In his new book, La société automatique, Bernard Stiegler departs from a philosophical tradition that opposes autonomy and automatization so as to position automatization at the core of biological, social, and technical forms of life. Responding to the rise of the digital—as the increasing automatization of processes of selection through computational means—Stiegler’s project challenges us to recognize contemporary life as automatic. This shift in approach inevitably recalibrates the ontogenetic grounds of contemporary culture, and necessitates a reconsideration of sociocultural practices from (...) the standpoint of the digital modes of algorithmic existence that are enacted within our midst. -/- Anaïs Nony: Thank you very much, Bernard Stiegler, for having me in Paris today, in your Institute for Research and Innovation. You just finished a new book titled La société automatique. Can you explain what you mean by “automatic society,” and especially that element of it that refers to the self, autos (αὐτός) in Greek? What does it mean to apply this concept to the social order? -/- Bernard Stiegler: Thank you for these questions. First I must say that what I call automatic society is produced by the technology of automatism that is digital technology. (shrink)

Les travaux de Patrice Bret occupent une place centrale en histoire des sciences et en histoire des techniques. Ce livre entend les mettre à l'honneur, qu'il s'agisse de l'histoire des savoirs académiques, du régime techno-politique du XVIIIe siècle, des interactions entre savants et praticiens à l'heure de la chimie lavoisienne, des circulations culturelles et des traductions ou encore de la place des femmes de sciences. Les contributions réunies dans ce volume illustrent, par leur diversité, l'influence de Patrice Bret (...) dans la communauté historienne. Nous proposons ainsi de mettre en perspective son oeuvre en la replaçant dans un contexte intellectuel, scientifique et épistémologique. Un constat s'impose : loin de distinguer entre les approches conceptuelles, érudites et méthodologiques, Patrice Bret joue un rôle de premier plan dans un milieu scientifique qui a choisi de conjuguer le renouvellement des questionnements avec la production d'instruments de recherche et les interrogations de repérage, de dénomination, d'identification, seules à même de contrer les récits téléologiques qui ont longtemps prévalu dans ce domaine. Si l'histoire des sciences et l'histoire des techniques sont de nos jours à l'avant-poste du renouvellement de la science historique, c'est aussi grâce au rôle de passeur de Patrice Bret. (shrink)

Thierry Patrice, 57 ans, médecin, nommé professeur à 32 ans, Lauréat de la Faculté, est internationalement connu pour ses travaux concernant l'action de la lumière sur les tissus vivant en cancérologie. Il a reçu plusieurs Prix pour l'étude du rôle de l'oxygène dans différentes maladies, dont le diabète, mais aussi lors du vieillissement.

Western countries are ignorant of true Islamic values, says Nonie Darwish. Darwish is an Egyptian-American, former-Muslim human rights activist who is frustrated with mainstream America's talk of tolerance and assimilation. In Wholly Different, Darwish sets non-Muslims straight about tenets of Islam that are incompatible with free society. For the first time, Darwish tells the whole story of her personal break with Islam, starting with the brutal physical violence and rigid class system she witnessed and culminating with the spine-tingling visit she (...) received from President Nasser after her father, fedayeen commander Mustafa Hayez, was assassinated by Israeli Defense Forces. She lays out the "seventh-century values" of Islam that religious extremists are so intent on protecting through global warfare values that set Islam apart from the other Abrahamic religions." --Publisher's description. (shrink)

PATRICE PHILIE | : Cet article a pour objectif d’examiner le rôle des intuitions dans le cadre du problème de la justification des lois logiques de base. Une revue des différentes conceptions de l’intuition permet de mettre les choses en place et d’identifier la conception qui convient le mieux au problème — c’est une conception modale qui sera retenue. Je soumettrai ensuite cette conception à un examen critique, lequel se fera en deux temps. D’une part, il s’agira de montrer (...) la difficulté d’en arriver à une formulation plausible de la conception modale. Je soulèverai d’autre part certains problèmes qui surgissent, même si l’on fait le pari que la question de la formulation peut être résolue. En définitive, je soutiens que, lorsqu’il s’agit d’utiliser les intuitions comme fondement de la connaissance des lois logiques de base, nous devons adopter une conception modale, laquelle n’est pas en mesure de remplir son rôle. Le recours aux intuitions est donc voué à l’échec en épistémologie de la logique. | : This article examines the role of intuitions as they pertain to the problem of the justification of basic logical laws. To begin with, a review of the various conceptions of the nature of intuitions is made in order to set things up and to identify the conception that is most appropriate to the problem at hand — it will be shown that a modal conception is required. I will then examine this conception and submit it to a two-pronged criticism. Firstly, I will raise important difficulties when it comes to formulate a plausible account of the modal conception. Secondly, I will attempt to establish that even if the formulation problem were to be overcome, there is still a whole battery of difficulties facing the modal conception. In sum, I hold that when it comes to using intuitions as the foundation of our knowledge of basic logical laws, we have no choice but to embrace a modal conception — and the latter is unable to deliver its promises. Hence, the appeal to intuitions is bound to fail in the epistemology of logic. (shrink)

This article reevaluates the historical conditions of the concomitant rise of computational systems and DNA-coding in the 1950s and addresses the implementation of behavioral psychology and cybernetic technologies of control after the Second World War. From this historical perspective, this article interrogates the intersectional relation that automatic systems of control share with models of segregation and structures of knowledge oppression. It engages with the work of French philosopher Gilbert Simondon and poses Simondon’s cybernetic theory as an opportunity to question systems (...) of knowledge imposed on ontological domains. Finally, it reveals how cybernetics reproduces a model of cultural understanding based on exclusion/inclusion and addresses the difficulty of creating new critical paradigms from within the informational technologies of neo-colonial episteme. -/- Too often, technologies of scientific knowledge such as machine learning and informational networks are used as alibi for the imple- mentation of neo-colonial values that dictate the epistemological trajectory of societies. Scientific projects that, for example, promote the testing of pharmaceuticals on individuals in third world countries privilege beings based on categorical understandings of race, class, gender, and ability. Such projects not only legitimize structural hierarchies among subjects, as seen in the use of cephalometric technologies in imperial systems of exploration; they also sustain the cultural framework of values that segregate collective beings on a global scale. (shrink)

In this paper, I evaluate recently defended mechanistic accounts of the unity of neuroscience from a metaphysical point of view. Considering the mechanistic framework in general , I argue that explanations of this kind are essentially reductive . The reductive character of mechanistic explanations provides a sufficiency criterion, according to which the mechanism underlying a certain phenomenon is sufficient for the latter. Thus, the concept of supervenience can be used in order to describe the relation between mechanisms and phenomena . (...) Against this background, I show that the mechanistic framework is subject to the causal exclusion problem and faces the classical metaphysical options when it comes to the relations obtaining between different levels of mechanisms . Finally, an attempt to improve the metaphysics of mechanisms is made and further difficulties are pointed out. (shrink)

The paper argues that a functional reduction of ordinary psychology to neuropsychology is possible by means of constructing fine-grained functional, mental sub-types that are coextensive with neuropsychological types. We establish this claim by means of considering as examples the cases of the disconnection syndrome and schizophrenia. We point out that the result is a conservative reduction, vindicating the scientific quality of the mental types of ordinary psychology by systematically linking them with neuroscience. That procedure of conservative reduction by means of (...) functional sub-types is in principle repeatable down to molecular neuroscience. (shrink)

Dans cet ouvrage, science et musique dialoguent selon trois grandes lignes. La premiere est representee par la recherche des causes physiologiques de l'harmonie musicale, conformement au titre de la conference que donne Helmholtz en 1857 (expose synthetique des idees qu'il reprendra dans sa tres fameuse Theorie physiologique de la musique), et par la presentation populaire pour les musiciens qu'en propose Enst Mach, des 1866. Avec Helmholtz, le son acquiert une place centrale pour la musique - le son tel qu'entendu par (...) l'oreille, avec toute sa richesse harmonique - et la dissonance, qui n'est plus un simple rate de la consonance, devient des lors la cle de toute theorie musicale. Mais qu'en est-il aujourd'hui de la theorie physiologique de Helmholtz? Son examen par Patrice Bailhache, a l'aune de l'acoustique actuelle, forme la seconde ligne de force du present livre. Et la troisieme, retenue par Antonia Soulez, est celle tracee par Carl Dalhaus, qui en 1970, voit dans la demarche de Helmholtz une mise en question inaugurale de la naturalite d'un systeme de sons. C'est la musique qui, alors, questionne la science: quelle pertinence ces considerations sur la dissonance et ses causes, conservent-elles face au regne du timbre et de la dissonance depuis la musique atonale et le dodecaphonisme? (shrink)

Où en est la philosophie aujourd'hui? Qu'est-ce qu'un " intellectuel français "? Que veut dire hériter du xxe siècle? Quelle philosophie pour le nouveau millénaire? Pourquoi cet enthousiasme des jeunes générations pour la métaphysique? En quoi le réchauffement climatique concerne-t-il directement les sciences humaines? Peut-on encore sauver l'Europe? Comment être un relativiste militant? Telles sont quelques-unes des questions que traverse ce livre unique en son genre, entre dialogue socratique, entretien journalistique et discussion au coin du feu. Revenant sur le parcours (...) d'un penseur dont l'oeuvre en construction traverse plusieurs langues et plusieurs disciplines, cette conversation dresse un tableau vivant et accessible de la philosophie française la plus contemporaine, de son histoire, de ses institutions, de ses débats actuels, tout en donnant la mesure d'une entreprise individuelle qui puise aux sources du structuralisme français pour aborder les enjeux du présent. Témoignage d'une génération et oeuvre singulière, ce livre s'adresse à toutes celles et ceux qui s'intéressent à la philosophie en train de se faire. (shrink)

The concept of ‘problem’ has been recently promoted by the official academic institutions and put at the centre of a new field of research, self-styled ‘transdisciplinary studies’, in order to provide a foundation to a resolutely transdisciplinary approach to research and thought in general. The paper notes that the same move (i.e. connecting a problem-centred approach to thought with transdisciplinary method) can be found in Deleuze’s philosophy, which provides us with what the technocratic image of thought advocated by transdisciplinary studies (...) ultimately cannot provide: a positive concept of problems where those are not negative moments but originary and active matrices of thought. It then argues that Deleuze owes this concept to the French epistemological tradition, and more specifically to Bachelard, where it is nothing other than the concept of structure. It ends by explicating what particular version of structuralism Deleuze was thus led to construct in order to account for the role of problems in a radically transdisciplinary account of thought: it is the fact that all structures are multi-structured that grounds the essentially transdisciplinary nature of thought. The fact that we could think differently is precisely what makes us think. (shrink)

Responding to the power of algorithms to operate within our daily lives, this article proposes to think of our contemporary moment as that of a society of preemption. Preemption defines the action of taking away something before an opportunity emerges or is actualized. By coupling anticipatory algorithms and preemptive technologies—like the premeditation of future events prior to their occurrence, as exemplified in popular culture by Minority Report (Massumi, Hansen)—state apparatuses force upon their subjects a modality of control that forestalls behaviors (...) according to a massive system of data-mining and digital profiling. In this society of preemption, data are not simply voluntary exteriorized onto technical supplements (Stiegler); they are extracted from individuals by devices that preempt events and program behavior. Such a society calls for a noopolitics of the milieu, a politics that focuses on the relation between psychic and collective individuals. Whereas noopolitics has mainly been understood as a pejorative term for the hegemonic operations of power on knowledge production (Lazzarato, Terranova, Hauptmann), this article proposes a more nuanced definition of noopolitics, reconceptualized from a power that controls to a power that operates on people’s memory, behaviors, and desire. Such a noopolitics takes place in a milieu (Canguilhem, Simondon) whose relational ontology and technicity now crucially address today’s society of preemption. (shrink)

An adequate analysis of experiences and situations specific to women, especially mothering, requires consideration of women's difference. A focus on women's difference, however, jeopardizes feminism's claims of women's equal individualist subjectivity, and risks recuperating the inequality and oppression of women, especially the view that all women should be mothers, want to be mothers, and are most happy being mothers. This book considers how thinkers including Simone de Beauvoir, Julia Kristeva, Nancy Choderow and Adrienne Rich struggle to negotiate this dilemma of (...) difference in analyzing mothering, encompassing the paradoxes concerning embodiment, gender and representation they encounter. Patrice Di Quinzio shows that mothering has been and will continue to be an intractable problem for feminist theory itself, and suggests the political usefulness of an explicitly paradoxical politics of mothering. (shrink)

Legal theory, political sciences, sociology, philosophy, logic, artificial intelligence: there are many approaches to legal argumentation. Each of them provides specific insights into highly complex phenomena. Different disciplines, but also different traditions in disciplines (e.g. analytical and continental traditions in philosophy) find here a rare occasion to meet. The present book contains contributions, both historical and thematic, from leading researchers in several of the most important approaches to legal rationality. One of the main issues is the relation between logic and (...) law: the way logic is actually used in law, but also the way logic can make law explicit. An outstanding group of philosophers, logicians and jurists try to meet this issue. The book is more than a collection of papers. However different their respective conceptual tools may be, the authors share a common conception: legal argumentation is a specific argumentation context. (shrink)

Prior to being a body present in time, the Other is a mountainous relief in the landscape of a common world, a perspective shape that the “I” chooses to welcome or not. This relief—if it has often been considered from the point of view of an authority deciding where It should stand—will become, we hope, the possible zone of an encounter. When this relief comes out of the ground and enters the world, when the Other becomes simultaneously something that feels (...) and is felt, its expression opens up to become a zone of contact, a mobile and permeable layer of exchange. In this surrounding zone, the Other strips and exposes itself as evanescence. It is this unattainable geometric point that inscribes an atmospheric change by its presence: tempest, thunder, earthquake, but also heat, humidity, and evaporation. The Other is an organic sounding board reflecting our modes of being together. It is this person— per-sonare—through which the world resonates, who transforms, in the same fashion, the thermal sensations into energizing transfers, into dynamic emotions. A sensorial choice is always inscribed at the threshold of an encounter. (shrink)

La vie et l'art? Quel lien d'authenticité peut-on dresser de l'un à l'autre? Où cesse la représentation et où commence l'incarnation? Quand le vécu prend-il chair? C'est à ces questions que répond le philosophe Patrice Guillamaud dans un traité d'esthétique fondamentale où le cinéma apparaît non pas comme la synthèse des arts, mais l'art en son essence. Ce postulat repose sur un double paradoxe. A la fois affect et relativisation, la vie intérieure est aspiration à l'absolu et renoncement à (...) l'absolu, sortie de soi qui reste paradoxalement en dedans de soi. Ainsi, cette vie, cette extase interne procède par renonciation. Or, l'art qui incarne par excellence la vie renonciatrice, c'est le cinéma. Dans la mesure où il se veut art de l'espace, mais englobé et dynamisé par le temps, le cinéma est la réalité charnelle de cette extase interne, en tant qu'absolu de la renonciation. Passant de Renoir à Dreyer, de Mizoguchi à Godard, Patrice Guillaumaud montre pourquoi et comment se tient là, universelle, la vérité des grandes oeuvres cinématographiques. Une relecture spéculative du VIIe art qui passe également en revue les grandes interrogations métaphysiques. (shrink)

L'art est la chair de la vie. Il incarne la vie intérieure comme renonciation. L'art est en effet la réalité même de l'affect en tant que ce dernier s'annonce comme étant, dans son essence universelle, à la fois aspiration et renoncement à l'absolu. C'est cette thèse que le philosophe Patrice Guillamaud avait déjà défendue à propos du cinéma et qu'il développe ici à propos de l'ensemble des différents arts. Il s'agit ainsi d'un nouveau système des Beaux-Arts. Celui-ci met en (...) évidence les différentes essences de l'art à partir des différentes manières dont celui-ci fait participer la vie aux différentes sphères de la réalité que sont notamment la pensée, la nature et l'histoire. De la littérature à la musique, en passant par la peinture et l'architecture, l'art est la vie comme renonciation. De Proust à Schönberg, de Botticelli au Corbusier et de Dostoïevski à Beckmann, c'est la même essence universelle de la vie qui se livre dans chacune des grandes oeuvres de l'art. (shrink)

La logique déontique est la science formelle du devoir-être, comme la simple logique est celle du raisonnement en général.

On an internalist account of logical inference, we are warranted in drawing conclusions from accepted premises on the basis of our knowledge of logical laws. Lewis Carroll's regress challenges internalism by purporting to show that this kind of warrant cannot ground the move from premises to conclusion. Carroll's regress vindicates a repudiation of internalism and leads to the espousal of a standpoint that regards our inferential practice as not being grounded on our knowledge of logical laws. Such a standpoint can (...) take two forms. One can adopt either a broadly externalist model of inference or a sceptical stance. I will attempt, in what follows, to defend a version of internalism which is not affected by the regress. The main strategy will be to show that externalism and scepticism are not satisfying standpoints to adopt with regard to our inferential practice, and then to suggest an internalist alternative. (shrink)

This paper is the first outline of a reflection on the notion of moderation, which is at the center of contemporary debates: moderation in consumption, moderation in the exploitation of natural resources, ideological and political moderation, and so on. I first consider moderation as opposed to excess, then moderation as opposed to political radicalization. I then develop the idea that moderation has different meanings depending on the domains or “spheres” in which we use the word. In the socio-economic sphere, moderation (...) involves rational calculation, while in historical-cultural communities it is a tradition-based ethical practice. A third sphere to consider when exploring the uses and meanings of the concept of moderation is the political sphere. To do this, I turn to Aristotle’s theories of ethical judgment and phronesis in relation to his conception of the political way of life. (shrink)

“Paris, Capital of the Nineteenth Century” juxtaposes elliptical descriptions that reveal the interiorization of commodities in the economy of high capitalism. “Allegory in the nineteenth century vacated the outer world, to colonize the inner world.”32 Each of the exposé’s six sections consists of two parts: “Fourier, or the Arcades,” “Daguerre, or the Panoramas,” “Grandville, or the World Exhibitions,” “Louis-Philippe, or the Interior,” “Baudelaire, or the Streets of Paris,” “Haussmann, or the Baricades.”33The commercial arcade and not the factory is the logical (...) starting point for Benjamin. Paris, like London, the other capital of nineteenth-century capitalism, is an administrative and financial but not an industrial center. Paris is the locus classicus of bourgeois culture, which finds its most conspicuous expression in the arcade. The arcade cuts through and commercializes the residential block. It harnesses the technology of cast-iron “Pompeian” pillars, to offer in its enticing bay windows the latest, most sophisticated form of bourgeois merchandising. Fourier houses his “land of Cockaigne” in a “reactionary modification” of the arcade.34Parallel to the technical innovation of the arcades is that of the lifelike painted panoramas, which serve Jacques-Louis David’s pupils when they “draw from nature.” Politically superior, the city still dreams of the country. “The panoramas, which declare a revolution in the relation of art to technology, are at the same time an expression of a new feeling about life.”35 They drive a wedge between “plastic foreground” and “informational base.” The worker in the literary panorama is “a trimming for an idyll.” Technical innovations in photography reduce the representational significance of painting. Now photography “is given the task of making discoveries”: it explores the sewers and catacombs. It markets events. With impressionism and cubism, painting in turn transcends bourgeois conceptions of realism. 32. “Die Allegorie hat im neunzehnten Jahrhundert die Umwelt geräumt, um sich in der Innenwelt anzusiedeln” .33. Adorno objects to the use of people’s names in these titles and suggests that objects like dust or plush would bemore illuminating. Benjamin retains the names to evoke bourgeois interiorization. Louis-Philippe, however, is anomalous, since he is emblem rather than allegorist; the true allegorist of the “Louis-Philippe, or the Interior” section is the collector. Otherwise, the organization is strictly symmetrical: Benjamin discusses Charles Fourier, Louis Daguerre, and Grandville at the end of the sections in which they appear, the others at the beginning.34. Trans. Jephcott, p. 148. “Das Schlaraffenland,” “ihre reaktionäre Umbildung” . Anne Higonnet, formerly a student at the Ecole du Louvre, is a graduate student of art history at Yale University. Margaret Higonnet, professor of English and comparative literature at the University of Connecticut, has written on Romantic and modern literary theory. Patrice Higonnet is Goelet Professor of French History at Harvard University. He has written on the French Revolution and, with Margaret Higonnet, is coauthor of a forthcoming book on suicide in eighteenth-century France. (shrink)

International relations are made up of thick layers of meaning and big streams of data. How can we capture the nuances and scales of increasingly digitalised world politics, taking advantage of the possibilities that come with ‘big data’ and ‘digital methods’ in our discipline of International Relations? What is needed, we argue, is a methodological twin-move of making big data thick and thick data big. Taking diplomacy, one of IR's core practices as our case, we illustrate how anthropological and computational (...) approaches can be merged in IR research. We report from our experiences with the project DIPLOFACE: Diplomatic Face-Work between Confidential Negotiations and Public Display, investigating how digital communication technologies influence both the study and conduct of age-old and traditionally analogue practices of inter-state diplomacy. (shrink)

In this book, the author explores how video-image technology shapes our psychic and social environments from an art historiographical perspective. We know media technology is dramatically shaping our political and epistemological landscape: this book foregrounds the emergence of performative video images as a key factor in the revaluation of culture and politics. -/- Performative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video (...) art and video activism are analysed together in the book to revaluate key concepts in media studies and foreground a performative approach to the theory of image technology. -/- The book engages works in visual culture, performance studies, digital studies, critical race theory, and feminist methodologies to account for the changes brought about by video technology in social and psychic life. Performative Images is about art and activists’ engagement in video technology—an engagement that unsettles the hegemonic narrative of dominant media, as well as the apparently politically neutral dimension of communication technology. (shrink)

This article draws on Bernard Stiegler and Gilbert Simondon’s work to further interrogate the psychic, social, and political problems raised by the development of Artificial Intelligence. Stiegler’s political philosophy of time-consciousness reveals three concomitants urgencies: human memory is conditioned by industrial supplements that are increasingly disruptive, capitalism has produced an entropic condition where life on earth is threaten by toxic systems, the deployment of technologies of spirits has striped individuals of their psychic and collective individuation. I read media theory along (...) with Simondon’s philosophy to elucidate the question of mediation in today’s reticulated AI-driven society. (shrink)

To Stiegler’s notion of pansable (curable), one might also need to add that penser (to think) relates to the Latin penso, the frequentative of pendo, to hang, suspend. The pansable (that which can be healed) is as much the pensable (that which can be thought) and the suspensible (that which can be hung). Stiegler’s final act revealed that which was always already there: an unhealed pharmacological shadow that preceded him. While he entered philosophy with the argument of technics as the (...) impensé (unthought) of continental philosophy, he concluded in a final acting out, an impansable (uncurable) that ended his life. He, who believed that life is about cultivating rêveries and protentions capable of promise. Protention means both a capacity to invent and an ability to project oneself into the future through the practice of imagination and desire. He, who pondered about the retentions we have and the various forms of memory they take, and how to make them become the true modes of being-in-the-world. I know now that his fatal transgression is as much an accident as a departure, an emotional ceasefire and a bifurcative ending. Somehow, he found a way to remain faithful to the originary beginning of his thinking in act. (shrink)

On savait que c’était l’entité la plus complexe de l’univers connu. Mais le feu d’artifice de découvertes récentes dépasse l’entendement et fait exploser tous les schémas. Votre cerveau est (beaucoup) plus fabuleux que vous le croyez. Il est : totalement élastique, même âgé, handicapé, voire amputé de plusieurs lobes, le système nerveux central peut se reconstituer et repartir à l’assaut des connaissances et de l’action sur le monde ; totalement social, un cerveau n’existe jamais seul, mais toujours en résonance avec (...) d’autres. Mieux : nous sommes neuronalement constitués pour entrer en empathie avec autrui et aller à son secours. Ce livre aborde ces questions passionnantes avec cinq spécialistes. (shrink)

Les années 1960 furent le théâtre de l'un des épisodes les plus brillants de l'histoire de la pensée philosophique en France. Elles s'ouvrirent sur le triomphe public du structuralisme, avec La Pensée sauvage de Lévi-Strauss, se continuèrent par le renouvellement du marxisme proposé par Althusser et de la psychanalyse par Lacan, et s'achevèrent avec une série d'oeuvres comme celles de Foucault, Deleuze, Derrida et Lyotard, qui ont décidé du visage de la philosophie contemporaine. L'héritage de cette période a néanmoins été (...) difficile, suscitant tantôt une fascination mimétique, tantôt un rejet caricatural. Depuis quelques années, les auteurs qui l'ont marquée font individuellement l'objet d'une réception savante plus mesurée et plus profonde, au risque cependant de perdre la dimension collective et transversale qui la caractérisait. Le but de cet ouvrage est de réunir certains des meilleurs spécialistes pour prendre toute la mesure de ce qui a constitué, par son intensité et son ampleur, un "moment philosophique" exceptionnel. Il offre à la fois une traversée de quatre dimensions transversales et une relecture de quatre livres singuliers : La Pensée sauvage de Lévi-Strauss, Lire Le Capital et Pour Marx d'Althusser, les livres de Derrida autour de De la grammatologie, et Discours, Figure de Lyotard. Traversant aussi bien les mathématiques de Bourbaki que la linguistique structurale, l'anthropologie de Lévi-Strauss que la psychanalyse freudienne, le marxisme d'Althusser que celui d'Adorno, le théâtre de Brecht que le cinéma de Godard, ce livre invite à redécouvrir ce moment non pas comme un objet historique à circonscrire, mais comme un mouvement ouvert où se sont décidées certaines des tâches qui nous incombent encore, aujourd'hui. (shrink)

Recognition is not only a response to social pathologies. It is also an unstable and often ambivalent relationship that has its own pathologies. Owing to the intertwining between recognition and power, certain forms of recognition turn out to be forms of alienation in or from the world. Such pathologies affect inter-individual recognition as well as the recognition between individuals and the socio-political institutions. The article proposes a joint reading of Hegel’s Phenomenology of Spirit and Philosophy of Right, which provide norms (...) for identifying and dealing with these pathologies. The norm for inter-individual recognition is set out in the Phenomenology of Spirit, the norm for state/citizen recognition in the Philosophy of Right. The analysis envisages two other aspects of recognition: the interference of the ‘I–Me’ with the ‘I–You’ relationship and the incorporation of the ‘I–We’ into the ‘We–Us' dimension of recognition. As regards the interpretation of Hegel’s practical philosophy, the article analyses the link between Hegel’s concept of recognition and his theory of action. In this view, the highest form of recognition has more to do with reconciliation – reconciliation between human beings, reconciliation with the ‘finitude of action’ – than with the problematic of individual and collective identity. (shrink)

Cet ouvrage se présente comme une introduction d'histoire littéraire et doctrinale au premier volume de l'édition critique des oeuvres de Hugues de Saint-Victor. Il exploite les données fournies par l'étude de la tradition manuscrite du De archa Noe et du Libellus de formatione arche, qui aboutissent à une perception et à une reception renouvellées de ces traîtés. Du premier ouvrage on a tenté, non seulement une histoire, mais une préhistoire: car il a connu un stade oral, celui de collationes dont (...) on aura pu cerner au plus près le contenu avant de reconstituer les procédés rédactionnels du maître victorin. Au cours de ces entretiens du cloître une pédagogie de l'image avait été mise en oeuvre, utilisée conjointement avec la parole. Et de même que la parole donna naissance à une oeuvre écrite (le De archa Noe), de même le dessin qui l'accompagnait est donné sous une forme littéraire, par un écrit qui en livre les modalités concrètes de réalisation (le Libellus). Le statut de cet écrit, longtemps incertain ou atypique, fut originellement celui d'un appendice, distinct mais non disjoint du De archa. Le Libellus est transmis par la tradition manuscrite en deux états: une version brève et une version longue. Le réviseur en fut le victorin lui-même, dont la psychologie d'auteur est ainsi pour une part dévoilée. Un chapitre propose des compléments ou des précisions touchant la datation relative des oeuvres du victorin. L'image employée par maitre Hugues avait été support de ce que l'on pourrait appeler exégèse visuelle. L'histoire du salut, telle qu'elle est représentée dans la figuration de l'arche de Noé, est méditée selon les trois sens scriptuaires médiévaux, qui correspondent en outre à une série d'exercices spirituels, selon la séquence lectio-meditatio-speculatio-contemplatio. Des considérations d'herméneutique (l'image. (shrink)

Accounts of mothering have both contributed to feminist theory's development and depended on certain of its central concepts. Some of its critics, however, argue that feminist theory is undermined by the problems of exclusion and essentialism. Here I distinguish between these two problems and consider their implications for questions about mothering. I conclude that exclusion and essentialism do not present insurmountable obstacles to theorizing motherhood, but do suggest new directions for such theorizing.

So-called ‘new materialism’ enables feminist theorists to emphasize the agential quality of matter, thereby challenging the notion that matter, particularly the biological body, is passive and inert – a notion that is gendered given the traditional association of passive matter with the feminine. While appreciating the materialist turn increasingly evident in feminist theory, Claire Colebrook warns feminist thinkers against an uncritical appeal to the vitalist tradition, which continues to privilege action, creativity and productivity over that materiality which remains unactualized potential. (...) After outlining the new materialist re-conception of matter, this paper considers the idea of a ‘passive vitalism’, which Colebrook develops in light of Gilles Deleuze and Felix Guattari's co-authored works. This paper shares Colebrook's contention that the new materialist emphasis on the agency of matter simply extends the model of the human person to the rest of nature. However, the final part of this paper begins to indicate how a theological materialism is able to affirm both the agency and patiency of matter in ways that challenge the view that the avowal of divine transcendence is inevitably opposed to the integrity of material immanence. (shrink)

AI-powered technology can both promote accuracy and hide the standards of measurement and circulation of information. It can also produce models that are opaque and hard to access. As such, the new paradigm of AI asks to pounder about societal values and sets of priorities we want to promote, especially as these technologies are further deployed in times of warfare. The systemic tracking of people’s life and the opaqueness of the models designate a new paradigm in the formation of truth, (...) as censorship is enabled on a new scale. (shrink)

Cet article livre le témoignage d’une « biographe hospitalière » qui rencontre des patients malades, souvent en fin de vie, afin d’accompagner leur souhait de transmettre un écrit, lettres ou livre autobiographique. Les auteurs mettent en valeur la vertu cathartique de l’objet livre et engagent ensuite une réflexion sur les enjeux de cet accompagnement créateur pour le narrateur et sa famille et sur le statut particulier de l’écrit comme objet médiateur dans la transmission de la mémoire familiale. Ainsi, l’objet livre (...) peut notamment venir compenser le manque de ritualité autour de la mort à l’hôpital et apprivoiser l’idée de son proche décès, lui donner un sens, redonner à la personne malade un statut d’être de projet et de désir. Pour ceux qui restent, il est survivance de l’être aimé, trace d’une histoire singulière dans la mémoire collective, repère signifiant, ils devront s’approprier ce legs par des processus conscients ou inconscients d’identification qui impacteront leur construction identitaire. (shrink)