The most well-known and controversial solution to the paradox of fiction is Kendall Walton’s, according to whom pity of (say) Anna Karenina is not genuine pity. Walton’s opponents argue that we can resolve the paradox of fiction while preserving the intuition that our response to Anna is ordinary, run-of-the-mill pity; and they claim that retaining this intuition explains more than Walton’s approach. In my view, the arguments of Walton’s opponents depend on idiosyncratic features of examples involving purely fictional characters (...) like Anna Karenina. What is really at issue is the fact that we respond emotionally to fiction in ways that are not explained by our beliefs, but instead by what we imagine. That this is the crux of the paradox of fiction becomes clear only when we consider fictions about real persons and events. And I contend that once we turn our attention to these cases, Walton’s theory proves significantly more explanatory than the opposition. (shrink)

This book summarizes in a compact volume Runciman’s arguments to comparative sociologists that their discipline belongs under the theoretical umbrella of neo-Darwinian selectionism. In his view, heritable variation and competitive selection govern cultural and social as well as biological evolution. Runciman makes a strong case for the usefulness of selectionism, but two of the theory’s central features are problematic: his choice of units of selection; and the notion that culture can be distinguished from society historically as well as analytically. No (...) one friendly to the basic project would argue against the need for hypotheses about units that undergo selection, but arguments can be made, also on pragmatic grounds, that he has chosen the wrong kinds of units. Runciman’s learning and wisdom show to good effect in the book’s fundamental approach: in the overall human story, the biological, cultural, and social coevolve. The quickly accumulating evidence of evolutionary psychology, anthropology, sociology, and neuroscience strongly supports the hypothesis that there is a biological basis for a great deal of human behavior, and also that sociocultural evolution modifies genes. History, in this way of thinking, is like a “braided stream” of unpredictably mutating, blending, and coevolving biological, cultural, and social processes. The old Darwinian image of branching fails to capture the complexity of evolutionary processes in biology, culture, and society. Runciman outlines a unified bio-social science relying upon information theory. If his program were carried out consistently it would relegate to a non-scientific level the traditional historical narratives about “carriers” or “vehicles.” The scientific-explanatory level would instead feature replicators. Game-theory strategies play a prominent role in the selectionist picture. The emphasis on units of information stored in human brains or in exosomatic brain prostheses pushes neuroscience and information theory to the fore. An argument for the analytic-heuristic value of “memes” and “practices” should be weighed against the value of other hypothetical units undergoing selection in a sociocultural evolutionary approach. (shrink)

According to QBism, quantum states, unitary evolutions, and measurement operators are all understood as personal judgments of the agent using the formalism. Meanwhile, quantum measurement outcomes are understood as the personal experiences of the same agent. Wigner’s conundrum of the friend, in which two agents ostensibly have different accounts of whether or not there is a measurement outcome, thus poses no paradox for QBism. Indeed the resolution of Wigner’s original thought experiment was central to the development of QBist thinking. The (...) focus of this paper concerns two very instructive modifications to Wigner’s puzzle: One, a recent no-go theorem by Frauchiger and Renner, and the other a thought experiment by Baumann and Brukner. We show that the paradoxical features emphasized in these works disappear once both friend and Wigner are understood as agents on an equal footing with regard to their individual uses of quantum theory. Wigner’s action on his friend then becomes, from the friend’s perspective, an action the friend takes on Wigner. Our analysis rests on a kind of quantum Copernican principle: When two agents take actions on each other, each agent has a dual role as a physical system for the other agent. No user of quantum theory is more privileged than any other. In contrast to the sentiment of Wigner’s original paper, neither agent should be considered as in “suspended animation.” In this light, QBism brings an entirely new perspective to understanding Wigner’s friend thought experiments. (shrink)

Erasmus' Adages, a vast collection of the proverbial wisdom of Greek and Roman antiquity, was published in 1508 and became one of the most influential works of the Renaissance. It also marked a turning point in the history of Western thinking about literary property. At once a singularly successful commercial product of the new printing industry and a repository of intellectual wealth, the Adages looks ahead to the development of copyright and back to an ancient philosophical tradition that ideas (...) should be universally shared in the spirit of friendship. In this elegant and tightly argued book, Kathy Eden focuses on both the commitment to friendship and common property that Erasmus shares with his favourite philosophers - Pythagoras, Plato, and Christ - and the early history of private property that gradually transforms European attitudes concerning the right to copy. In the process she accounts for the peculiar shape of Erasmus' collection of more than 3,000 proverbs and provides insightful readings of such ancient philosophical and religious thinkers as Pythagoras, Plato, Aristotle, Cicero, Iamblichus, Tertullian, Basil, Jerome, and Augustine. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Family, Friends, and Cancer:The Overwhelming Effects of Brain Cancer on a Child’s LifeLynne ScheumannOur son was diagnosed with a medulloblastoma at the old age of 13. The “lucky” part for him was his brain was almost fully developed at this age as opposed to most “medullo” patients. While this was a benefit to him it was also one of the hardest things for him.He went into surgery a (...) highly intelligent, active, and left handed boy and came out unable to move his left side, could barely speak, and very much aware of what he just lost. We, as a family, were totally unprepared for how globally this would [End Page 23] affect the rest of his life. As we spent time in the hospital I would look at the children with other types of cancer and see them walking and talking and doing their schoolwork and God forgive me I would be jealous. The fact that the cancer was in his brain, the part of his body that makes him who he is changed everything forever.He lost all of his friends because 13–year–old boys communicate best through physical activity and that was not an option for him. He still has the same personality and sense of humor, but he will not be the architect or engineer he once dreamed of being. Math, that was once so easy for him was now like a foreign language, never to be mastered again. He was able to graduate from High School and takes classes at our local Junior College in Computer Assisted Drafting, but he can only manage one or two classes a semester due to the fatigue he still suffers from.What I most worry about and wish I had been forewarned about is his long–term quality of life. Physically he has come such a long way from how he was after the resection. It was a very slow process in which the first year of rehab was slowed by the fact that one of the chemo agents causes peripheral neuropathy. He developed contractures in his ankles and needed serial casting and ankle–foot orthotics (AFO) not just on the left leg, but now the right. He was able to switch his handedness fairly easily and his left hand will always be of limited usefulness because of ataxia. I would get angry at him that he gave up on his left side so quickly until it was finally explained to me years later that the ataxia would never get better.As far as his walking ability goes he has come a long way. At first he was unable to walk and once he started rehab he went back to learning to crawl and progressed to a walker. The first time I saw him walk with the walker brought tears to my eyes. It was so much more of an event for me than when he took his first steps as a toddler. This was so much more hard fought. He never complained, just always did what was asked of him. It had to have been such hard work and also somewhat embarrassing, as he needed help to literally do everything for months. He progressed to a cane and about two years ago decided not to use that or his AFO’s. He now wears high top boots that substitute for the AFO’s but don’t make him appear disabled. Recently he decided there are times when he would be safer if he had his cane and purchased one that looks more like a hiking stick than a cane. I think he has come to terms with the fact that physically he is as good as he is going to get and works hard to maintain what he did regain. He has a trainer and goes to the gym on a regular basis with no prompting from us. I do not know if he realizes that as he ages things will be harder for him than the average person. I think in some way he is aware of that because he did decided to use the cane if safety is an issue.His... (shrink)

Why, morally speaking, ought we do more for our family and friends than for strangers? In other words, what is the justification of special duties? According to partialists, the answer to this question cannot be reduced to impartial moral principles. According to impartialists, it can. This paper briefly argues in favour of impartialism, before drawing out an implication of the impartialist view: in addition to justifying some currently recognised special duties, impartialism also generates new special duties that are (...) not yet widely recognised. Specifically, in certain situations, impartial principles generate duties to take actions and adopt attitudes in our personal lives that increase the chance of new or different special relationships being formed—new or different friendships, family-like relationships, relationships akin to co-nationality, and so on. In fact, even if one thinks partialism is the best justification of the duties we have once in special relationships, impartialist justifications for taking steps to form such relationships should have some sway. Moreover, a little reflection shows that these duties are not as demanding or counterintuitive as one might expect. (shrink)

Roger White (2015) sketches an ingenious new solution to the problem of induction. He argues from the principle of indifference for the conclusion that the world is more likely to be induction- friendly than induction-unfriendly. But there is reason to be skeptical about the proposed indifference-based vindication of induction. It can be shown that, in the crucial test cases White concentrates on, the assumption of indifference renders induction no more accurate than random guessing. After discussing this result, the (...) paper explains why the indifference-based argument seemed so compelling, despite ultimately being unsound. (shrink)

Summary Classical Greek armies and navies moving through the territory of friendly, allied, and neutral city-states provisioned themselves through markets organized and controlled by those city-states. No scholar has ever explained why this was so. By placing this practice within a comparative framework, this article demonstrates that the protocol of the provision of markets by poleis to passing armies developed in the way it did in the late Archaic and early Classical Greek world because Greek states in this period lacked (...) the logistical structures to exert sustained coercive power against other states. Once the protocol was established, however, it continued in use throughout the Classical period even after fifth-century Athenian navies gained the logistical capacity to apply prolonged strategic pressure on coastal and island poleis. Use of the protocol continued because traditions of autonomy as well as long-standing customs governing relations between states restrained even the Aegean-dominating Athenians from using more forceful means of acquisition than markets to acquire their food from other poleis. (shrink)

Is a policy-friendly philosophy of science possible? In order to respond this question, I consider a particular instance of contemporary philosophy of science, the semantic view of scientific theories, by placing it in the broader methodological landscape of the integration of philosophy of science into STS (Science and Technology Studies) as a component of the overall contribution of the latter to science policy. In that context, I defend a multi-disciplinary methodological integration of the special discipline composing STS against a reductionist (...) interdisciplinary unification, arguing that if STS wants to contribute to policy advising by constructing narratives of science practice feasible for science policy both in terms of descriptive completeness and intelligibility, then it must avoid the explanatory reductionism tendencies of special disciplines in interdisciplinary contexts. This would favour, at the same time, a relaxation of esoteric language. On this basis, it seems that the semantic view is one right candidate among other approaches in the philosophy of science for facilitating the integration of the methodologically different contributions to STS toward policy objectives. In fact, besides offering a more realistic and descriptively complete picture of science practice with respect to its predecessor in the philosophy of science, namely the syntactic view, the semantic view is also able to capture some aspects of science practice that elude even sociological approaches to STS, thus inviting different perspective on the same subject matter. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:More About Hume's Debt to Spinoza Wim Klever In a recent contribution to the question of Hume's relationship to SpinozaIadvocatedamoreorlessSpinozisticinterpretationofthefirst bookofA Treatise ofHumanNature.1 Ofthe Understanding, sowasmy claim, is not only very close to De natura et origine mentis (Ethica, second part) as far as its main affirmations are concerned; the convergence ofexternal and internal evidence makes it also probable that there is a remarkable influence from the one's (...) work on the other and, accordingly, that Hume's defamation of Spinoza's system might well have been disingenuous. This last point was previously also suggested by Richard Popkin in an article in which he compared Hume's philosophy ofreligion with Spinoza's.2 What motivated me to continue my research in this field? To say itinone word: the unintendeddiscoveryofmanystrikingresemblances betweenHume's secondbook, OfthePassions,andSpinoza'sthirdpart, De origine et natura affectuum. I happened to become a member of a group ofinterested people who concentrate on reading Hume, and, on the other hand, I had acquired some expertise as a Spinoza scholar for quite a number of years, so that I could not avoid seeing the commonaUties between the two philosophers. It seems to be fully impossible to explain the resemblances—which I, ofcourse, will show below—by referring to the Spinoza-article in Bayle's Dictionaire historique et critique (a source once mentioned by Hume in a letter to a London friend), since Bayle does not spend a word to the human passions. It is further a hard fact that there do not exist other written sourcesfrom which Humemighthave drawnhisSpinozisticinspiration in his French period apart from the Ethics; all available literature of the time turned around the questions theism versus atheism and free will versus determinism, without entering into the details ofhuman emotions.3 Only one conclusion was possible for me: Hume musthave been familiar with Spinoza's own text. Either the Chevaher Ramsay, whose intimate he was for some time,4 or anotherintermediaryfigure5 must have raised his interest. The best entrance into the material is constituted by Hume's closing remark in his A Dissertation on the Passions (1757), in which he elucidates what he in fact has been doing in hie analysis of the passions: Volume XDI Number 1 55 WIM KLEVER I pretend not to have here exhausted this subject. It is sufficient formy purpose, ifI have made it appear, that, in the production and conduct of the passions, there is a certain regular mechanism, which is susceptible of as accurate a disquisition, as the laws ofmotion, optics, hydrostatics, or any part ofnatural philosophy.6 In spite ofthe words "a certain," this fragment maynot be interpreted as a metaphorical assessment. The origin and the processes ofhuman passions are purely mechanical. If this is not what Hume intends to declare, he never could have added the phrase that passions are susceptible of exactly the same kind of accurate descriptions as other natural phenomena. This theory of the mechanism of the passions is certainly not Cartesian. Although Descartes, as a physical scientist, was a great promoter of the explanation of things by means of mechanical causality, he in fact did not extend this method to the life ofthe passions. In his dualistic philosophy he ascribes to the human mind (with its free will) the capability to interfere with the passions and even to dominate them.7 In this field it is Spinoza who paves the way for Hume by sharply criticizing Descartes' non-mechanistic explanation ofthe passions. His far-fetched solution ofthe mind-body interactivity by means of the pineal gland and the animal spirits pushing against it, is called "a hypothesis more occult than any occult quality." 8 Spinoza acknowledged that Descartes had good intentions in trying to explain the human affections by their direct causes, but he was inconsistent insofar as he at the same time attempted to demonstrate man's absolute dominion over them. He, Spinoza, on the contrary, "will consider human actions and appetites just as ifit were a question ofUnes, planes and bodies." 9 The analysis of passions is a piece of natural science comparable with geometry, optics10 and hydrostatics, to mention some other fields of Spinoza's research. Hume's statement... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MORE THAN METAPHORS: MASCULINEGENDERED NAMES AND THE KNOWABILITY OF GOD LYNNE C. BOUGHTON Chicago, Illinois W:HAT WAS ONCE a phenomenon confined to advocacy groups has appeared in ordinary Catholic parishes. Priests celebrating liturgies offer blessings "In the name of the Creator, the Redeemer, and the Holy Love." Such invocations of Persons of the Trinity by names indicative of divine action, as well as the " naming " (...) of God with either gender-combined (Mother-Father) or gender-neutral (Friend) designations of personal relationships, suggest that the way in which God is addressed need not be different from the way in which one describes divine actions. Many argue that since one may refer to God's specific act as " Creator," characterize God's eternal and temporal activity as " Love," or note that in certain ways people experience God's care as that of a "Friend" or "Mother," these terms are suitable for addressing a divine Person. In early 1992 the Catholic Church's International Commission on English in the Liturgy endorsed non-gendered invocations by proposing that English language liturgical texts delete all masculine pronouns referring to God and replace "Father" in several prayers with gender-neutral names. Willingness to depart from the Father/Son/Holy Spirit terminology found in scripture and the Church's creedal statements is often grounded in the belief that God does not merely excel beyond human comprehension the fatherhood and sonship traditionally attributed to divine Persons, but rather that God, as transcendent being, is essentially unlike any quality that can be named. Those who define transcendence in this " epistemologi283 284 LYNNE C. BOUGHTON cal" way maintain that God is free of definition or distinction and that Persons of the Trinity negate and contradict, in their acts of existence, any permanent identity that the human mind may have " attributed " in scripture or Church doctrine to divine Personhood. Theologians such as Karl Rahner and David Tracy see no departure from the Church's authoritative theological teachings in their definition of transcendence as God's existential freedom from the limitations of eternally existing attributes of Persons. According to Rahner the names most indicative of who God is as God are " ineffable one," " nameless one," " silent one." For Tracy, the central " metaphor " and " doctrine" of Christianity is a " triune understanding" of the words " God is Love." 1 For theologians who define transcendence as God's being unconfined by categories, names by which divine Persons are addressed in Scripture are merely ways in which inspired communities or individuals likened God's dealings with them to lifeaffirming actions or admired personal qualities. If traditional names for God were " revealed" in this way, modern worshippers could reasonably address God in terms of likenesses to other, more 1 Karl Rahner, Foundations of Christian Faith: An Introduction to the Idea of Christianity, tr. William Dych (NY: Crossroad, 1982), pp. 46-71; David Tracy, "The Hermeneutics of Naming God," The Irish Theological Quarterly, 57 (1991) : 253-264. For an analysis and defense of the concept of transcendence as absence of metaphysical reality see Mark I. Wallace, "Can God Be Named Without Being Known?: The Problem of Revelation in Thiemann, Ogden, and Ricoeur," Journal of the American Academy of Religion 59/2 (1991): 281-308. Although the Fourth Lateran Council (1215) listed "ineffable " among the attributes of God, God was not named in this way and, moreover, the context of other listed attributes (omnipotence, eternity) suggests that " ineffable " does not mean God is without anything that can be described but that descriptions of God are not comprehensible to humans [H. J. D. Denzinger, Enchiridion Symbolorum, 30th ed., trans. Roy Deferrari (London: Herder & Herder, 1955), # 428]. This point is illustrated by the First Vatican Council (1869-1870) which refers to God as "ineffably most high above all things " and then proceeds to list a series of attributes (Denzinger, # 1782). In the Council of Toledo, "ineffable" was used as a modifier ("ineffable Trinity," "ineffable substance," "ineffably begot") for terms that were defined in the Council's creed (Denzinger # 275-276). Further discussion of " ineffable" is in note 6, below. MORE THAN METAPHORS 285 inclusive, human qualities. Invoking, rather than merely describing or praising, God with names derived from creative/redemptive... (shrink)

Promoting plant-based diets as a response to climate crisis has clear implications for producers of animal derived foods, but surprisingly little research considers their perspectives on this. Our exploration focused on farming strongly associated with meat production in Wales, UK. Mindful of polarised debates around plant-based diets, we considered dietary transition as an opportunity to produce for new markets. The first aim was to identify whether transition towards plant-based diets might trigger transformation of livestock agriculture. Findings indicate a potential trigger (...) event once livestock farmers are certain that consumer trends and climate mitigation require change. Livestock farmers who regard their meat as climate-friendly might resist transitions felt to unfairly disadvantage them. We then considered livestock farmers’ likely capacity to produce plant crops, and how this transformational capacity might be enhanced. Participants highlighted forms of financial and environmental inflexibility, plus social norms regarding “good” Welsh farmers, combining to make transformation risky. Transformational capacity might be enhanced through levering occupational and place attachments by portraying plant crops as a revival of historic practices from traditional farming landscapes. Improved linking capacity will also be beneficial, as producing for new markets requires connections to new supply chains, and learning across divisions within rural communities. We present these preliminary insights to livestock farmers’ attitudes and transformational capacity to inform future research with them to advance just agricultural transitions. Our study indicates potential to avoid confrontational discussion of dietary transition and we hope that others will pursue its focus on opportunities for farmers. (shrink)

When the chorus at the end of Samson Agonistes declares that “all is best,” what it means is that the best of all possible things, the thing everyone in the play most desires, has finally happened: Samson is dead. This is, of course, not quite fair. What the chorus most wants is that things once more be as they were, and its moment of highest joy in the play involves the speculation that a revived Hebrew hero may “now (...) be dealing dole among his foes / And over heaps of slaughtered walk his way” .1 “That were a joy presumptuous to be through” , responds Manoa, indicating that he too wishes for nothing more than the return of the days when his son “walked about … / On hostile ground” “like a petty god” . This is also what Harapha wants for different reasons when he says of Samson’s change of fortune, I “wish it had not been, / Though for no friendly intent” ; and it is what Dalila wants for more reasons than Samson can shake a stick at when she laments an event more “perverse … than I foresaw” and attempts to mitigate if she cannot cancel the effects of her “rash but more unfortunate misdeed” . Everyone, in short, wants to turn back the clock, and this, of course, includes Samson, who is obsessed with the disparity between his present and his past states: “Why was my breeding ordered and prescribed / … / … if I must die / Betrayed, captive[?]” ; “Promise was that I / Should Israel from Philistian yoke deliver; / Ask for this great deliverer now, and find him / Eyeless in Gaza” ; “The base degree to which I now am fall’n” ; “I was his nursling once and choice delight” . 1. John Milton, Samson Agonistes, The Poems of John Milton, ed. John Carey and Alastair Fowler ; hereafter cited by line number. Stanley Fish is Arts and Sciences Professor of English and Professor of Law and chairman of the English department at Duke University. His most recent book is Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Legal and Literary Studies. (shrink)

We take our bearings from Francesco Negri — Although many persons attribute the origin of letter writing to various causes, I however believe that one to be closer to the truth that we have received, handed down by memory, from the ancient stories of Turpilius: namely, that the letter was invented for no other purpose than that we should make absent friends once more present [absentes amicos presentes redderemus] and that by regarding [intuentes] their letters we mightfor (...) a time restore the friendship interrupted by intervals of time and space; for since friendship is accustomed to making its foundation in daily companionship,when this thing is missing it seems indeed to weaken not a little.and hear in this passage the resonance of Aristotle:Is it then the same way with friends as with lovers, for whom seeing [to horon] the beloved is their greatest contentment, and the thing they choose over the other senses, since it is especially through seeing that love is present and comes to be present, so that for friends, too, living together [suzèn] is the most choiceworthy thing? For friendship is a sharing in common [koinònia]. (EN 1171b29–33)The audible connection with Aristotle is faint. Negri’s work is securely placed against the background of the increasing formalization of the art of letter writing in the Middle Ages and its Renaissance development, in which he figured prominently. The genealogy that he proposes, whose forebear is an all but forgotten Roman playwright, belongs to an account of literary tradition in which Cicero is the exemplary figure. Nonetheless, it is in St. Jerome that he finds the likely source of his attribution. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 12.1 (2004) 64-66 [Access article in PDF] Response to Bennett Reimer, "Once More with Feeling: Reconciling Discrepant Accounts of Musical Affect" Anne Sinclair Indiana University Mary Reichling's exploration of form, feeling, and isomorphism in the writings of Susanne Langer accomplishes its goal to examine and elucidate aspects of these concepts. I find several of the ideas presented very engaging. Musical form and (...) feeling are very real to me in my experience as a music and liturgy director in the Catholic Church. I wholeheartedly agree with the concept of the processual nature of both, which has been well articulated. In my life experience, the musical form, the feeling inherent in it, and its process of coming to life in a given moment, is a near-weekly event. The church continually solemnizes life events, and musical form is an integral part of that solemnization. My response centers on the following claim: "Feeling is not a product but a process, it follows that the feeling ends when the music stops"; and question, "How can it be educational?"The example of the drama, King Lear, is very interesting. Indeed, as we get caught up in the action of the production, we become connected to the feelings and lives of the characters. I agree that it might be easier to experience feeling in a drama or epic, rather than in the visual arts, or in our sonorous art. The drama connects us to the human condition and we "feel" for the characters. In my position [End Page 64] as a liturgist, I find myself in a situation similar to that of the director of a play. Indeed, at times there is a very fine line between drama and good liturgy. However, in the liturgy we are connecting with real lives, the lives of our assembly members, not the lives of fictitious characters. Good musician liturgists strive to give voice to the emotions of the assembly. While I admit this is not always accomplished in weekly Sunday liturgies, I think especially of funeral liturgies where the music strives to speak of the hope and promise of eternal life for the departed loved one and also of the feelings of grief experienced by the assembled family and friends.I take issue with the idea "that the feeling stops when the music does." Throughout the body of the paper, Reichling highlights Langer's ideas on music's "sonorous image of feeling in an imaginatively perceptible form" and her use of the terms "semblance," "illusion," and "virtual" in regard to feeling. However, in contemplating the points brought forth, I mentally wrestled with the idea of feeling stopping when the music did. Could this position be held because it was based on what might be referred to as a "virtual" experience (for example, a musical concert or show) rather than a "real-life" moment?During the process of this contemplation, I had the occasion to attend the funeral of a friend's husband. This funeral occurred in a faith tradition other than Catholicism and I participated in the service as a member of the congregation. My friend is a music educator, her husband had been a musician, and both had been active in the music ministry of their church for nearly thirty years. As one might imagine, music was a central element in the solemnization of this man's life. The music was brought to life by an extraordinary group of musicians, including many graduate students and faculty members of the Indiana University School of Music. The music was superb and each piece had relevance to the life being celebrated as well as to the moment at hand, saying goodbye. The choir was wonderful, sharing movements from both the Brahms and Fauré Requiems, which were very moving. The soloist was renowned soprano, Sylvia McNair, an "adopted" member of the family since her days years ago as an Indiana University graduate student. Musical form and feeling came together in a powerful way for me during her singing of Fauré's Pie Jesu as she... (shrink)

Anne Conway, née Finch, is arguably one of the most important British philosophers of the seventeenth century. Her main work, published posthumously, in 1690, "Principia Philosophiae Antiquissimae et Recentissimae", translated two years later into English as "The Principles of the Most Ancient and Modern Philosophy: Concerning God, Christ, and the Creature; that is, concerning Spirit and Matter in General", engages critically with most relevant thinkers of her time, in particular Descartes, Hobbes, Spinoza, and her friend and mentor Henry More. (...) As the sub-title of the English translation suggests, the "Principia" are also influenced by Christian, and especially early Christian - Patristic, teaching. The chapter studies the "Principia" with a view to the way in which they use or engage with these teachings. Anne Conway was not a specialist historical theologian or Patristic scholar and no specific sources are explicitely referenced in her work. However, the way in which she approaches her main themes suggests that she was influenced by very specific early Christian thinkers, in particular Origen, whom she may have known through George Rust's "Letter of Resolution", which Henry More recommended to her in a letter in 1660. At the same time she also developed elements of early Christian thought independently, creatively, pursuing her very own agenda. Studying the "Principia" with a view to their exposure to early Christian thought reveals Anne Conway once more as a fascinating early modern philosopher who indeed combines very ancient with very recent thinking. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Humanism, Female Education, and Myth:Erasmus, Vives, and More's To CandidusA. D. CousinsWhen considering pleasure and chance as aspects of human experience, Thomas More sometimes gendered them female; that is to say, at times he represented them by drawing from the mythographies of Venus and of Fortune. But what did he suggest that actual women, as distinct from goddesses, were or should be or might become: what were (...) his notions of being a woman, of femaleness? Further, what did he suggest that women might contribute to the common weal? A useful way to start answering that question is to look at what More seems to have thought about educating women: in particular, women who were entering adult life—entering into what was agreed to be the major female role—by marrying for the first time and therefore newly taking upon themselves the management of a household. In one of his most ambitious Latin poems, as nowhere else, More wrote elaborately, concisely and problematically on the education of women who were in just those circumstances. My discussion attempts a repositioning of that poem, To Candidus: How to Choose A Wife A Poem in Iambic Dimeter Brachycatalectic (Versvs Iambici Dimetri Brachycatalectici ad Candidvm, Qvalis Vxor Deligenda). To make the attempt involves examining More's other Latin poems on women, as would be anticipated; however, I am mainly concerned here with affinities between To Candidus—then, to a lesser extent, some of More's associated Latin poems—and notions about female education that were or were to become part of the already long, and mostly male, debate about the nature of femaleness.1 To be [End Page 213] specific, I am chiefly concerned with affinities between More's poem and writings by Erasmus and by Vives on the education of prospective or of recent brides.Because the primary concern in my discussion is to clarify the relations between More's To Candidus and humanist notions on female education, especially notions put forward by two of More's humanist friends about young brides, I want initially to revisit the early modern debate on educating women, of course an important element of the wider debate about femaleness itself. One medieval and thence early modern idea on female education was that, in addition to what their mothers taught them, most women needed merely to receive religious and ethical instruction from their husbands, who would likewise instruct them in how to govern a household.2 After all, it was often pointed out, the household was women's natural domain: since, therefore, they would not normally engage with the world at large as would men—since, for example, they would not normally be educators, or writers, or politicians—women did not usually need the broad education appropriate to men.3 Assertion to the contrary was variously argued—and differences between or among those contrary assertions did not always depend on whether an author was male or female. In The Book of the City of Ladies (1405), a response to Boccaccio's De Mulieribus Claris and, perhaps unknowingly, also to Plutarch's The Virtues of Women, Christine de Pizan attempted to construct at once a refuge and a resource for [End Page 214] women, whom she recognized as having been misrepresented to themselves no less than to men throughout generations of misogynistic male fictions, ranging from satire to epic, from fable to history.4 Her City, in so far as it is a revisionist history of women, forms a textual space which does indeed offer a refuge as well as a resource, for Christine advocates that women, fulfilling their capabilities as women, aim at "cultivat[ing] virtue" and thereby gaining inclusion in the true, illustrious record of female achievement: membership of a textual community within which they will see themselves reflected and which is at one with the City of God.5 Inseparable from their seeking to do so, she emphasizes, will be their receiving education.6 Despite that emphasis—and despite her emphasizing that women are men's intellectual equals or, not infrequently, superiors—Christine nevertheless defends the concept that the domestic sphere and not the public is in general that "appropriate" to women.7... (shrink)

We take our bearings from Francesco Negri — Although many persons attribute the origin of letter writing to various causes, I however believe that one to be closer to the truth that we have received, handed down by memory, from the ancient stories of Turpilius: namely, that the letter was invented for no other purpose than that we should make absent friends once more present [absentes amicos presentes redderemus] and that by regarding [intuentes] their letters we mightfor (...) a time restore the friendship interrupted by intervals of time and space; for since friendship is accustomed to making its foundation in daily companionship,when this thing is missing it seems indeed to weaken not a little.and hear in this passage the resonance of Aristotle:Is it then the same way with friends as with lovers, for whom seeing [to horon] the beloved is their greatest contentment, and the thing they choose over the other senses, since it is especially through seeing that love is present and comes to be present, so that for friends, too, living together [suzèn] is the most choiceworthy thing? For friendship is a sharing in common [koinònia]. (EN 1171b29–33)The audible connection with Aristotle is faint. Negri’s work is securely placed against the background of the increasing formalization of the art of letter writing in the Middle Ages and its Renaissance development, in which he figured prominently. The genealogy that he proposes, whose forebear is an all but forgotten Roman playwright, belongs to an account of literary tradition in which Cicero is the exemplary figure. Nonetheless, it is in St. Jerome that he finds the likely source of his attribution. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 121.4 (2000) 655-658 [Access article in PDF] RONALD MELLOR. The Roman Historians. London and New York: Routledge, 1999. x + 212 pp. Paper, $21.99. This is a textbook, the purpose of which is to provide "an introduction to the masterpieces of Roman historical and biographical writing" (ix). Although the question of the usefulness of these writings to the modern historian is not overlooked, the principal (...) concern is "to take Roman historical writing on its own terms" (196). Very little background is assumed, and no Latin (by "Roman" the title refers to works composed in Latin, regardless of subject matter: hence Nepos' Pelopidas is in, but Polybius, Diodorus, and Dio are out, except [End Page 655] as background or comparanda). The author is a distinguished Tacitean scholar, and his style is at once clear and attractive. His survey begins with the origins of Roman historiography, with special attention given to what can be known of the early annalists, to the contribution of the elder Cato, and especially to Cicero's verdict on the efforts of them all. Fine chapters on Sallust and Livy follow, and, naturally in view of the author's predilections, a long and adoring chapter on Tacitus. Ammianus Marcellinus also gets his due, in a chapter that is actually longer than Sallust's. A single chapter is devoted to Roman biography (Nepos, Tacitus once more, Suetonius and the Historia Augusta), another to autobiography (Caesar, Augustus' Res Gestae). An appraisal of the Roman achievement, and its influence, concludes the book. The strengths of Mellor's treatment of every author and every subject are many. He is keenly attentive to ancient expectations and the particular context of the central authors whose works he examines; he is especially good at fitting the purposes of a historian's writings to the historian's actual circumstances. He constantly reminds the reader of the differences between Roman and modern conceptions of historical writing. He appreciates the importance of style in appraising and understanding ancient historiography. And he makes frequent acute observations that will save instructors who use this book a good deal of time and explanation, as when he remarks of Tacitean characterization that, "since he could not easily explain ambiguities, they are expressed as contradictions" (104). In sum, then, the volume is intelligent, congenial, and will be very serviceable in courses dealing with Roman history or with historiography.It is inevitable, when anyone reviews a work of such scope, that there will be quibbles. Let me record a few of mine. Students are likely to be misled by the use of "plebeian" on p. 20. To say that, in 52 B.C., Clodius Pulcher was "Caesar's man," in contrast to Milo who by implication was Pompey's (31), is to get it wrong (cf. W. Jeffrey Tatum, The Patrician Tribune [Chapel Hill 1999] 214-15, 234-35). Since Caesar reached the senior magistracies at the earliest possible age, it is not clear to me that "his early career progressed slowly" (171). The view of Roman marriage represented on p. 69 is somewhat old-fashioned, and, along those lines, it is anachronistic to speak of "the bigamous marriage celebration of the empress Messalina" (90: Tacitus' Narcissus is accurate when at Ann. 11.30 he asks Claudius: an discidium... tuum nosti?). One does not often hear, these days, of the "clinical objectivity of Thucydides" (44). In discussing Sallust's attraction to Thucydides (43-45), it might have been helpful to discuss the (admittedly not uncomplicated) issue of Atticism in late-first-century Rome. I am less convinced than Mellor is that the speech of Sallust's Caesar constitutes the historian's "plea for common sense" (38) in the midst of the triumviral proscriptions; after all, Sallust wrote Cato's speech as well. It can hardly be true, if only in view of Pliny's keen interest in his friend's literary productivity, that Suetonius' Lives "is a book written by and for the equestrian" (152), nor do I think the description of the imperial equestrian order that is given on [End Page 656] that page... (shrink)

Excerpt from The Inquiring Mind I have been singularly fortunate in my friends, both colleagues and students. I have been also fortunate in having been able to participate in events outside the academic field. My training in one of the arts, my classical education, my drifting about from one graduate school to another, my persistent refusal to confine my studies to any narrow field, an ability to pick up languages without much difficulty, a willingness to relax and let chance (...) take care of me, have all contributed to making my career peculiarly agreeable. The greatest stroke of luck was my being called to the Johns Hop kins University where I have passed over half my life. As far as I can judge, it is unique in the latitude which it gives its faculties, in the informality of its organization, in its assumption that the professors are scholars and not bookkeepers. There may be other institutions in which this is also true, but I have not taught in them. It has always been a pleasure to acknowledge my debt to my university and I do so once more, even though it be the last occasion. I am happy to join to its name that of the Institute for Advanced Study whose guest I was in the autumn term of 1956. The Director and Faculty of the Institute have done everything possible to make writing this book easy. If it does not justify their hospitality, that is surely not their fault. Finally no Carus Lecturer can adequately express his thanks to the children of Paul Carus, whose generosity founded the lectureship. I can only say that the liberal spirit of their father still lives in them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 12.1 (2004) 4-16 [Access article in PDF] Once More With Feeling Reconciling Discrepant Accounts of Musical Affect Bennett Reimer Northwestern University When I was sixteen, a junior in high school in Brooklyn, I auditioned for the All-City High School Band of New York and was placed as first chair clarinet. At the first rehearsal, a piece we played (I don't remember what (...) it was except that it was new to me) had a long, melodic clarinet solo, with accompaniment. When I finished playing it the director stopped the band and said, "Very nice, first clarinet. Let's do it again, this time with more feeling." Then he said, "Letter C," and we started again.I could not have known, then, that I was to spend much of my life in pursuit of some sort of clarification of what transpired in that episode, as in this paper, where I deal once more with feeling. I had no idea that his apparently simple instruction to me raised issues so complex that many of humankind's most important thinkers had struggled with them in search of a resolution, as I, infinitely more modestly, was also to do. I was unaware that philosophical blood, sweat, and tears had been spilled through the centuries in various contentions as to the relation, if any, of musical feeling to feeling outside musical experience. I knew nothing of metaphor, [End Page 4] of effability and ineffability, of embodiment and designation, of issues of authenticity of feeling, and semantic density, significant form, semiotics, the relation of feeling to emotion, to gender, to meaning, and on and on with seemingly endless and intractable debates centered on how and why and when music is related to feeling.Being unencumbered with any of this (how one longs, sometimes, to return to one's philosophical Garden of Eden), and having to play that solo again immediately, I did what my novice performer's instincts told me to do-the only thing I knew how to do-I placed more emphasis on what the notes of that melody seemed to want to do, where they seemed to want to go and how they got there. Feeling their melodic tendencies more concentratedly and making them more apparent by the way I sounded them, I felt in myself a deeper sense of union-of the music as part of my undergoing-than I had the first time. When I finished the director stopped the band again, looked at me for several seconds, and said, "Lovely, first clarinet. Very musical. Let's go on."I would not have been able at the time that event occurred to describe, as I just did, what I did and how I felt. I did not have the conceptual apparatus to do so, although I did have, luckily for me, enough intuitive musicianship to have survived that test. My description, or perhaps interpretation, of how I reacted and how I experienced it can only reflect who I am now, with the cognitive structure allowing me to understand what happened as I reflect about it. Nevertheless I believe that several important matters relating to musical feeling can be clarified in relation to how I now interpret what I experienced as a youth in that band.I am aware now that I did what I did in ignorance of the fact that I was not the first to have played that solo. If I had known about and studied previous performances by a variety of clarinetists I would have, without doubt, been influenced by their solutions to the challenge of expressive interpretation it presented. Especially if I had been guided by a sensitive teacher, I would have reflected those influences in my own sounding. Perhaps I would have imitated what seemed to me the most musical rendition. If I had done so, I am now aware, that would have been regarded, in my culture at any rate, as a sign of my novice status, a more mature stage of musicianship requiring that I both reflect... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:From the Dutch Novel Messire (2008) by Els LaunspachEls LaunspachTranslated by Laura Vroomen (bio)The rooftops have just appeared out of the November night. First the white frames become visible, then the roof tiles, the walls and the gaping holes of the windows. A cluster of ravens alights on the far side of the tower. Three birds think better of it and fly from the eaves to the oak tree. (...) They are all awaiting the new day, as I am. The last remaining leaves on the trees—at night their vague contours can fool you into thinking it is summer—are shrivelled and yellow, the colour of the torches that are now being lit behind some castle windows. The mist presses against the walls of the watch house. Slowly, the dark-grey light turns a cooler shade.’How could he convey his experiences with a lump of charcoal? He threw it down on the table. His fingers had turned black and the characters, conceived with such conviction, were crude, with smudges everywhere. Yet he picked up his makeshift writing tool once more, this time to record two facts.‘I have lost my books. Cromwell sent Rich to take them away.’His books in Rich’s hands, his solace disappearing from view behind that pleated cloak. Naturally, their contents were all in his head. But his books were his friends; fellow travellers, silent witnesses, comrades. All gone, even God’s [End Page 249] word. Only a single sheet of paper remained, but what he wanted to tell his daughter Margaret, how the day began, refused to take shape.‘It’s funny,’ he had wanted to write. ‘I used to say that I’d wanted to be a monk, remember? Now I’ve got what I wanted. Peace and quiet. Few sounds penetrate my tower, save for the croaking of the ravens and the occasional cooing dove. I can meditate and pray and ponder to my heart’s content. The cries of the rowers and the seamen seem very distant, somewhere down below. No interruptions. At times the wind rattles the window and howls through the slit in the wall. I can hear John-a-Wood moving his stool or dropping a cup on the floor—wood and tin on stone. I have found my place in the world, Margaret. I have become pure spirit, just as I had wished. Still, I’m plagued by doubt and bad dreams.’ No, there was no need for them to know that. His family was worried enough as it was. The more steadfast he became, the more they worried. Humour no longer helped either. His eldest child’s letters pierced right through it.So now everything was laid bare. No more digression or embellishment; charcoal did not allow it. He had been reduced to straight talking, to facts. His days had become pure routine. Rise at six and pray. At times it felt as if he were in his own chapel at home, until he heard the rattling of John’s keys. The door would open: barley gruel and a jug of fresh water. The first and only smile of the day, unless he had a visitor. Then he was alone again to study and think.Now that his books were gone, there was every opportunity for thinking. Having had visitors just the week before, he could not expect any for a while. At the time he had not been able to summon the energy to listen and respond; his neck was stiff, turning his head painful. Howard had been there, asking question after question in an attempt to offer him a way out, when all he wanted was to enjoy the fire. Firewood and visitors went hand in hand, unbeknownst to Norfolk. The prisoner wanted to be alone and enjoy the fire. He wanted to close his eyes and not have to turn his head, to lose himself completely in the heat.So now he did not study after breakfast, but wrote a letter instead. Writing, debate and analysis were his reason for living, so he felt compelled to keep working, even here, even with a useless lump of charcoal. But prayer... (shrink)

Open peer commentary on the target article “Arguments Opposing the Radicalism of Radical Constructivism” by Gernot Saalmann. Excerpt: Gernot Saalmann uses the term “radical” in the sense of something “extreme.” For example, in §1, he contrasts “radical” constructivists with “moderate” constructivists. This adjectival usage of the word “radical” as “extreme” is a slang usage from the American sub-culture called “Surfers” which originated in the late 1950s or early 1960s. “Radical,” in their slang means: “At or exceeding limits of control or (...) safety…” (Oxford English Dictionary OED 2007) . (shrink)

Asked to characterize the critical history of cinema studies over the past several decades, one could do much worse than to speak of the age of affect of affect.1 This is a big claim, of course, but it’s not without precedent or parallel. The engagement with affect describes a remarkably widespread shift in the humanities, social sciences, and the neurosciences. Cinema studies is among a number of disciplines that have sought to prioritize matters of sensation and feeling, and for roughly (...) the past thirty years the persistence of affect has played a critical role in the field. In the historicist recovery of the “cinema of attractions” and the feminist reappraisal of film melodrama, in the cognitivist... (shrink)

Dual review of George Levine’s Darwin Loves You and David Sloan Wilson’s Evolution for Everyone.) American Scientist. (Vol. 95, November-December, pp. 528-531, 2007).

ld English manors have their ghosts. And though I would not want to call analytic philosophy a ‘manor’, nor exactly ‘old’, it certainly is of some decent English origin, and it left adolescence a while ago. No wonder then, that it is not exempt from haunting terrors. One particular spectre has been haunting it for decades; it already gave some analytic pioneers the creeps, and we still now and then find people terrified by it: the ghost of old Bradley has (...) not yet found its rest and keeps on threatening people with his notorious regress. The present essay is a lecture in exorcism; much of the fear old Bradley spread, so I will argue, peters out once we dare to look it in the eye. However, this essay is not primarily exegetical, and especially not an attempt in interpreting Bradley. I find Bradley’s writings, to say the least, not particularly accessible. Discussions of isolated passages from his longer treatises will probably be less fruitful than a careful study of the positions within the whole argumentative structure, supplied by the examination of Bradley’s intellectual upcoming. His treatments on relations and properties, in which he develops the famous regress argument, are motivated by a radical goal: a vindication of some form of monism. To reach this goal, he tries to deconstruct the most basic categories of our ordinary conceptual framework. Thus, he holds that.. (shrink)

In vol. xxxii of this Journal, pp. 220 ff., we published a rejoinder to Dr. L. R. Palmer's ingenious article in which he derived macte, mactare, and macula from a hypothetical verb *macio ‘to sprinkle’. We objected to this construction, holding that the traditional derivation of macte from the root of magnus was more satisfactory, and discussing in some detail the evidence brought forward by Dr. Palmer in support of his theory. Alas! Dr. Palmer has taken our criticism neither (...) kindly nor seriously, and, while accusing us in his spirited reply of using ribaldry instead of argument, he is himself rather selective in answering our objections. Both this circumstance and the fact that his article contains a number of mistaken assertions compel us to restate our case. (shrink)

This article examines a problematic of the ordinary as it emerges in the poetical theology of an early poem of John Milton. This poem, Lycidas, has captured the attention of every major critic from the 18th century to the present, who has minutely examined its odd formal and generic character, its peculiar mix of personal grief and political outrage, and its role in Milton’s own personal development at a particularly decisive moment in English history. Yet, despite this extensive interpretive history, (...) ‘the ordinary’ has never become an extended object of critical analysis. This article accordingly seeks to uncover and examine the importance of a certain set of contemporaneous significations of the ordinary in Lycidas, which implicate the institutions of Church, state, and university in perhaps surprising ways. (shrink)

Abstract W. E. Johnson argued that by taking into account both the epistemic and constitutive conditions for using arguments in inferences one could dissolve the paradoxes of material implication. This essay argues that the same sort of consideration can be used to dissolve the paradox of ravens in confirmation theory. It is argued in particular, and in agreement with certain points raised by the Popperians, that those instances of a generalization which are verifying but apparently not confirming cannot raise the (...) posterior of that generalization. (shrink)

The boundary between analytic and synthetic sentences is well definable. Quine’s attempt to make it vague is based on a misunderstanding: instead of freeing semantics from shortcomings found, e.g. in Carnap’s work, Quine actually rejects semantics of natural language and replaces it by behavioristically articulated pragmatics. Semantics of natural language as a logical analysis is however possible and it can justify hard and fast lines between analyticity and syntheticity.