Recent years have seen rapid progress in the development of ontologies as semantic models intended to capture and represent aspects of the real world. There is, however, great variation in the quality of ontologies. If ontologies are to become progressively better in the future, more rigorously developed, and more appropriately compared, then a systematic discipline of ontology evaluation must be created to ensure quality of content and methodology. Systematic methods for ontology evaluation will take into account representation of individual ontologies, (...) performance (in terms of accuracy, domain coverage and the efficiency and quality of automated reasoning using the ontologies) on tasks for which the ontology is designed and used, degree of alignment with other ontologies and their compatibility with automated reasoning. A sound and systematic approach to ontology evaluation is required to transform ontology engineering into a true scientific and engineering discipline. This chapter discusses issues and problems in ontology evaluation, describes some current strategies, and suggests some approaches that might be useful in the future. (shrink)

Peer review is a widely accepted instrument for raising the quality of science. Peer review limits the enormous unstructured influx of information and the sheer amount of dubious data, which in its absence would plunge science into chaos. In particular, peer review offers the benefit of eliminating papers that suffer from poor craftsmanship or methodological shortcomings, especially in the experimental sciences. However, we believe that peer review is not always appropriate for the evaluation of controversial hypothetical science. We argue that (...) the process of peer review can be prone to bias towards ideas that affirm the prior convictions of reviewers and against innovation and radical new ideas. Innovative hypotheses are thus highly vulnerable to being “filtered out” or made to accord with conventional wisdom by the peer review process. Consequently, having introduced peer review, the Elsevier journal Medical Hypotheses may be unable to continue its tradition as a radical journal allowing discussion of improbable or unconventional ideas. Hence we conclude by asking the publisher to consider re-introducing the system of editorial review to Medical Hypotheses. (shrink)

Among the central meanings in Büchner's Woyzeck, there is one that comes clear only when we read the play in the context of the history of ideas—specifically in the light of certain currents of thought about human history and eschatology. Aspects of the play's expression are thereby elucidated, that are forcefully brought forward through the organization and compositional procedures of Berg's Wozzeck. Near the end of the long third scene of the opera, Wozzeck appears suddenly at Marie's window and alludes (...) cryptically to the mysterious signs that had come to him in the field the scene before, confiding to her that he is "on the track of something big." As those signs had first been presented through Wozzeck's eyes, they seemed like the imaginings and fears of a simple man about Freemasons and who knows what other objects of superstition, But now in the third scene he gives them a scriptural context, as though through a sudden insight: "Isn't it written, 'And behold, the smoke went up from the land, as the smoke from a furnace'?" What Wozzeck has recalled here is a passage in the Book of Genesis, chapter 19: "Then the Lord rained upon Sodom brimstone and fire from the Lord out of heaven. . . . and, behold, the smoke went up from the Land as the smoke from a furnace." The image is repeated in the New Testament Book of Revelation , chapter 9: "And the fifth angel sounded, and I saw a star fall from heaven unto the earth; and to him was given the key of the bottomless pit; and there arose a smoke out of the pit as the smoke of the great furnace; and the sun and the air were darkened by reason of the smoke of the pit." Both passages are about a holocaust visited by a wrathful God upon a corrupt and debauched people, and that is the idea that begins to form in Wozzeck's mind as he stands for the first time on the stage before his mistress. And he asks, "What will it all come to?" The answer to this thematic question lies in the strange unfolding of the drama, pressed forward by forces that lie, as Büchner had once put it, "Outside of ourselves"1 and by Wozzeck, who guarantees the outcome as he imagines himself becoming aware of what it must be. · 1. Letter to his family, February 1834: "I scorn no one, least of all because of his understanding or his education, for it lies in no one's power not to become a dumbbell or a criminal—because we have all become alike through like circumstances, and because the circumstances lie outside of ourselves . . ." Werner Lehmann, George Büchner: Sämtliche Werke und Briefe , 2:422. Leo Treitler, professor and chairman of the department of music at the State University of New York at Stony Brook, is the author of, among other works, "Dufay the Progressive" and "Homer and Gregory: The Transmission of Epic Poetry and Plainchant.". (shrink)

1. Erlangen 1829-1832 -- 2. Erlangen 1830-1832.

Building on the cultural transfer theory of Michel Espagne and Michael Werner, the paper examines the history of Marian Zdziechowski’s interactions with Leo Tolstoy. Its starting point is their correspondence of the 1890s, and the endpoint – Zdziechowski’s magnum opus Pessimism, Romanticism and the Bases of Christianity (1915). The main emphasis lies on two microhistories of cultural transfer with opposing vectors, represented in the relations between these two figures. The first, revolving around the publication of Zdziechowski’s essay Religious and (...) Political Ideals of Polish Society, is dedicated to the attempts of Zdziechowski, a young Polish intellectual, to secure a place in the field of Russian intellectual culture with the help of Tolstoy, one of its leading figures. The second concentrates on Tolstoy’s letter to Zdziechowski, which the latter used as a preface to a separate publication of his essay. Aiming to communicate the idea that Tolstoy was no enemy for the Poles to the Polish audience, Zdziechowski thus responded to the critical reaction to Tolstoy in the Polish press of the Austro-Hungarian Empire. In the end, the figure of Zdziechowski as a mediator between cultural fields proves to be of high value for further studies of processes and mechanisms of cultural transfer. (shrink)

Dieser Band präsentiert, gemeinsam mit anderen Beiträgen, die anlässlich der Gedenkfeier zum 100. Geburtstag von Leo Gabriel gehaltenen Vorträge am Institut für Philosophie der Universität Wien. Lange vor den gegenwärtigen Bestrebungen zu einer europäischen Integration hat Gabriel die Entwicklung der geistigen Gestalten Europas und das Verhältnis von Einheit und Vielheit integrativ zu erfassen versucht. Die Autorinnen und Autoren erörtern die Quellen sowie die Aktualität des integralen Denkens und vergleichen es mit phänomenologisch-existentialistischen, hermeneutischen, strukturalistischen und postmodernen Theorien. Überdies beinhaltet der Band (...) Zeugnisse und unveröffentlichte Manuskripte von Leo Gabriel. Aus dem Inhalt: Peter Kampits: Vorwort - Yvanka B. Raynova: Einleitung: Verantwortung für das Ganze - Leo Gabriel: Gestalten und Strukturen des integrativen Denkens - Leo Gabriel: Wissenschaft und Wertordnung (Unveröffentlichtes Manuskript) - Leo Gabriel Jr.: Von der Suche nach dem Ganzen zur Sucht nach Veränderung - Augustinus Karl Wucherer-Huldenfeld: Zur Aktualität des integralen Denkens Leo Gabriels - Sigrid Pöllinger: Wladimir S. Solowjew und der Begriff der All-Einheit - Günther Pöltner: Radikale Pluralität. Zur Problematik eines postmodernen Paradigmas - Yvanka B. Raynova: Integrales Denken im europäischen Kontext: Gabriel - Heidegger - Ricoeur - Roland Faber: "Insistenz". Zum "Nicht-Sein" Gottes bei Levinas, Deleuze und Whitehead - Rolf Kühn: Sinnlichkeit als Offenbarung. Eine phänomenologische Analyse zum Denken Simone Weils - Karl Baier: Der Mensch als Person und Anatman. Überlegungen zu einer Grundfrage im buddhistisch-christlichen Dialog - Werner Gabriel: Philosophisches Denken als Weg der Erlösung. Ein interkultureller Vergleich - Arno Böhler: Über die Dummheit: Einblick in den Abgrund des Denkens - Jürgen Trinks: Das offene Feld der Phantasie und die Fallstricke der Einbildung - Laurie Calhoun: The Paradox of Love and the Paradox of Morality: Triangular Reflections in Carol Reed's "The Third Man" - Yvanka B. Raynova: Leo Gabriel: Eine ausgewählte Bibliographie. (shrink)

This article explores Adorno’s negative dialectics as a critical social theory of economic objectivity. It rejects the conventional view that Adorno does not offer a critique of the economic forms of capitalist society. The article holds that negative dialectics is a dialectics of the social world in the form of the economic object, one that is governed by the movement of economic quantities, that is, real economic abstractions. Negative dialectics refuses to accept the constituted economic categories as categories of economic (...) nature. Instead, the article argues, it amounts to a conceptualized social praxis [ begriffene Praxis] of the capitalistically constituted social relations, which manifest themselves in the form of seemingly independent economic categories. Economic nature is a socially constituted nature, which entails the class antagonism in its concept. The article concludes that for negative dialectics the explanation of real economic abstractions lies in the understanding of the class-divided nature of human practice. (shrink)

This volume has its already distant or1g1n in an inter national conference on Evolutionary Epistemology the editors organized at the University of Ghent in November 1984. This conference aimed to follow up the endeavor started at the ERISS (Epistemologically Relevant Internalist Sociology of Science) conference organized by Don Campbell and Alex Rosen berg at Cazenovia Lake, New York, in June 1981, whilst in jecting the gist of certain current continental intellectual developments into a debate whose focus, we thought, was in (...) danger of being narrowed too much, considering the still underdeveloped state of affairs in the field. Broadly speaking, evolutionary epistemology today con sists of two interrelated, yet qualitatively distinct inves tigative efforts. Both are drawing on Darwinian concepts, which may explain why many people have failed to discriminate them. One is the study of the evolution of the cognitive apparatus of living organisms, which is first and foremost the province of biologists and psychologists (H. C. Plotkin, Ed. , Learning, Development, and Culture: Essays in Evolu tionary Epistemology, New York, Wiley, 1984), although quite a few philosophers - professional or vocational - have also felt the need to express themselves on this vast subject (F. M. Wuketits, Ed. , Conce ts and Approaches in Evolutionary Epistemology, Dordrecht Boston, Reidel, 1984). The other approach deals with the evolution of science, and has been dominated hitherto by (allegedly) 'naturalized' philosophers; no book-length survey of this literature is available at present. (shrink)

Why do many societies moralize apparently harmless pleasures, such as lust, gluttony, alcohol, drugs, and even music and dance? Why do they erect temperance, asceticism, sobriety, modesty, and piety as cardinal moral virtues? According to existing theories, this puritanical morality cannot be reduced to concerns for harm and fairness: It must emerge from cognitive systems that did not evolve for cooperation (e.g., disgust-based “purity” concerns). Here, we argue that, despite appearances, puritanical morality is no exception to the cooperative function of (...) moral cognition. It emerges in response to a key feature of cooperation, namely that cooperation is (ultimately) a long-term strategy, requiring (proximately) the self-control of appetites for immediate gratification. Puritanical moralizations condemn behaviors which, although inherently harmless, are perceived as indirectly facilitating uncooperative behaviors, by impairing the self-control required to refrain from cheating. Drinking, drugs, immodest clothing, and unruly music and dance are condemned as stimulating short-term impulses, thus facilitating uncooperative behaviors (e.g., violence, adultery, free-riding). Overindulgence in harmless bodily pleasures (e.g., masturbation, gluttony) is perceived as making people slave to their urges, thus altering abilities to resist future antisocial temptations. Daily self-discipline, ascetic temperance, and pious ritual observance are perceived as cultivating the self-control required to honor prosocial obligations. We review psychological, historical, and ethnographic evidence supporting this account. We use this theory to explain the fall of puritanism in western, educated, industrialized, rich, and democratic (WEIRD) societies, and discuss the cultural evolution of puritanical norms. Explaining puritanical norms does not require adding mechanisms unrelated to cooperation in our models of the moral mind. (shrink)

Over the last decades we have seen an increased interest in forensic rhetoric in Plato's dialogues, notably in relation to hisApology. However, little interest has been paid to this strain of rhetoric in relation to theGorgias. In this article I focus on one notion, βοήθεια, as it was discussed in Plato'sGorgias. This notion had a wide currency in forensic rhetoric in classical Athens.

Combating and overcoming corruption in business and in political affairs is one of the most important issues facing business and professional ethics in the 21st century. That corruption exists is a fact. That corruption is widespread and spreading is a commonperception. Many believe that corruption is culturally induced. Some believe corruption to be so much a part of the fabric of some societies as to be unquestioned and unassailable. Or, is it simply a myth that corruption is a matter of (...) culture? (shrink)

Conceptual research is interdisciplinary in two regards. On the one hand, various disciplines have developed various approaches to conceptual research. These range from conceptual analysis and conceptual history in philosophy, Begriffsgeschichte in historical and literary studies to term-related semantics in linguistics and conceptual research in psychoanalysis. On the other hand, concepts play a key role in any cooperation within interdisciplinary research projects. If they remain undiscussed and unmediated between the participating disciplines, they tend to impede productive cooperation. This contribution provides (...) an overview of different forms of conceptual research and introduces the approach of Experimental Conceptual Research as a technique of conceptual reflection, which unifies approaches of various disciplines by going back to an investigation of those criteria that become effective in the practice of concept formation and usage. As a criterial investigation, it starts at the level of conceptualizing phenomena within the course of research. In this way, premature fixations of conceptually filtered perceptions can be avoided, allowing the discovery of distinguishing features in phenomena to pave the way for forms of interdisciplinary cooperation that are deeply anchored in material content. (shrink)

Günter Grass entschied sich bereits 1956 unter dem Eindruck von Adornos Analyse der Kultur nach dem Zivilisationsbruch Auschwitz für eine asketische, »graue« Sprache als Maßstab der Dichtung – eine Maxime, die für Paul Celan zu grundlegenden Entscheidungen für die Skelettierung seiner lyrischen Sprache führte. Der Austausch zwischen dem Autodidakten Grass und seinem »Lehrer« Celan hatte andererseits fundamentale Bedeutung für die Konzeption von Hundejahre als episches Korrelat zum Sprachkosmos des Lyrikers. Als »kommunizierende Gefäße« sind sie durch einen gemeinsamen Code miteinander verbunden, (...) den dieses Essay zu entschlüsseln versucht. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.1 (2003) 153-156 [Access article in PDF] Gesine Manuwald, ed. Der Satiriker Lucilius und seine Zeit. Zetemata 110. Munich: C. H. Beck, 2001. 206 pp. Paper, fi49.90. In mid-February 2001 at the University of Freiburg, a symposium was held under the aegis of Professor Eckard Lefèvre on the theme "Lucilius, Identity, and Alterity." Moving with lightning speed, Gesine Manuwald edited fifteen of the papers given (...) there and had them ready in June so that Beck could publish them in record time. This is the swiftest production of the doings of such a symposium that I have come across. If only there had been some really new things to say about Lucilius, it would make this monograph invaluable. Unfortunately, no new fragments have appeared, and the identity of Lucilius remains shrouded in mystery for lack of new historical evidence. As for alterity, most of the participants in the project did not feel comfortable with addressing that aspect of Lucilius, probably again for lack of useful data on the satirist and his period.Nine of the fifteen papers come from the hands of students and faculty at the University of Freiburg. In addition, there are contributions from Johannes Christes of Berlin, C. J. Classen of Göttingen, Ursula Gärtner of Leipzig, Severin Kostner of Erlangen, Werner Krenkel of Rostock, and Eckart Olshausen of Stuttgart. All of the titles try to link Lucilius with a genre like epic, with a specific poet like Callimachus or Aristophanes, or with a cultural or historical phenomenon like the city of Rome or the times in which the poet lived. One essay alone addresses a specific satire, predictably the Trip to Sicily in Book 3, which provides enough surviving lines to allow a discussion of fifteen pages.Several of the essays illustrate the difficulty of putting a confident hand on the "identity" of Lucilius. Even the famous disclaimer of ambition to become a [End Page 153] publican in the new province of Asia, though firmly linked to Lucilius' name in its text, does not necessarily justify the conclusion that the poet is expressing personal pride as Manuwald claims. A pose is certainly struck, but what exactly is Lucilius proud of, and what does he propose instead? The statement could be the opening to his artistic creed as satirist, but it has other possibilities, e.g., the choice of an Epicurean existence or an attack on equestrian operators, and we need to advance every inference very tentatively. It is indeed quite possible that the lines came from a fictional dramatic situation.The first paper, by Ulrike Auhagen, deals with Lucilius and comedy, an important and difficult topic. In his early poems of the first edition, Lucilius wrote a number of scenes in comic meters. Before he completed that edition, he seems to have decided permanently against those meters, senarius and septenarius, and he confined himself to hexameters in Book 30, the last book of that edition. Did he also abandon the way he used the comic meters? That is, in his early satirical experiments, did he produce little comic vignettes on fictional situations, familiar in Plautus and Terence, or did he use comedy to make satiric commentary on the Rome of his day? If the former, which I had hoped Auhagen would consider, then we can infer the variety of the satura that the poet was exploring. If the latter, then Lucilius is already from his earliest works the hard-hitting moralist that Auhagen imagines, ready to turn any meter and any situation into an arena for his polemics. I would plead for more openness to alterity.Various papers deal with Lucilius' interest in other genres or writers. Thus, Andreas Bagordo downplays the connection with Callimachus, which Puelma Piwonka daringly argued. Bernhard Zimmermann considers Horace's apparent belief that Lucilius depended greatly on Aristophanes, and he puts it rightly into perspective. Manuwald shows how little the satirist admired the Greek and Roman tragedians, but she could have spent more time on the programmatic relevance of his disapproval: he was, after all, staking... (shrink)

Werner Jaeger's classic three-volume work, originally published in 1939, is now available in paperback. Paideia, the shaping of Greek character through a union of civilization, tradition, literature, and philosophy is the basis for Jaeger's evaluation of Hellenic culture.Volume I describes the foundation, growth, and crisis of Greek culture during the archaic and classical epochs, ending with the collapse of the Athenian empire. The second and third volumes of the work deal with the intellectual history of ancient Greece in the (...) Age of Plato, the 4th century B.C.--the age in which Greece lost everything that is valued in this world--state, power, liberty--but still clung to the concept of paideia. As its last great poet, Menander summarized the primary role of this ideal in Greek culture when he said: "The possession which no one can take away from man is paideia.". (shrink)

The article expounds the ordo-liberal tradition that emerged as a distinct neo-liberal conceptualization of free economy as a political practice. According to this tradition there are things more important than GDP in as much as free economy depends on the formation of the moral and the social preconditions of market freedom. The social facilitation and moral embedding of free economy are fundamental to the ordo-liberal conception of a human economy, which entails a social policy of Vitalpolitik – a politics of (...) life. Particularly at a time of manifest economic crisis and austerity, the social and moral veracity of economic liberty depends thus on the exercise of strong state authority. (shrink)