as its (...) primary interpretive key, the article shows that this promise for a philosophy ‘to come’ is at work in the use of parataxis and the practice of constellating concepts; in the invocation of metaphysical experience and affective language; and in the descriptions of critical philosophy as engaged in a practice of ‘critique and rescue’ or ‘wounded healing’. (shrink)

What has philosophy become after computation? Critical positions about what counts as intelligence, reason, and thinking have addressed this question by reenvisioning and pushing debates about the modern question of technology towards new radical visions. Artificial intelligence, it is argued, is replacing transcendental metaphysics with aggregates of data resulting in predictive modes of decision-making, replacing conceptual reflection with probabilities. This article discusses two main positions. While on the one hand, it is feared that philosophy has been replaced by cybernetic metaphysics, (...) on the other hand it is claimed that only the coconstitution of philosophy and automation challenges modern transcendental reason and colonial capital. As Donna Haraway pointed out, cybernetic circuits of communication have constructed counterfactual ontologies against the master narrative of the human. This article addresses recent attempts at redeveloping a critique of natural philosophy that explains cybernetic metaphysics beyond the universal master narratives of mechanicism and vitalism. This article suggests that the recursive system of nature and technology also needs to account for the problem of philosophical decision, which will be explored in terms of mediatic thinking, instrumentality, and automation. This article follows insights from the movie Get Out (2017) to argue that the model of philosophical decision relies on a servomechanic understanding of the medium of thought, based on the colonial abstraction of value in the prosthetic extension of the slave-machine. It explores the nonphilosophical envisioning of automation in terms of a counterfactual theorisation of the negative negation of the medium and argues for a nonoptical darkness entering the space of thinking. Philosophy and automation are neither coupled nor set in opposition as if in a ceaseless mirroring. Instead, both philosophy and automation must transform their self-determining axiomatics in order to host the heretic activities of machine propositions. (shrink)

Negative capability--paintings (non si vede quasi niente) -- Negative capability (dissonanza feroviaria) -- Orrizzonte -- (Finestre).

Architecture defines and consumes people. It exposes them to a multitude of varieties of different aesthetic engagements. Architecture becomes a lived experience. However, this lived experience is always caught in the inner workings of the social and more specifically within cultural ideology. In modern capitalism, culture pervades every aspect of our lives. It shows its presence everywhere from our own homes to the public streets. Culture is everywhere, and architecture is a tool used for both the benefit and detriment of (...) the “culture industry”. Kant speaks of the sublime as a profound moment of reason realizing its ability to overcome its own limits. In this experience is it possible to be completely ravaged and descend into hades and melancholy? Is there a beauty in this descent? More specifically, can architecture become banal or pedestrian, uplifting or depressing? According to Theodor Adorno, our subjectivity is defined by the constant dialectical struggle between freedom and unfreedom (among other things). It is realizing our freedom in the face of our unfreedom that makes us truly able to attain some form of resistance. The sublime experience can be transformed into a spirit of revelation and beautifully allow us to in a way resist the one-dimensional tendencies of modern capitalism. Architecture, which is immersed in our societal being and contributes to many of our own subjective unfreedoms, comes to define our lives as inhabited space. When does architecture produce a sublime experience? Can architecture’s authentic “aura” stand out amongst the reproduced city and produce a sublime feeling that can be a form of resistance against the culture industry? Does Grand Central Terminal provide the key to an architecturally sublime experience? Using dialectical experience and examining the sublime feeling (in a critique of the Kantian sublime) as the key to breaking through the culture industry’s banal architectural hold on our subjectivity, this essay will examine the experience of the sublime as a key to unfolding resistance in the face of the banality of modern architecture in the city and opening our minds to the Great Refusal through the exploration of Grand Central Terminal. (shrink)

Exploring the risks, ambiguities, and unstable conceptual worlds of contemporary thought, Crossover Queries brings together the wide-ranging writings, across twenty years, of one of our most important philosophers.Ranging from twentieth-century European philosophy—the thought of Heidegger, Foucault, Derrida, Levinas, Janicaud, and others—to novels and artworks, music and dance, from traditional Jewish thought to Jain andBuddhist metaphysics, Wyschogrod’s work opens radically new vistas while remaining mindful that the philosopher stands within and is responsible to a philosophical legacy conditioned by the negative.Rather (...) than point to a Hegelian dialectic of overcoming negation or to a postmetaphysical exhaustion, Wyschogrod treats negative moments as opening novel spaces for thought. She probes both the desire for God and an ethics grounded in the interests of the other person, seeing these as moments both of crossing over and of negation. Alert to the catastrophes that have marked our times, she exposes the underlying logical structures of nihilatory forces that have been exerted to exterminate whole peoples. Analyzing the negationsof biological research and cultural images of mechanized and robotic bodies, she shows how they contest the body as lived in ordinary experience.“Crossover Queries brings together important essays on a remarkable range of topics by one of our most insightful cultural critics. Commenting on philosophical and theological issues that have shaped the recent past as well as scientific and technological questions that will preoccupy us in the near future, Wyschogrod consistently alerts us to the urgency of problems whose importance few recognize. To avoid the challenge these essays pose is to avoid responsibility for a future that appears to be increasingly fragile.”—Mark C. Taylor, Columbia University. (shrink)

Hegel is most famous for his view that conflicts between contrary positions are necessarily resolved. Whereas this optimism, inherent in modernity as such, has been challenged from Kierkegaard onward, many critics have misconstrued Hegel's own intentions. Focusing on the Science of Logic, this transformative reading of Hegel on the one hand exposes the immense force of Hegel's conception of tragedy, logic, nature, history, time, language, spirit, politics, and philosophy itself. Drawing out the implications of Hegel's insight into tragic conflicts, (...) on the other hand, De Boer brings into play a form of negativity that allows us to understand why the entanglement of complementary positions always tends to turn into their conflict, but not necessarily into its resolution. (shrink)

A contribution to the sixth installment of the Common Knowledge symposium “Apology for Quietism,” this article focuses on the early-twentieth-century Quaker historian and philosopher of mysticism, Rufus Jones, who treated Quietism as in polar opposition to the work of Quakerism “here in this world.” Consequently, he placed Quietism within a negatively-constructed framework of belief, identifying much of its influence in Quaker history on the spiritual teachings of the Miguel de Molinos, Madame Guyon, and François Fénelon. This article examines Jones's premise (...) that Quietism was “no more than a noble mood, too rare and abstract to be translated into real human life.” It contends that Jones's aversion to Quietist influences in Quaker history had more to do with his own personal ambivalences, his response to the violence of World War I, his modernizing agenda, and his distorted understanding of Quietist spirituality than with anything inherent to Quietism itself. (shrink)

Kann es sein, dass unser Denken unauflösliche Widersprüche enthält? Die Paradoxien des Unendlichen sind ein guter Kandidat dafür. Kant hat in seiner transzendentalen Dialektik behauptet, dass wir das Unendliche nicht konsistent denken können. Hegel hält mit einer faszinierenden positiven Dialektik dagegen, die das Unendliche widerspruchsfrei denken will. Bei Cantor jedoch, der die moderne Auffassung des Unendlichen revolutioniert hat, kehren die Paradoxien wieder zurück. Guido Kreis zeigt, dass unsere Begriffe vom Unendlichen relativ zu unseren besten Theorien tatsächlich inkonsistent sind, und führt (...) anhand dieser negativen Dialektik zugleich in die Grundformen der modernen Dialektik ein. (shrink)

Sustainable products are engineered to reduce environmental, ecological, and human costs of consumption. Not all consumers value sustainable products, however, and this poses negative societal implications. Using self-expansion theory as a guide, we explore how an individual’s general sense of belonging—or the perception that one is accepted and valued by others in the broader social world—alters their responses to sustainable products. Five experimental studies and a field study demonstrate that individuals lower in belonging respond less favorably to sustainable products (...) in terms of evaluations and willingness to pay than individuals higher in belonging. Process evidence shows that the extent to which individuals low in belonging perceive that collective, sustainable choices will impact them personally drives this result and that belonging does not impact responses to conventional (i.e., non-sustainable) products. However, perceiving a shared human experience—or that individuals share some important, basic similarities with all people—attenuates the negative effect of low belonging on responses to sustainable products for consumers both low and high in belonging. This research has significant implications for businesses and society given the growing sense of disconnect in modern society. (shrink)

Gregor Moder’s Hegel and Spinoza: Substance and Negativity is a lively entry into current debates concerning Hegel, Spinoza, and their relation. Hegel and Spinoza are two of the most influential philosophers of the modern era, and the traditions of thought they inaugurated have been in continuous dialogue and conflict ever since Hegel first criticized Spinoza. Notably, eighteenth- and nineteenth-century German Idealists aimed to overcome the determinism of Spinoza’s system by securing a place for the freedom of the subject within it, (...) and twentieth-century French materialists such as Althusser and Deleuze rallied behind Spinoza as the ultimate champion of anti-Hegelian materialism. This conflict, or mutual rejection, lives on today in recent discussions about materialism. Contemporary thinkers either make a Hegelian case for the productiveness of concepts of the negative, nothingness, and death, or in a way that is inspired by Spinoza they abolish the concepts of the subject and negation and argue for pure affirmation and the vitalistic production of differences. Hegel and Spinoza traces the historical roots of these alternatives and shows how contemporary discussions between Heideggerians and Althusserians, Lacanians and Deleuzians are a variation of the disagreement between Hegel and Spinoza. Throughout, Moder persuasively demonstrates that the best way to read Hegel and Spinoza is not in opposition or contrast but together: as Hegel and Spinoza. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Academic Skepticism in Early Modern PhilosophyJosé R. Maia NetoAncient skepticism was more influential in the sixteenth and seventeenth centuries than it had ever been before. Thanks to the groundwork of Charles B. Schmitt and Richard H. Popkin on the influence of ancient skepticism in early modern philosophy and to the extensive research that followed their lead, skepticism is now recognized as having played a major role in the rise (...) of modern thought. 1There were two ancient skeptical schools, Academic skepticism and Pyrrhon-ism. Were both equally influential? Until the sixteenth century, Pyrrhonism was scarcely known. Only a few copies of Sextus’s books (the only surviving primary source of ancient Pyrrhonism) have been discovered in medieval libraries. By contrast the main source of Academic skepticism, Cicero’s Aca-demica, was occasionally referred to by medieval authors and was the object of some commentaries and criticism in the Renaissance. 2 Academic skepticism was preserved from the Middle Ages to the Renaissance not only through Cicero’s Academica, but also through Lactantius’s Divinae Institutiones and [End Page 199] Augustine’s Contra Academicos. 3 This situation changed when Sextus’s works were translated to latin and published in 1562 and 1569. Sextus presents a much more complete and detailed account and defense of ancient skepticism than that of Cicero’s Academica. Sextus presents Pyrrhonism as a coherent form of skepticism and Academic skepticism as a kind of negative dogmatism. 4 It was thus natural that the ancient skepticism that fascinated some (and troubled so many) early modern thinkers was mostly Pyrrhonian. Because of the publication of Sextus’s works, according to Schmitt, the increasing influence of Cicero’s Academica in the Renaissance was halted. Sextus’s Hypotyposes and Adversus Mathematicos took the place of Cicero’s Academica and drastically increased the influence of ancient skepticism. 5 The skeptical crisis at the dawn of modern philosophy is called “pyrrhonienne” not “academicienne.”While the appearance of Sextus’s works in Latin turned him and Pyrrhonism into the main source and influence of ancient skepticism in early modern philosophy, further research on the history of skepticism in the period has shown that the role of Cicero’s Academica and of Academic skepticism in general continued to be considerable. First, Cicero’s works were important items in the university curricula. Although Cicero’s works of rhetoric and morals were those more read, the students could certainly learn about Academic skepticism through at least some of them. Second, many editions of De Natura Deorum, a work of Cicero’s in which Academic skepticism is quite central, were published during the seventeenth century. Third, features of Academic skepticism, exhibited above all in Cicero’s Academica, are basic to the skepticism revived in the late Renaissance by Montaigne and Charron; were related to the new science in the first half of the seventeenth century by Gassendi; were used in the anti-Cartesian reaction of the late seventeenth century by Rapin, Huet, Bayle, and above all Foucher; and were radicalized in the eighteenth century by Hume. Despite the Academic features of Montaigne’s, Charron’s, and Gassendi’s skepticisms, it does seem that from the publication of Sextus’s works to the mid-seventeenth century, Academic skepticism was secondary to Pyrrhonism. But the appearance of Descartes and the development of Cartesianism in the second half of the seventeenth century set conditions for a complete revamping of Academic skepticism, bringing about what Schmitt thought was precluded by the appearance of Sextus in the modern scene, namely, a “full flowering of the Academica as a work to inspire new directions of philosophical thought.” 6 [End Page 200]Montaigne’s Apologie pour Raimond Sebond is rightly considered the first major result of the revival of ancient Pyrrhonism in modern thought. 7 Montaigne never cites the name of Sextus nor acknowledges his source and, by contrast, fills his Apology with passages from Cicero on the Academic skeptics. It is clear, however, that Montaigne follows closely Sextus’s Outlines of Pyrrhonism in the central part of the Apology where he gives a detailed and sympathetic exposition of ancient skepticism.After dwelling on the evils and problems arising from knowledge and science, Montaigne... (shrink)

At the time of Plato's Republic, the citizens lived in a unity of religion and politics. Hegel refers to this life, prior to the rending of the conscience into the exterior modern State and interior religion, as beautiful, free, and happy.Perhaps the nostalgia for the beautiful, free, and happy unity presides today over the confused attempts to “change life,” where politics and religion exist side by side and intermingle. But this unity was not possible except in the ideal of the (...) Republic; the current confusion takes place rather in the name of a utopian non-city. (shrink)