With this nuanced and interdisciplinary work, political theorist Mihaela Mihai tackles several interrelated questions: How do societies remember histories of systemic violence? Who is excluded from such histories' cast of characters? And what are the political costs of selective remembering in the present? Building on insights from political theory, social epistemology, and feminist and critical race theory, Mihai argues that a double erasure often structures hegemonic narratives of complex violence: of widespread, heterogeneous complicity and of "impure" resistances, not (...) easily subsumed to exceptionalist heroic models. In dialogue with care ethicists and philosophers of art, she then suggests that such narrative reductionism can be disrupted aesthetically through practices of "mnemonic care," that is, through the hermeneutical labor that critical artists deliver—thematically and formally—within communities' space of meaning. Empirically, the book examines both consecrated and marginalized artists who tackled the memory of Vichy France, communist Romania, and apartheid South Africa. Despite their specificities, these contexts present us with an opportunity to analyze similar mnemonic dynamics and to recognize the political impact of dissenting artistic production. Crossing disciplinary boundaries, the book intervenes in debates over collective responsibility, historical injustice, and the aesthetics of violence within political theory, memory studies, social epistemology, and transitional justice. (shrink)

Vehement resentment and indignation are rife in societies emerging from dictatorship or civil conflict. How should institutions deal with these emotions? Arguing for the need to recognize and constructively engage negative public emotions, Mihaela Mihai contributes theoretically to the growing field of transitional justice. Drawing on an extensive philosophical literature and case studies of democratic transitions in South Africa, South America, and Eastern Europe, her book rescues negative emotions from their bad reputation and highlights the obstacles and the opportunities (...) such emotions create for democracy. By valorizing negative emotions, either through the judicial review of transitional justice bills or the criminal trials of victimizers, institutions realize the value of respect and concern for all while contributing to a public culture hospitable to democracy. (shrink)

The notion of computation has changed the world more than any previous expressions of knowledge. However, as know-how in its particular algorithmic embodiment, computation is closed to meaning. Therefore, computer-based data processing can only mimic life’s creative aspects, without being creative itself. AI’s current record of accomplishments shows that it automates tasks associated with intelligence, without being intelligent itself. Mistaking the abstract for the concrete has led to the religion of “everything is an output of computation”—even the humankind that conceived (...) the computer. The hypostatized role of computers explains the increased dependence on them. The convergence machine called deep learning is only the most recent form through which the deterministic theology of the machine claims more than what it actually is: extremely effective data processing. A proper understanding of complexity, as well as the need to distinguish between the reactive nature of the artificial and the anticipatory nature of the living are suggested as practical responses to the challenges posed by machine theology. (shrink)

Introduction: Play, Power, and the Western Mentality Whereas play has always had an important, if sometimes unthemat- ized, role in Western literary ...

Over the last two centuries, the relationship between philosophy and science has completely broken down, so the question we are confronted with is: How can we develop a new philosophy, which will influence science decisively? The physicists of the last century rejected their contemporary philosophy. They considered that “philosophy today is dead” (Hawking and Mlodinow 2010). However, we believe that the great scientific problems are always philosophical, and only philosophical problems. Therefore, these problems can be solved only by philosophers and (...) scientists who operate at the greatest level of thinking: that of the “paradigm of thinking”. In fact, these great scientific problems can usually be solved by changing the “paradigm of thinking” for scientists. This book furnished more applications of the “epistemologically different worlds” (that replaced the “world”/”universe” – in their previous books (2008, 2010, 2011, etc.), the authors indicated that the notion of the world/universe is wrong). Following Aristotle’s “Prime Mover” (or the “Unmoved Mover”), we stop the regress ad infinitum by discovering the first EW, the EW0 (the Hypernothing). Even if one EW does not exist for any EDW, the Hypernothing was the first EW and all other EDWs correspond to the EW0. Chapter 2 is about the “Hypernothing”. The other chapters continue our works of applying the EDWs to different concepts/areas of Physics: quantum mechanics, elementary particles, thermodynamics (with its main notion, “entropy”), etc. In the last chapter, knowing that Einstein’s special and general theory of relativity are very correct (but in a book 2016 we showed that “spacetime” cannot ontologically exist), we re-write both theories without “spacetime”. Content, Introduction and Chapter 1, FREE at https://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Daps&field-keywords=gabriel+vacariu&rh=i %3Aaps%2Ck%3Agabriel+vacariu . (shrink)

Journal of Social Philosophy, EarlyView.

Relations between some theories of semigroups (also known as theories of strings or theories of concatenation) and arithmetic are surveyed. In particular Robinson's arithmetic Q is shown to be mutually interpretable with TC, a weak theory of concatenation introduced by Grzegorczyk. Furthermore, TC is shown to be interpretable in the theory F studied by Tarski and Szmielewa, thus confirming their claim that F is essentially undecidable.

Many voices and stories have been systematically silenced in interpersonal conversations, political deliberations and historical narratives. Recalcitrant and interrelated patterns of epistemic, political, cultural and economic marginalisation exclude individuals as knowers, citizens, agents. Two questions lie at the centre of this article, which focuses on the epistemically – but also politically, culturally and economically – dominant: How can we sabotage the dominant’s investment in their own ignorance of unjust silencing? How can they be seduced to become acute perceivers of others’ (...) experiences of oppression and reckon with their own participation in it? Situated at the intersection between political theory, aesthetics and epistemology, this article contributes a so-far-unexplored suggestion: that certain literary works create epistemic friction between shared, entrenched prejudices on the one hand, and representations of epistemic exclusion or authority, on the other. Their power to illuminate ideational, moral and experiential limitations makes them valuable tools in problematising, rendering visible and dislocating epistemic injustice, as well as other marginalisations it intersects with. To advance this argument, the article relies on insights from aesthetics, unpacking fiction’s multidimensional epistemic potential. Audre Lorde exemplifies literary works’ ability to seductively sabotage bias and provide audiences with prosthetic visions of unfamiliar experiences of marginalisation. (shrink)

In an effort to delineate a more plausible account of political change, this paper reads Pierre Bourdieu’s social theory as a corrective to exaggerated enthusiasm about the emancipatory force of reflection. This revised account valorizes both Bourdieu’s insights into the acquired, embodied, durable nature of the political habitus and judgment theorists’ trust in individuals’ reflection as a perpetual force of novelty and spontaneity in the public sphere of democratic societies. The main purpose of this exercise is to reveal the mix (...) of continuity and discontinuity that is characteristic of most transformations in the political common sense of democratic societies. In other words, this paper seeks to offer a more complex understanding of the inertial character of reflective judgment and of the difficulty of shifting the categories that define the political common sense. By cross-pollinating the ever-growing literature on reflective judgment and Bourdieu’s sombre theory of politics, we can better calibrate our expectations regarding the possibilities of significant democratic transformation in late capitalist societies. (shrink)

Silence features prominently in both political and academic debates about resistance and complicity with repressive orders. On the one hand, the dictum ‘silence is complicity’ is frequently taken for granted. On the other hand, heroes are thought to be those who ‘speak up’ or ‘break the silence’, contest the regime and its henchmen, agitate and take up arms. This paper troubles these assumptions about silence as complicity and speech as resistance. It argues that silence provides an interesting and productive angle (...) for criticising the idealised, temporally static, voluntarist, act-centred and virtuous vision view of heroes that usually dominates national-myth making. The many ways in which resisters deployed silence selectively, strategically, sometimes courageously, sometimes cowardly is erased from redemptive, idealising national narratives of heroism. It is by looking at these silences theoretically and historically that I hope to decentre this hegemonic heroic understanding of resistance. The work of Nobel Laureate Herta Müller serves as an illuminating example. (shrink)

Theoria, Volume 87, Issue 5, Page 1322-1341, October 2021.

In his article “Issues of Pragmaticism” published in 1905, in The Monist, Charles S. Peirce complains that “Logicians have been at fault in giving Vagueness the go-by, so far as not even to analyze it.” That same year, occupying himself with the consequences of “Critical commonsensism,” he affirmed, “I have worked out the logic of vagueness with something like completeness,” a statement that causes the majority of the commentators on his work, including the editors of the Collected Papers to ask (...) where this logic is to be found. The fever for finding Peirce's manuscripts is fed by the hope of some researchers of discovering the logic of vagueness, a hope that has grown since Carolyn Eisele's publication of his mathematical works. Others - and I count myself among them - believe that in reality this is a matter of something already known. That is, they interpret the affirmation ending the paragraph of reproach addressed to logicians, “The present writer has done his best to work out the Stechiology, Critic, and Methodeutik of the subject,” as a tripartite semiotic of the vague, still limited, according to Peirce's older works, to symbols, that is, to the signs of natural language examined from the perspective of logic. (shrink)

Justified by spectacular achievements facilitated through applied deep learning methodology, the “Everything is possible” view dominates this new hour in the “boom and bust” curve of AI performance. The optimistic view collides head on with the “It is not possible”—ascertainments often originating in a skewed understanding of both AI and medicine. The meaning of the conflicting views can be assessed only by addressing the nature of medicine. Specifically: Which part of medicine, if any, can and should be entrusted to AI—now (...) or at some moment in the future? AI or not, medicine should incorporate the anticipation perspective in providing care. (shrink)

The current assumptions of knowledge acquisition brought about the crisis in the reproducibility of experiments. A complementary perspective should account for the specific causality characteristic of life by integrating past, present, and future. A “second Cartesian revolution,” informed by and in awareness of anticipatory processes, should result in scientific methods that transcend the theology of determinism and reductionism. In our days, science, itself an expression of anticipatory activity, makes possible alternative understandings of reality and its dynamics. For this purpose, the (...) study advances G-complexity for defining and comparing decidable and undecidable knowledge. AI and related computational expressions of knowledge could benefit from the awareness of what distinguishes the dynamics of life from any other expressions of change. (shrink)

In the Critique of the Power of Judgment, Kant remarks that the feeling of the dynamically sublime is actually conditioned and that its foundation is the moral feeling, which he addressed in the Critique of Practical Reason. In order to elucidate those transient yet significant remarks, this paper confronts the analytic of the dynamically sublime from the third Critique with the analytic of the moral feeling from the second Critique. By uncovering an architectonic, constitutive and structural kinship between the two (...) feelings, the paper contributes to the reconsideration of the relation between Kant’s aesthetics and his ethics. (shrink)

In [2] John Burgess describes predicative versions of Frege's logic and poses the problem of finding their exact arithmetical strength. I prove here that PV, the simplest such theory, is equivalent to Robinson's arithmetical theory Q.

Self-serving hegemonic visions of history are institutionalized by dominant memory entrepreneurs, simultaneously imposing an authoritative version of “what happened” and their right to articulate it. These visions and the hierarchies of honour they consecrate are cultivated trans-generationally, aiming to ensure the community’s political cohesion, as well as the emotional attachments that can ensure its reproduction over time. This paper has three objectives. First, it brings insights from social epistemology to bear on a conceptualization of political memory-making and proposes the concepts (...) of “hermeneutical dissidence” and “hermeneutical seduction” to capture the critical interrogation of such mythologies. It highlights the obstacles facing any attempt at subverting them, particularly given the resilience of cognitive and emotional investments in particular schemas of perception and understanding in relation to the boundaries of the community and its history. Second, I transplant the descriptive concept of “affair” formulated by pragmatic sociologists into debates about political memory, infusing it with a dose of normativity in order to shed critical light on various types of hermeneutical dissidence from dominant, emotionally anchored, exclusionary imaginaries. Third, to render the theoretical proposal concrete, I introduce two “memory affairs,” both triggered by debates over the meaning and gender of political resistance. (shrink)

Finitism is given an interpretation based on two ideas about strings (sequences of symbols): a replacement principle extracted from Hilberts class 2 can be justified by means of an additional finitistic choice principle, thus obtaining a second equational theory . It is unknown whether is strictly stronger than since 2 may coincide with the class of lower elementary functions.

Mihaela Mihai on the tension between some public art and the commitments of a liberal democracy.

This essay’s starting point is Judith Shklar’ diagnosis of a pathology marring democratic societies: complex injustices passing as “misfortunes” that nobody feels responsible for. I propose that denunciations can reveal the political nature of the suffering that everyone conveniently ignores, thus advancing democratic accountability. While denunciations can target various invisible injustices and take many forms, this essay deals with the case of societies with an unmastered past of violence. In order to avoid taking responsibility for the plight of victims, the (...) past is often redescribed in the language of “catastrophe” or “necessity.” Building on Hannah Arendt’s views on spectatorship and storytelling, this essay analyses theatrical denunciations addressing the wider community. Theatre—professional or amateur—can repoliticise neutralised areas of social interaction and transform passive onlookers into reflective spectators. The Argentinean performance of escraches and Thomas Bernhard’s play Heldenplatz are discussed as examples of successful political denunciations communicated in dramaturgical form. (shrink)

This paper aims to offer an account of state apologies that discloses their potential function as catalysing political acts within broader processes of democratic change. While lots of ink has been spilled on analysing the relationship between apologies and processes of recognising the victims and their descendants, more needs to be said about how apologies can challenge the presence of self-congratulatory, distorted visions of history within the public sphere of liberal democracies. My account will be delineated through a critical engagement (...) with one very frequent objection to public apologies, namely that they unnecessarily taint the self-image of the community. Insights from the philosophy of judgment will be used to show how, in the form of an exemplary judgment, an official “sorry” can inspire societal reflection about an unsavoury past. (shrink)

The paper seeks to contribute to the transitional justice literature by overcoming the Democracy v. Justice debate. This debate is normatively implausible and prudentially self-defeating. Normatively, transitional justice will be conceptualised as an imperative of democratic equal concern. Prudentially, it can prevent further violence and provide an opportunity for initiating processes of democratic emotional socialisation. The resentment and indignation animating transitions should be acknowledged as markers of a sense of justice. As such, they can help the reproduction of democracy. However, (...) their public expression must be institutionally filtered through democratic norms. The consistent institutional instantiation of equal respect can educate and recuperate negative emotions for democracy. (shrink)

Tracing the interrelationship among play, poetic imitation, and power to the Hellenic world, Mihai I. Spariosu provides a revisionist model of cultural change in Greek antiquity. Challenging the traditional and static distinction made between archaic and later Greek culture, Spariosu's perspective is grounded in a dialectical understanding of values whose dominance depends on cultural emphasis and which shifts through time. Building upon the scholarship of an earlier volume, Dionysus Reborn, Spariosu her continues to draw on Dionysus--the "God of many (...) names," of both poetic play and sacred power--as a mythical embodiment of the two sides of the classical Greek mentality. Combining philosophical reflection with close textual analysis, the author examines the divided nature of the Hellenic mentality in such primary canonic texts as the Iliad, the Odyssey, the Theogony, Works and Days, the most well-known of the Presocratic fragments, Euripides' Bacchae, Aristophanes' The Frogs, Plato's Republic and Laws, and Aristotle's Poetics and Politics. Spariosu's model illuminates the many of the most enduring questions in contemporary humanistic study and addresses modern questions about the nature of the interrelation of poetry, ethics, and politics. (shrink)

We show that the set of natural numbers has an exponential diophantine definition in the rationals. It follows that the corresponding decision problem is undecidable.

The main aim of this paper is to provide a critical discussion of some key issues concerning the possible-world analysis of fiction. After a review of the most important philosophical questions concerning truth, reference, names and identity, and their bearing on fiction, I outline the possible-world framework, as used by David Lewis (1978) in his analysis, and examine its most important problems. A special interest is granted to the limits of the Lewisian pretense interpretation of fiction that are highlighted by (...) works of cinema. I conclude with an appraisal of the puzzles generated by the attempts to draw borders between and within the worlds of fiction, and emphasize the need for a better mutual understanding of the two perspectives that are essential for a possible-world interpretation of fiction: literary theory and philosophy. (shrink)

Apology An apology is the act of declaring one’s regret, remorse, or sorrow for having insulted, failed, injured, harmed or wronged another. Some apologies are interpersonal (between individuals, that is, between friends, family members, colleagues, lovers, neighbours, or strangers). Other apologies are collective (by one group to another group or by a group to an […].

The paper brings a challenge to Cartesian dualism, while introducing some under-explored manuscript remarks from Wittgenstein’s middle period, which are methodologically and thematically akin to some passages from Merleau-Ponty’s early period. Cartesian dualism relegates pain to mental awareness and location to bodily extension, thus rendering common localizations of pain throughout the body as unintelligible ascriptions. Wittgenstein’s and Merleau-Ponty’s attempts at doing justice to common localizations of pain are mutually illuminating. In their light, Cartesian dualism turns out to involve an objectification (...) and a deappropriation of one’s body. Moreover, Wittgenstein’s unveiling a heterogeneous multiplicity of corporeal spaces (e.g. visual-space, tactile-space, feeling-space) rehabilitates the view, reinforced by Merleau-Ponty, that corporeal pain is intimately related to corporeal localization, while corporeal space is not part of the physical space of things. (shrink)