"Explores the nature of time and its implications for questions of politics, ethics, and the self.

A review of Nathan Widder, Reflections on Time and Politics (State College: Penn State University Press, 2008), 208 pp.

In this essay, I take off from Nathan Widder’s impressive book, Reflections on Time and Politics, by highlighting what I take to be one of the major internal differences within continental philosophy that Widder’s book helps to make manifest: that between phenomenology and post-structuralism (which includes the renewed interest in, and use of, Nietzsche and Bergson’s work by poststructuralist philosophers). While many deplore the use of umbrella terms like these, I hope to be able to proffer some (...) useful generalisations about each in regard to their philosophies of time. And while I think that Widder, Deleuze, et al are roughly correct in their diagnosis of phenomenology’s association of time (or, better, temporality) with the subject, including with the movement of subject, I am not convinced that they are correct in considering this to be a theoretical weakness, nor that the proffered alternatives are to be preferred. I myself am pulled both ways, and in a critical vein here want to point to some problems with the “time out of joint” trajectory of Widder, Deleuze, Derrida, and others, or at the very least to establish some risks that are associated with such a perspective. My basic worry is that too often the transcendental critique of vulgar time and any emphasis on the “living-present” and other such “chronopathologies” trades on claims of necessity that are either speculative (the transcendental claim is not established as a necessary one, but is at best a weak inference to a better explanation) or that depend upon their association with an accompanying moral and political tenor (what I have elsewhere called “empirico-romanticism” ) that threatens to be dogmatic. While I agree with Widder and others that time and politics are intimately connected I also think that theoretical accounts of this fragile connection need to be careful to avoid lapsing into dogmatism, and this is so even if the relevant conception of time is not tethered to any teleological account of the trajectory of history. (shrink)

This paper elaborates Deleuze and Guattari’s ‘war machine’ in relation to key theses in Hegel’s political philosophy, with the aim of showing how it illuminates the conditions under which politics and political institutions as Hegel understands them both emerge and are compromised. After first introducing the idea of the war machine and its appropriation by discussing it in relation to Carl Schmitt’s theory of partisan warfare, it examines both the war machine and Hegel’s theory of the State by way (...) of a focus on Hegel’s discussions of drive (Trieb) and semblance (Schein). Regarding the first, the paper explores how both Hegel and Deleuze and Guattari conceive of social structure in terms of a structure of drives even while they differ in their understandings of the drives in relation to desire and subjectivity. Regarding the second, the paper explores how moments of semblance identified by Hegel as he develops his system of Right reveal points where the war machine can emerge from within State structures. The paper argues that the war machine concept challenges understandings of politics built on friend/enemy antagonisms and the use of external conflict to secure internal unity, the former being Schmitt’s explicit political project and the second being the place at which Hegel’s project ultimately finds itself when it fails to secure the rational structure of Ethical Life. (shrink)

This article takes issue with interpretations of Foucault’s thought that understand power and resistance as forces working in opposition to one another to fix and dissolve or construct and deconstruct social identities. Starting from the theme of dispersion presented in The Archaeology of Knowledge, it maintains that, for Foucault, power works only in a dispersive manner and that identities are not so much substantialities produced by power as simulacra that appear on the surface of a very different dynamic. Resistance, in (...) turn, is not a force opposed to power but rather a consequence of the disjunctive nature of power relations themselves. Using this reconceived dynamic of power and resistance, the article revisits Foucault’s understanding of disciplinary society and the micropolitics of the care of the self, and argues that, although Foucault has been deployed in political theory to show that identities are both necessary and problematic, his work in fact points to a politics and ethics that strives to dispense with this necessity altogether. (shrink)

Alain Badiou's recent monograph on Deleuze argues that the latter does not reverse Platonism but instead presents a Platonism of the virtual which appears in his unswerving attention to the univocity of being, and for this reason Deleuze is not truly a thinker of multiplicity but of the One. But this interpretation, which is not unknown in Deleuze literature, rests upon a mistaken conflation of the univocity of being with the Oneness of being. This paper reconstructs the medieval Aristotelian debates (...) around univocity and analogy as they relate to Deleuze's thesis, found primarily in Difference and Repetition, in order to show that Deleuze does indeed reverse Platonism and restore the rights of simulacra and multiplicity. (shrink)

Cinema, like art more generally, is both an artistic genre and a politico-economic institution. On the one hand there is film, a medium which disseminates moving images via the projection of light through celluloid onto a screen. Individual films or "movies," in turn, are discrete aesthetic objects that are distinguished and analyzed vis-à-vis their form and content. On the other hand there is the film industry-the elaborate network of artistic, technical, and economic apparatuses which plan, produce, market, and display films (...) to audiences. Since its inception, both the aesthetic and political aspects of cinema have been subject to various forms of theoretical analysis which have been subject to critique in turn. In this paper I offer a brief survey of these analyses and critiques followed by a sketch of an alternative approach to film theory. Drawing upon the ideas of Foucault and Deleuze, this "anarchist" film theory seeks to present a viable critical methodology while at the same time elucidating the liberatory potential of film. (shrink)

This article reflects on the dynamics of the public sphere in the early modern period by analyzing the figure of the peasant and the notion of the common(s) in dialogue pamphlets. Beginning with a discussion of what it means to speak of a public sphere in relation to the early modern period, it examines one of the most famous Reformation dialogues, _Karst-hans_, published anonymously in 1521 in Strasbourg. Just before the German Peasants’ War (1524–26), the Lutheran dialogue, polemically directed against (...) the theologian and satirist Thomas Murner, positions the peasant as a critically mature citizen, with the hoe (_Karst_) symbolizing his potential militancy. This article specifically draws on the notion of publicity that the dialogue articulates. Using it as an example, this article analyzes the transitions and mutual projections between fiction, urban culture, and peasant protest, the structures of which are significant for the literary representation of agrarian protest far beyond the Reformation. In its final section, this article closely examines the media genre of the dialogue pamphlet and outlines some horizons of its historical development up to the Enlightenment concerning its political use and its relation to the ideal of a dialogic and socially leveled public sphere. By arguing that there existed an implicit ideal of the public sphere as a common good in the early modern period, the aim is also to clarify what distinguishes this early modern understanding of the public sphere from its conceptualization as a marketplace that has dominated our understanding of it since the Enlightenment. The prehistory presented here should provide resources for reimagining the future of the public sphere at a time when its actual structure is once again very much at stake. (shrink)

Experimental research with human infants has demonstrated a level of sensitivity to music comparable to that of musically unsophisticated adults. This evidence points to the biologically hard‐wired nature of musical responsivity, and further raises the question of the evolutionary roots of the phenomenon. The question is addressed by examining (1) the ontogenetic and phylogenetic order in which speech and music are acquired, (2) the possible adaptive properties of music and dance, and (3) cognitive evolutionary retrodictions about the period in prehistory (...) when art began. Much uncertainty continues to surround these issues, but there is a strong indication that the performing and visual arts are natural phenomena with distinctively different evolutionary roots. (shrink)

The following examines the concept of time in Gadamer’s work, looking specifically at the role of artwork and festival as focal points of his temporal analysis. It is argued that the usual way of understanding Gadamer’s reflections on time as either “empty” or “fulfilled,” while accurate, need to be supplemented by a third species of time which is neither “full” nor “empty,” pointing instead to the underappreciated role of eternity in his thought. Eternity in this instance (...) is not the other or the outside of time, as one finds in various traditional metaphysical determinations. It is rather intended as the vast and unending time of the cosmos, hinted at in the experience of artwork and festival. (shrink)

In Volume Two of Ernest Fortin: Collected Essays, Fortin deals with the relationship between religion and civil society in a Christian context: that of an essentially nonpolitical but by no means entirely otherwordly religion, many of whose teachings were thought to be fundamentally at odds with the duties of citizenship. Sections focus upon Augustine and Aquinas, on Christianity and politics; natural law, natural rights, and social justice; and Leo Strauss and the revival of classical political philosophy. Fortin's treatment of (...) these and related themes betrays a keen awareness of one of the significant intellectual events of our time: the recovery of political philosophy as a legitimate academic discipline. (shrink)

As one of the foremost public intellectuals of the twentieth century, Hannah Arendt is well known for her writings on political philosophy. Less familiar are her significant contributions to cultural and literary criticism. This edition brings together for the first time Arendt’s reflections on literature and culture. The essays include previously unpublished and untranslated material drawn from half a century of engagement with the works of European and American authors, poets, journalists, and literary critics, including such diverse figures (...) as Proust, Melville, Auden, and Brecht. Intended for a wide readership, this volume has the potential to change our view of Arendt by introducing her not only as one of the leading political theorists of her generation, but also as a serious, committed, and highly original literary and cultural critic. Gottlieb’s introduction ties the work together, showing how Arendt developed a form of literary and cultural analysis that is entirely her own. (shrink)

In Volume Two of Ernest Fortin: Collected Essays, Fortin deals with the relationship between religion and civil society in a Christian context: that of an essentially nonpolitical but by no means entirely otherwordly religion, many of whose teachings were thought to be fundamentally at odds with the duties of citizenship. Sections focus upon Augustine and Aquinas, on Christianity and politics; natural law, natural rights, and social justice; and Leo Strauss and the revival of classical political philosophy. Fortin's treatment of (...) these and related themes betrays a keen awareness of one of the significant intellectual events of our time: the recovery of political philosophy as a legitimate academic discipline. (shrink)

This article aims to bring together post-Marxist discourse theory and the critique of political economy in the context of the debate on the Marxian theory of value. Although Laclau and Mouffe criticized Marxism for its economic reductionism, they did not connect this to a comprehensive critique of Marx's writings on value and labor. The merit of considering the theory of value in more detail is underscored by discourse theory's relative silence on the capitalist economy. By drawing on the work of (...) Postone and Elson, it will become clear that there are largely two ways to interpret Marx's theory of value: either as an essentialist theory of price and exploitation, or as a historically specific theory of the constitution of social labor relations in capitalist society. By teasing out Laclau's implicit understanding of Marx's value theory, the article argues that it is in fact his essentialist interpretation of the labor theory of value that constitutes an obstacle toward grasping the social relations of labor and commodity production from a discourse-theoretical perspective. This clears the ground toward approaching Marx's value theory from a post-Marxist perspective, which would grasp the social relations of abstract labor as a hegemonic formation. (shrink)

From 1995 to 2013, Stanley Fish's provocative New York Times columns consistently generated passionate discussion and debate. In Think Again, he has assembled almost one hundred of his best columns into a thematically arranged collection with a substantial new introduction that explains his intention in writing these pieces and offers an analysis of why they provoked so much reaction. Some readers reported being frustrated when they couldn’t figure out where Fish, one of America’s most influential thinkers, stood on the controversies (...) he addressed in the essays—from atheism and affirmative action to plagiarism and postmodernism. But, as Fish says, that is the point. Opinions are cheap; you can get them anywhere. Instead of offering just another set of them, Fish analyzes and dissects the arguments put forth by different sides—in debates over free speech, identity politics, the gun lobby, and other hot-button topics—in order to explain how their arguments work or don’t work. In short, these are essays that teach you not what to think but how to think more clearly. Brief and accessible yet challenging, these essays provide all the hard-edged intellectual, cultural, and political analysis one expects from Fish. At the same time, the collection includes a number of revealing and even poignant autobiographical essays in which, as Fish says, "readers will learn about my anxieties, my aspirations, my eccentricities, my foibles, my father, and my obsessions—Frank Sinatra, Ted Williams, basketball, and Jews." Reflecting the wide-ranging interests of one of today's leading critics, this is Fish’s broadest and most engaging book to date. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 78-88 [Access article in PDF] Remembering Beauty:Reflections on Kant and Cartier-Bresson for Aspiring Photographers Stuart Richmond In the past few decades beauty has become something of an endangered species in the Western art world. Indeed, beauty has never been a central aim of contemporary art, which has tended to focus on meaning and politics rather than formal values, conceptual art (...) being a case in point. Feminist artists and critics, reacting to the objectification of women in society have rendered attention to women's beauty, especially the nude, impolitic. This is perhaps understandable given the persuasive emphasis on beauty in marketing, that many argue socializes an unhealthy self-image in young people and distracts attention from important social issues. As well, techno-global-business practices increasingly invade our lives and private spaces with a virtual culture of information and efficiency. We do not know how this retreat from the sensual, concrete present will affect human sensibilities and values in the long run, although there are some disturbing signs. Seen as un-cerebral and allied with pleasure, beauty and its alter ego, appreciation, have acquired a decided regressive air. Having said that, for many people at the level of ordinary life — in human relationships, arts activities, and love of nature, for example — beauty never really went away because beauty is a source of pleasure and well-being that we cannot help wanting. As Plato pointed out, beauty is the only visible quality that inspires love. 1 A life of beauty in a free and ethical environment is an invitation to a life worth living. Though I cannot pursue the matter here, it is noteworthy that we often call a person of courage, goodness, and humility, a beautiful human being. Around the world people find many paths to beauty and of late in the Western artistic and academic worlds, beauty seems to be making a comeback. But beauty is a difficult thing to talk about, partly due to its being an experiential concept, partly because it has a long and complex philosophical history, and also because there is the risk in analysis of reducing it to something small and formulaic. Words in the end cannot replace the experience [End Page 78] of beauty. Despite these concerns, however, I believe that now, more thanever in the arts and education, we need to develop capacities for creating and appreciating beauty, if only to bring us back into contact with what is sensual and intrinsically worthwhile after so much arid theorizing, conflict in the world, and technocratic obsession. Through beauty we might be able to regain a stronger sense of human values and pleasure in living. Therefore, my aim here is to re-examine beauty in order to strengthen its role in aesthetic education. I do not expect to develop any precise definitions but I shall aim for a few signposts. Background to the Concept of Beauty "Beauty," "beautiful," or "the beautiful" refer primarily to a quality found pleasing to the senses. Here I shall restrict discussion to the visual domain, and later principally to art. As noted, beauty has a long philosophical history but the concept remains vague. From classical times on, beauty has been defined or associated with such properties as symmetry, balance, variety, harmony, proportion, order, unity, and perfection. And indeed, these features have long provided normative guidelines for the creation and appreciation of beauty. Over time we have learned the shape and proportions of a beautiful pot or supporting column. The golden section, a ratio of 1:1.6, has been used to good effect in design for millennia, the Parthenon being a prime example, the 35 mm negative another. However, as is well known, differences in beauty in individual cases tend to elude definition on account of this or that property or collection of properties. Exceptions can always be found. A painting may be well balanced but lacking in a certain élan vital, or unbalanced but beautiful. The variability of beautiful things seems to rule out a... (shrink)

"In a wide-ranging discussion the author examines the philosophy of Kant, Heidegger, Adorno and Derrida and looks at the works of modernist and postmodernist artists such as Cezanne, Debussy and Boulez. Lyotard addresses issues such as time and memory, the sublime and the avant-garde, and the relationship between aesthetics and politics. Throughout his discussion he considers the close but problematic links between modernity, progress and humanity, and the transition to postmodernity. Lyotard claims that it is the task of (...) literature, philosophy and the arts to bear witness to and explain this difficult transition." "This important contribution to aesthetic and philosophical debates will be of great interest to students in philosophy, literary and cultural theory and politics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

McCumber does not sustain with evidence his claims about the role of McCarthyism in the triumph of analytical philosophy. A balanced history would attend to other considerations potentially relevant to that triumph, including the connection between Anglo-Protestant cultural hegemony in the United States and the styles of philosophy — especially metaphysics and normative ethics — repudiated by the analytical philosophers. The crucial transition in the professional culture of philosophy in the United States is not that from pragmatism to logical empiricism (...) and ordinary language philosophy, but from philosophy that was engaged with Christianity to philosophy that was not. (shrink)

A central claim of Deleuze's reading of Bergson is that Bergson's distinction between space as an extensive multiplicity and duration as an intensive multiplicity is inspired by the distinction between discrete and continuous manifolds found in Bernhard Riemann's 1854 thesis on the foundations of geometry. Yet there is no evidence from Bergson that Riemann influences his division, and the distinction between the discrete and continuous is hardly a Riemannian invention. Claiming Riemann's influence, however, allows Deleuze to argue that quantity, in (...) the form of ‘virtual number’, still pertains to continuous multiplicities. This not only supports Deleuze's attempt to redeem Bergson's argument against Einstein in Duration and Simultaneity, but also allows Deleuze to position Bergson against Hegelian dialectics. The use of Riemann is thereby an important element of the incorporation of Bergson into Deleuze's larger early project of developing an anti-Hegelian philosophy of difference. This article first reviews the role of discrete and continuous multiplicities or manifolds in Riemann's Habilitationsschrift, and how Riemann uses them to establish the foundations of an intrinsic geometry. It then outlines how Deleuze reinterprets Riemann's thesis to make it a credible resource for Deleuze's Bergsonism. Finally, it explores the limits of this move, and how Deleuze's later move away from Bergson turns on the rejection of an assumption of Riemann's thesis, that of ‘flatness in smallest parts’, which Deleuze challenges with the idea, taken from Riemann's contemporary, Richard Dedekind, of the irrational cut. (shrink)

Nigeria has over 57% of its population as youths. The nation is rich in human and mineral resources, yet the level of youth unemployment continues to rise and to pose serious socio-economic and political threats. The aim of this study was to highlight the strong link between the high level of youth unemployment and the rising tide of violence and criminalization of the public space in Nigeria. In other words, we argued that the youth routinely took out their frustrations in (...) violent and criminal forms. The study was set in Aba, city of Abia state, which is arguably the largest commercial town in the south-east region of Nigeria. It is also synonymous with violent and criminal social breakdowns. This empirical study adopted a multi-phase sampling technique for the data collection procedure, including the distribution of questionnaires, extensive library research and personal observation. By implication, both primary and secondary sources were used. The results show that youth unemployment was on the increase and government efforts alone were inadequate to solve the problem. In conclusion, the all-hands-on-deck approach was advocated. This entailed that the visibility of the church at almost every level of community life, especially at the grass-root level must be used as a vital platform to reach the people. Thus, it was recommended that the church should actively tap into the multifarious professional capacities of her members and use them as resource persons to creatively tackle the problem of youth unemployment.Contribution: This article contributes to the concept ‘faith seeking understanding’. It includes a systematic and practical reflection, within a paradigm in which the intersection of social sciences and theology generates a transdisciplinary contested discourse. (shrink)

Recent work on the nature of luck widely endorses the thesis that an event is good or bad luck for an individual only if it is significant for that individual. In this paper, I explore this thesis, showing that it raises questions about interests, well-being, and the philosophical uses of luck. In Sect. 1, I examine several accounts of significance, due to Pritchard (2005), Coffman (2007), and Rescher (1995). Then in Sect. 2 I consider what some theorists want to ‘do’ (...) with luck, taking important examples from epistemology (explaining Gettier-style examples) and political philosophy (offering a rationale for the just distribution of resources in society), while suggesting implications for significance. Drawing together lessons from Sects. 1 and 2, I develop a new account of significance in Sect. 3 before concluding with reflections on the debate in Sect. 4. (shrink)

A book review of Farhang Erfani, Aesthetics of Autonomy: Ricoeur and Sartre on Emancipation, Authenticity, and Selfhood (Lanham, MD: Lexington Books, 2011).

This book explores the nature of modern culture as a culture of anxiety, analyzing the modes in which such anxiety presents itself. Drawing on sociological and philosophical concepts of modernity, the author builds on the work of Marx, Nietzsche and Freud to offer an understanding of modern anxiety culture as the reverse side of risk culture, which stabilizes itself by concealing or making familiar the social phenomena of risk society. Through explorations of memory, politics, art, clairvoyance, notions of national (...) community and identity, this volume sheds light on the fissures in our culture where anxiety appears, thus revealing its underlying volatility. A study of the ruptures in our modern culture, Anxiety and Lucidity will appeal to scholars of sociology, social theory, anthropology and philosophy with interests in late modern culture. (shrink)

"In a wide-ranging discussion the author examines the philosophy of Kant, Heidegger, Adorno and Derrida and looks at the works of modernist and postmodernist artists such as Cezanne, Debussy and Boulez. Lyotard addresses issues such as time and memory, the sublime and the avant-garde, and the relationship between aesthetics and politics. Throughout his discussion he considers the close but problematic links between modernity, progress and humanity, and the transition to postmodernity. Lyotard claims that it is the task of (...) literature, philosophy and the arts to bear witness to and explain this difficult transition." "This important contribution to aesthetic and philosophical debates will be of great interest to students in philosophy, literary and cultural theory and politics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

In the 1960s, Marshall McLuhan emerged as a guru of the emergent electronic media culture. His book Understanding Media (1964) was celebrated as providing key insights into the role of the media in contemporary society and McLuhan became one of the most discussed and debated theorists of the time. During the 1980s, Jean Baudrillard was promoted in certain circles as the new McLuhan, as the most advanced theorist of the media and society in the so-called postmodern era. His analysis (...) of a new, postmodern society rests on a key assumption that the media, simulations, and what he calls "cyberblitz" constitute a new realm of experience and a new stage of history and type of society. Both McLuhan and Baudrillard provide provocative theses on the role of the media and new technology in constituting the contemporary world. They provide important and influential models of the media as all-powerful and autonomous social forces that produce a wide range of effects. In this study, I first explicate McLuhan’s media theory and how it can be deployed to produce analyses of modernity and postmodernity that connect McLuhan’s work with Baudrillard. I then explore how McLuhan’s media theory shaped Baudrillard’s theory and the similarities and differences in their work. I lay out what I consider the important contributions of their work, but am also concerned to delineate the political implications of their media theory and to point to alternative theoretical and political perspectives on the media and the contemporary moment. (shrink)

This paper will articulate an underappreciated side of the psychoanalytical Deleuze: his relation to Melanie Klein, particularly as it appears in The Logic of Sense. Deleuze's engagement with Klein largely follows his familiar strategy of re-reading a thinker off of a twist in one or two of that thinker's key concepts. With Klein, this twist involves re-reading her story of psychic development on the basis of disjunction rather than negation, so that the psychic surface that emerges generates a persistent non-correspondence (...) between self and other and between concept and thing. Deleuze thereby makes Klein a central figure in his ontology of sense and his analysis of how the physical surface of bodies generates a metaphysical surface of thought. However, Deleuze's ultimate turn is a Nietzschean one towards overcoming, the thought of eternal return, and the demolition of the Oedipal Law. As this final turn makes clear, even in his early writings that engaged more directly and affirmatively with psychoanalytical thought, Deleuze was already on an anti-Oedipal path. (shrink)

Plant-based milk alternatives–or mylks–have surged in popularity over the past ten years. We consider the politics and consumer subjectivities fostered by mylks as part of the broader trend towards ‘plant-based’ food. We demonstrate how mylk companies inherit and strategically deploy positive framings of milk as wholesome and convenient, as well as negative framings of dairy as environmentally damaging and cruel, to position plant-based as the ‘better’ alternative. By navigating this affective landscape, brands attempt to make mylk as simultaneously palatable (...) and disruptive to the status quo. We examine the politics of mylks through the concept of palatable disruption, where people are encouraged to care about the environment, health, and animal welfare enough to adopt mylks but to ultimately remain consumers of a commodity food. By encouraging consumers to reach for “plant-based” as a way to cope with environmental catastrophe and a life out of balance, mylks promote a neoliberal ethic: they individualize systemic problems and further entrench market mechanisms as solutions, thereby reinforcing the political economy of industrial agriculture. In conclusion, we reflect on the limits of the current plant-based trend for transitioning to more just and sustainable food production and consumption. (shrink)

The article revisits two basic questions of political theory posed by Jon Elster. First, should the political process be defined as private or public, and second, should its purpose be understood instrumentally or intrinsically? Having posed these questions, Elster arrives at three views of politics: social choice , republican and discourse theory . I argue for a fourth view , and explain Elster's omission of this model by referring to his underlying paradigm of politics, that is, as will (...) formation. The main thesis in Elster's article is about whether the process of will formation should be relegated to the market mechanism or dealt with via deliberative forums. I reject this paradigm and argue instead for politics as jurisdiction. This notion of politics is concerned with the question of how both market and forum processes of will formation should be institutionalized. Defining politics as jurisdiction strongly improves the plausibility of the missing fourth model of democratic will formation, as a depiction of democratic will formation as private in its process and intrinsic in its purpose illustrates the importance of distinguishing between two levels of democracy: namely, the civil level of will formation and the political level of jurisdiction. (shrink)

This paper argues that Nietzsche presents an ontology of excess that, by problematizing the logic of identity, can positively contribute to democratic theory and practice. This ontology is missed by a wide range of interpreters who try to depoliticize Nietzsche's thought, align it with the agonisms of contemporary mass democracy, or re-align it with an aristocratic politics of fixed hierarchy. While Nietzsche himself may not extend this ontology onto the political domain, the writings of Foucault, and Deleuze and Guattari (...) demonstrate how it can provide greater appreciation of the subtleties and complexities of power relations that operate at a micropolitical level. (shrink)

There was a day in March 2020 when I discovered I was old. There had, of course, been quite a few previous intimations of impending old age, but they had not “really” defined my being for me. Some years earlier, I had been surprised when people started to offer me their seat on a crowded bus or train. At first, I politely refused the seat; later, I decided that I would accept such invitations because declining seemed ungracious, and because accepting (...) would encourage this thoughtful behavior from which “others” would benefit. Recently, as my feet have begun to ache more, I have sometimes been happy to accept a seat on my own account. There have been other intimations too: some physical indications, such as needing a brighter light in order to read and stiffness in my knees. There have also been signs that my cultural, intellectual, and professional world, a world in which I have been deeply embedded, is passing: Students now live in an online media world that is alien to me, and a few of my colleagues have made it known that they find my research interests on Simone de Beauvoir a bit old-fashioned. But none of this actually defined me for myself as “old.” Surely, still an unremarkable, white, late-middle-aged woman, I did not think I “looked my age.” Surely, I had not yet become a member of that detested “foreign species” whose presence lurks within us all and that I, like most of us, so vehemently sought to deny. (shrink)

A warning that politics has a particular validity, but that this validity is challenged by much that is characteristic of modernity. It demonstrates that humans are tempted to move away from politics, and outlines the costs and benefits of retaining the political as a realm of human activity.

In lieu of an abstract, here is a brief excerpt of the content:Further Reflections on Conversations of Our TimeJudith Butler (bio)The exchange that Ernesto Laclau and I conducted through e-mail last year at this time begins a conversation that I expect will continue. And I suppose I would like to use this “supplementary” reflection to think about what makes such a conversation possible, and what possibilities might emerge from such a conversation.First of all, I think that I was (...) drawn to the work of Laclau and Mouffe when I began to read Hegemony and Socialist Strategy and realized that I had found a set of Marxist thinkers for whom discourse was not merely a representation of preexisting social and historical realities, but was also constitutive of the field of the social and of history. The second moment came when I realized that central to the notion of articulation, appropriated from Gramsci, was the notion of rearticulation. As a temporally dynamic and relatively unpredictable play of forces, hegemony had been cast by both Laclau and Mouffe as an alternative to forms of static structuralism that tend to construe contemporary social forms as timeless totalities. I read in Laclau and Mouffe the political transcription of Derrida’s “Structure, Sign, and Play”: a structure gains its status as a structure, its structurality, only through its repeated reinstatement. The dependency of that structure on its reinstatement means that the very possibility of structure depends on a reiteration that is in no sense determined fully in advance, that for structure, and social structure as a result, to become possible, there must first be a contingent repetition at its basis. Moreover, for some social formation to appear as structured is for it to have covered over in some way the contingency of its own installation.The theoretical rearticulation of structure as hegemony marked the work of Laclau and Mouffe as consequentially poststructuralist and offered perhaps the most important link between politics and poststructuralism in recent years (along with the work of Gayatri Chakravorty Spivak). The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power.It is, of course, impossible in this context to reconstruct the particular way in which Derrida’s work and Foucault’s work converge in the reconceptualization of hegemony that Laclau and Mouffe have offered. One of the points, however, that became most salient for me is the reintroduction of temporality and, indeed, of futurity into the thinking of social formations. Among many critical social theorists, the tendency has been to underscore how the systemic character of capital tends to incorporate any instance of opposition in the service of capital’s own self-augmentation. I would clearly agree that the incorporative and domesticating possibilities of capital are immense. But I would also [End Page 13] argue that any theory that fails to think the possibilities of transformation from within that “systemic” formation is itself complicit with the idea of the “eternal” character of capital that capital so readily produces. Hegemony also marks a limit to the totalizing terms within which social formations are to be thought. For what hegemony attends to are the moments of breakage, of rearticulation, convergence, and resistance that are not immediately coopted by social formations in their past and present forms. That no social formation can endure without becoming reinstated, and that every reinstatement puts the “structure” in question at risk, suggests that the possibility of its own undoing is at once the condition of possibility of structure itself.Before I knew the work of Laclau and Mouffe very well, I came close to this kind of insight in my work on gender. 1 There I argued that gender is not an inner core or static essence, but a reiterated enactment of... (shrink)

This article challenges the idea that individual and collective agency require centred, fixed identities to be efficacious and meaningful. In post-foundational political thought, this idea frequently underpins an understanding of the subject as something temporarily consolidated through constitutive exclusions and a claim that political and ethical thought must negotiate the necessity for and inevitable failure of these exclusions. Against this thesis, the article presents a reading of Nietzsche’s analysis of the drives and their relation to the ego, holding that for (...) Nietzsche drives are synthesized into a complex but still dispersed assemblage that generates the illusion of unity in the form of an ego or ‘I’. For Nietzsche, the article argues, concrete agency is located in this assemblage of differences, the semblance of a centre being important in the coordination of these differences, but having no causal efficacy itself. The article concludes by examining whether Nietzsche falls into a variant of the ‘homunculus problem’ before turning to the doctrine of eternal return and showing how Nietzsche links his ethics to using the semblance of identity in order to overcome the need to link subjectivity to identity. (shrink)

Language evolves continuously through the creation of neologisms, reflecting shifts in cultural, scientific, and social paradigms. This study provides a philosophical analysis of English cultural and scientific neologisms through the lens of social semantics, exploring how language identity and conceptual meaning change over time. Drawing on theories of linguistic identity, meaning construction, and cultural semiotics, the study compares the formation, dissemination, and contextual integration of neologisms from cultural and scientific domains. Findings reveal that cultural neologisms often emerge from socio-political (...) discourses and popular media, emphasizing collective identity and social norms, while scientific neologisms are rooted in technological advancements and epistemological precision. The interplay between these linguistic forms underscores a dynamic process where language both shapes and is shaped by human experience. This inquiry highlights the philosophical significance of neologisms as carriers of evolving meaning, cultural heritage, and intellectual identity, offering insights into the relationship between language, belief systems, and societal change. (shrink)

This paper is concerned with ways in which history is used in an anti-foundationalist context. Taking the example of Hans Blumenberg's attempt to provide a defence for modern reason without appeal to transcendental or teleological supports, it argues that such an approach is insufficient, and that its attempt to rest upon an ontological minimum only allows residual metaphysical components to remain within it. This becomes clear when Blumenberg is compelled to engage Nietzsche, a thinker who puts the chronological understanding of (...) time into question, and with it any attempt to use chronological history as a replacement for metaphysics. The remainder of the paper explores Nietzsche's genealogical method as an attempt to engage with an excessive becoming that goes unnoticed by conceptions of history such as Blumenberg's. This is, in a sense, an abuse of history, but it is directed against an abuse found within historical analysis when such analysis remains blind to an ontology of time. (shrink)