It has been noted before in the history of logic that some of Frege's logical and semantic views were anticipated in Stoicism. In particular, there seems to be a parallel between Frege's Gedanke (thought) and Stoic lekton; and the distinction between complete and incomplete lekta has an equivalent in Frege's logic. However, nobody has so far claimed that Frege was actually influenced by Stoic logic; and there has until now been no indication of such a causal connection. In this essay, (...) we attempt, for the first time, to provide detailed evidence for the existence of this connection. In the course of our argumentation, further analogies between the positions of Frege and the Stoics will be revealed. The classical philologist Rudolf Hirzel will be brought into play as the one who links Frege with Stoicism. The renowned expert on Stoic philosophy was Frege's tenant and lived in the same house as the logician for many years. In der Geschichte der Logik ist häufig bemerkt worden, dass einige der logischen und semantischen Auffassungen Freges in der Stoa antizipiert worden sind. Genannt wurden insbesondere die Parallelen zwischen dem Fregeschen Gedanken und dem stoischen Lekton sowie die Unterscheidung zwischen vollständigen und unvollständigen Lekta, die bei Frege ihre Entsprechung hat. Ein Wirkungszusammenhang ist allerdings nicht behauptet worden. Dazu gab es bislang auch keinen Anlass. Der vorliegende Beitrag versucht erstmalig, einen detaillierten Indizienbeweis für das Bestehen eines solchen Zusammenhangs vorzulegen. Dabei werden weitere charakteristische Übereinstimmungen zwischen Frege und der Stoa aufgewiesen. Als Mittelsmann wird der Altphilologe Rudolf Hirzel vorgestellt. Er wohnte lange Jahre als Mieter zusammen mit Frege im selben Haus und war ein anerkannter Experte der stoischen Philosophie. (shrink)

Rudolf Eucken (1846-1926) war Philosophieprofessor in Jena, der einen lebensphilosophisch angehauchten Neoidealismus vertrat und dessen Schriften im gebildeten Bürgertum breite Resonanz fanden. 1908 erhielt er den Nobelpreis für Literatur und galt seitdem als einer der renommiertesten deutschen Intellektuellen mit internationaler Ausstrahlungskraft. Eucken sammelte in den Jahren vor 1914 einen Kreis von Anhängern und Gleichgesinnten um sich, der sich als geistig-moralische - "kulturkritische" - Sammlungsbewegung verstand. Während des Ersten Weltkriegs trat Rudolf Eucken als unermüdlicher Propagandist der deutschen Sache im (...) Inland wie im neutralen Ausland auf. Nach dem Krieg gab sich die von ihm ins Leben gerufene Bewegung mit der Gründung des "Euckenbunds" eine feste organisatorische Gestalt mit 20-25 Ortsgruppen und mehr als 1000 Mitgliedern (darunter auch Gustav Stresemann). Der Euckenbund und die vierteljährlich erscheinende Zeitschrift des Bundes ("Die Tatwelt") existierten auch nach dem Tod Rudolf Euckens 1926 weiter. Seit 1928 betrieben die Witwe des Philosophen, Irene Eucken, und ihre Tochter Ida zudem ein "Rudolf-Eucken-Haus" als internationale Begegnungsstätte der Universität Jena. Auch der Sohn Euckens, der heute viel bekanntere Nationalökonom Walter Eucken, war zeitweise in der "Eucken-Bewegung" stark engagiert. Euckenbund, Euckenhaus und "Die Tatwelt" bestanden auch nach 1933 weiter und betätigten sich, subventioniert vom Auswärtigen Amt, in der deutschen Kulturpropaganda, ohne sich aber vom Regime im Sinne der NS-Ideologie,,gleichschalten" zu lassen. Im Jenaer Rudolf-Eucken-Haus fanden seit Mitte der 1930er Jahren philosophisch-wissenschaftliche Tagungen statt, an der eine ganze Reihe bekannter Geistes- und Naturwissenschaftler teilnahmen (u. a. Helmut Schelsky, Carl-Friedrich von Weizsäcker, Gotthard Günther, Pascual Jordan, Gerhard Ritter, Walter Eucken). Erst nach dem Tod Irene und Ida Euckens 1941/43 löste sich der Euckenbund auf. Die Studie verfolgt den Werdegang Rudolf Euckens, setzt sich mit seiner Philosophie und Weltanschauung auseinander und zeigt die programmatische und organisatorische Entwicklung der,,Eucken-Bewegung" und deren Aktivitäten auf. Allgemein beschäftigt sich die Arbeit mit den geistigen und politischen Befindlichkeiten des kulturkritisch gesinnten liberal-konservativen Bildungsbürgertums zwischen dem wilhelminischen Kaiserreich, der Weimarer Republik und dem Nationalsozialismus. (shrink)

APA PsycNET abstract: This is the first volume of a two-volume work on Probability and Induction. Because the writer holds that probability logic is identical with inductive logic, this work is devoted to philosophical problems concerning the nature of probability and inductive reasoning. The author rejects a statistical frequency basis for probability in favor of a logical relation between two statements or propositions. Probability "is the degree of confirmation of a hypothesis (or conclusion) on the basis of some given evidence (...) (or premises)." Furthermore, all principles and theorems of inductive logic are analytic, and the entire system is to be constructed by means of symbolic logic and semantic methods. This means that the author confines himself to the formalistic procedures of word and symbol systems. The resulting sentence or language structures are presumed to separate off logic from all subjectivist or psychological elements. Despite the abstractionism, the claim is made that if an inductive probability system of logic can be constructed it will have its practical application in mathematical statistics, and in various sciences. 16-page bibliography. (PsycINFO Database Record (c) 2016 APA, all rights reserved). (shrink)

Two chief problems of the theory of knowledge are the question of meaning and the question of verification. The first question asks under what conditions a sentence has meaning, in the sense of cognitive, factual meaning. The second one asks how we get to know something, how we can find out whether a given sentence is true or false. The second question presupposes the first one. Obviously we must understand a sentence, i.e. we must know its meaning, before we can (...) try to find out whether it is true or not. But, from the point of view of empiricism, there is a still closer connection between the two problems. In a certain sense, there is only one answer to the two questions. If we knew what it would be for a given sentence to be found true then we would know what its meaning is. And if for two sentences the conditions under which we would have to take them as true are the same, then they have the same meaning. Thus the meaning of a sentence is in a certain sense identical with the way we determine its truth or falsehood; and a sentence has meaning only if such a determination is possible. (shrink)

Clear, comprehensive, intermediate introduction to logical languages, applications of symbolic logic to physics, mathematics, biology.

This volume provides a valuable discussion of Husserl's lifelong project of the critique of science which makes no attempt to conflate the pre-World War I ...

Moving beyond the dialogical approaches found in much of contemporary hermeneutics, this book focuses instead on the diagnostic use of reflective judgment, not only to discern the differentiating features of the phenomena to be understood, but also to the various meaning contexts that can frame their interpretation. It assesses what such thinkers as Kant, Dilthey, Heidegger, Gadamer, Ricoeur, Habermas and others can contribute to the problems of multicultural understanding, and reconceives hermeneutics as a critical inquiry into the appropriate contextual conditions (...) of understanding and interpretation. (shrink)

These essays bring Neo-Kantianism back into contemporary philosophical discourse.

In the fall of 1957 the University of California Press expanded Arnheim’s 1933 book _Film_ by four essays and brought that landmark work back into print as _Film as Art._ Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim’s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium’s early limitations: no sound, no color, no three-dimensional (...) depth. (shrink)

Keine ausführliche Beschreibung für "Geschichte der Philosophischen Terminologie" verfügbar.

The paper argues against the assumption that citizens of industrialized countries bear responsibility for greenhouse emissions in the nineteenth and early twentieth centuries. An array of arguments for such a historic responsibility is refuted. The crucial role of the assumption of a liability for bona fide misappropriation in a state of nature (Lockean strict liability) is pointed out.

Philosophical epistemology bases its understanding of cognition on the heuristic short-circuit of the content with the object of cognition. This short-circuit corresponds to the idea of truth in the sense of some kind of correspondence between the content and the object of knowledge. The problem that arises from this is the question of the verifiability of this correspondence, which would presuppose a transcendent standpoint that, for lack of existence, becomes a mere vanishing point of reflection. The standpoint of reflection corresponds (...) to the adoption of a transcendent standpoint that is nevertheless anchored in the cognizing subject. The question of correspondence thus becomes a question of certainty. This leads to a second, this time theoretical short-circuit, namely the conflation of the actual question of a theory of the phenomenon of cognition, the question of the genesis (or generation) of the content of cognition, with the question of the certainty of this content. This conflation ultimately leads to the question of which (by definition subjective) elements of the cognitive process can guarantee certainty, and thus to a further, third, namely methodological short-circuit through the definition of the (in truth holistic) cognitive situation in terms of a subject-object opposition and the associated exclusion of the knowledge of the empirical natural sciences from cognitive reflection. The aim of this short paper (which is the introduction to a recent publication entitled 'Rehabilitation of Pure Reason') is to find an adequate understanding of the phenomenon of cognition by reversing these short-circuits in reverse order, i.e. by starting from the affirmative acknowledgement of the holism of the real cognitive situation, which excludes subjective certainty as a reasonable goal of cognition from the outset. (shrink)

In the theoretical philosophy of Immanuel Kant, the term object has an extensive and far-reaching significance, and it can therefore be understood as a theory of objects. This becomes particularly clear when it is observed that all of his guidelines can be traced to different concepts of objects and their combination. With his concept of the object of experience, he attempts to mediate incompatible aspects in this: in relation to the object of experience, we have apodictic claims but at the (...) same time our knowledge of the object develops and contains the possibility of historical progress. This theory of objects was elaborated by Kant with regard to natural science and the claim of its metaphysical foundation. For this reason, Kant’s concept of object is inherently linked with his concept of science. Astronomy is at the core of his investigation, because it represents a perfect example of a so-called proper and rational natural science. (shrink)

[1.] Husserl-Studien -- 2. Bd. Studien zur Phänomenologie der Epoché.

Das Betreiben von Wissenschaft ist eine spezifische Form von Erkenntnistätigkeit, die bezüglich ihrer methodischen Vorgangsweise von konkreten heuristischen Zielsetzungen und korrespondierenden Maßstäben geleitet ist. Die Wissenschaftstheorie verfolgt das Ziel einer Analyse der wissenschaftlichen Erkenntnistätigkeit vor dem Hintergrund der Erkenntnistheorie. Das Kernproblem der traditionellen philosophischen Erkenntnistheorie, und mit ihr der gängigen Wissenschaftstheorie, so meine These, besteht in dem heuristischen Kurzschluss des Inhalts mit dem Gegenstand der Erkenntnis. Dieser manifestiert sich auf direkte Weise in ihrem Fokus auf den heuristischen Maßstab der Gewissheit (...) unseres Wissens, gestützt auf die metaphysische Annahme der Bestimmtheit der Dinge an sich (der die Annahme von Deskription als Paradigma von Erkenntnis im allgemeinen korrepondiert). Die Hauptthese dieser Abhandlung wird sein, dass dieser Kurzschluss zu einer Ausblendung der Rolle der Heuristik als grundlegender Erkenntnisfaktor führt, und in seiner Konsequenz zum deskriptiven Missverständnis der dekonstruktiven mathematischen Heuristik der Physik (mit ihrem Fokus auf die dynamnischen Phänomene) im Sinne von bloßer Dekomposition. Die Folgen dieses Missverständnisses sind, der Rolle der Physik als Grundlagenwissenschaft geschuldet, weitreichend. Insbesondere für das wissenschaftliche Selbstverständnis der Biologie, im Sinne des Ziels, biologische Entitäten analytisch in physikalische zu zerlegen und biologische Phänomene auf physikalische Gesetze zu reduzieren. Dieses Ziel widerspricht klar der dekonstruktiven methodischen Vorgangsweise der Physik, deren einziger Maßstab in der Angemessenheit der Rekonstruktion der betreffenden Phänomene besteht. (shrink)

This essay is an attempt to reconcile the disturbing contradiction between the striving for order in nature and in man and the principle of entropy implicit in the second law of thermodynamics - between the tendency toward greater organization and the general trend of the material universe toward death and disorder.

From the Introduction: The papers collected in this book are based on the assumption that art, as any other activity of the mind, is subject to psychology, accessible to understanding, and needed for any comprehensive survey of mental functioning. The author believes, furthermore, that the science of psychology is not limited to measurements under controlled laboratory conditions, but must comprise all attempts to obtain generalizations by means of facts as thoroughly established and concepts as well defined as the investigated situation (...) permits. Therefore the psychological findings offered or referred to in these papers range all the way from experiments in the perception of shape or observations on the art work of children to broad deliberations on the nature of images or of inspiration and contemplation. It is also assumed that every area of general psychology calls for applications to art. The study of perception applies to the effects of shape, color, movement, and expression in the visual arts. Motivation raises the question of what needs are fulfilled by the production and reception of art. The psychology of the normal and the disturbed personality searches the work of art for manifestations of individual attitudes. And social psychology relates the artist and his contribution to his fellow men. A systematic book on the psychology of art would have to survey relevant work in all of these areas. My papers undertake nothing of the kind. They are due to one man's outlook and interest, and they report on whatever happened to occur to him. They are presented together because they turn out to be concerned with a limited number of common themes. Often, but unintentionally, a hint in one paper is expanded to full exposition in another, and different applications of one and the same concept are found in different papers. I can only hope that the many overlappings will act as unifying reinforcements rather than as repetitions. These papers represent much of the output of the quarter of a century during which I have been privileged to live, study, and teach in the United States. To me, they are not so much the steps of a development as the gradual spelling-out of a position. For this reason, I have grouped them systematically, not chronologically. For the same reason, I did not hesitate to change the words I wrote years ago wherever I thought I could clarify their meaning. Removed from my original intimacy with the content, I approached the text as an unprepared reader, and when I stumbled, I tried to repair the road. In some instances, I recast whole sections, not in order to bring them up to date, but in the hope of saying better what I meant at the time. Some of the earlier papers led to my book, _Art and Visual Perception_, which was written in 1951 and first published in 1954- Sections of the articles on perceptual abstraction, on the Gestalt theory of expression, and on Henry Moore are incorporated in that book. Others continued where the book left off, for instance, the attempts to describe more explicitly the symbolism conveyed by visual form. The short piece on inspiration provided the substance for the introductory chapter on creativity in my more recent book, Picasso's Guernica. Finally, in rereading the material, I was surprised to find how many passages point to what is shaping up as my next task, namely, a presentation of visual thinking as the common and necessary way of productive problem solving in any human activity. Ten of the papers in this book were first published in the _Journal of Aesthetics and Art Criticism_. To mention this is to express my indebtedness to the only scholarly periodical in the United States devoted to the theory of art. In particular, Thomas Munro, its first editor, showed a great trust in the contribution of psychology. He made me feel at home among the philosophers, art historians, and literary critics whose lively propositions inhabit the hostel he founded and sustained. To him, as well as to my friends of the University of California Press, who are now publishing my fourth book, I wish to say that much of what I thought about in these years might not have been cast into final writing, had it not been for their sympathy, which encouraged the novice and keeps a critical eye on the more self-assured pro. There are a few scientific papers here, originally written for psychological journals but free, I hope, of the terminological incrustation that would hide their meaning from sight. There are essays for the educated friend of the arts. And there are speeches, intended to suggest practical consequences for art education, for the concerns of the artist, and for the function of art in our time. These public lectures are hardly the products of a missionary temperament. In fact, I marveled why anybody would go to a theorist for counsel, illumination, and reassurance in practical matters. However, when I responded to such requests I noticed, bewildered and delighted, that some of my findings pointed to tangible applications, which were taken to be useful. (shrink)

Both Kant and Dilthey distinguish between cognition and knowledge, but they do so differently in accordance with their respective theoretical interests. Kant’s primary cognitive interest is in the natural sciences, and from this perspective the status of psychology is questioned because its phenomena are not mathematically measurable. Dilthey, by contrast, reconceives psychology as a human science.For Kant, knowledge is conceptual cognition that has attained certainty by being part of a rational system. Dilthey also links knowledge with certainty; however, he derives (...) the latter from life-experience rather than from reason. Dilthey’s psychology begins with the self-certainty of lived experience and life-knowledge, but this turns out to fall short of cognitive understanding. In the final analysis, both Kant and Dilthey move beyond psychology to arrive at self-understanding. Because of his doubts about introspection, Kant replaces psychology with a pragmatic anthropology to provide a communal framework for self-understanding. Dilthey supplements psychology with other human sciences as part of a project of anthropological reflection.Author Keywords: Anthropology; Cognition; Dilthey; Kant; Knowledge; Psychology. (shrink)

This collection makes available, in one place, the very best essays on the founding father of phenomenology, reprinting key writings on Husserl's thought from the past seventy years. It draws together a range of writings, many otherwise inaccessible, that have been recognized as seminal contributions not only to an understanding of this great philosopher but also to the development of his phenomenology. The four volumes are arranged as follows: Volume I Classic essays from Husserl's assistants, students and earlier interlocutors. Including (...) a selection of papers from such figures as Heidegger, Merleau-Ponty, Sartre, Ricoeur and Levinas. Volume II Classic commentaries on Husserl's published works. Covering the Logical Investigations , Ideas I , Phenomenology of Internal Time Consciousness , and Formal and Transcendental Logic . Volumes III and IV Papers concentrating on particular aspects of Husserl's theory including: Husserl's account of mathematics and logic, his theory of science, the nature of phenomenological reduction, his account of perception and language, the theory of space and time, his phenomenology of imagination and empathy, the concept of the life-world and his epistemology. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)