In this book the author poses questions about the origin of human life, the place of humankind in the universe and perspectives, which the rapid development of medical knowledge and technological possibilities opens before humanity.

The biologic value of every function in the organism depends on its contribution to the totality of homeostatic activity of the organism. On the table of values determined by such anatomic and physiological characteristic different cultures impose their own normative valorisation, which can be in conflict with the biological facts. The point is a culturalisation of the harmony of living functions which is subject of a following rule: functions which are in a small distance of their biological aim are neglected (...) and put into a state of cultural neutrality, like e.g. respiration which has never been valuated in categories of Good and Evil. On the other hand, functions separated by a longer causal chain from their biological aim are subject of intensive normative valuations. Such is the situation with the sex. Culturalisation of a function is never a valuation performed in an isolation, but consists always in the introduction of a function into an axiological coordinate system of a given culture. The cultural normatives assume at least a polarity of valuations, e.g. the sex, situated in some cultures at the pole of the „sacrum” was subject of its positive sublimation, and in other cultures has had a negative valuation. The sexual drive damped by the culture finds its expression not in a „revolt of biology against. culture”, but in a definite subcultural heterodoxy within given culture. In such a case it leads to a reversal of the plus and minus signs which have been established in an authoritarian way, or to connections of things which, according to the cultural directives, should be considered incompatible. (shrink)

Stanislaw Lem, Philosopher of the Future is a revealing and instructive guide to the philosophical fiction of Stanislaw Lem. Throughout the book, Swirski builds a framework of philosophical and scientific concepts within which Lem’s works should be read, in particular its most significant aspect: Lem’s unyielding concern for knowledge supported by his conviction that literature is an epistemologically valuable tool for exploring reality. Swirski offers a rich background to Lem's litrary career and unravels the depths of Lem’s philosophical (...) fiction. (shrink)

Stanisław Lem is mostly known as a sci-fi writer and not widely perceived as a visionary of the cyber age, despite the fact that he foresaw the future of information technology better than most scientific experts. Indeed, his visions of future information-based societies have proved to be remarkably accurate. Lem’s stories fuse together elements of fantasy, philosophy, and science, but what we can really learn from them is the nature of humanity, technology, and philosophy, as well as the values of (...) technological prophecies. Moreover, Lem gave birth to, without naming it as such, the concept of philosophy in technology, which is a perspective on technology and philosophy that explores the deep implicit philosophical foundations of technology and humanity. (shrink)

Looking into the future is always a risky endeavour, but one way to anticipate the possible future shape of AI-driven societies is to examine the visionary works of some sci-fi writers. Not all sci-fi works have such visionary quality, of course, but some of Stanisław Lem’s works certainly do. We refer here to Lem’s works that explore the frontiers of science and technology and those that describe imaginary societies of robots. We therefore examine Lem’s prose, with a focus on the (...) Cyberiad stories, to see what challenges our future technological societies may face when they entrust their lives to AI technology. For example, what questions should we ask, and what questions do we forget to ask, when developing AI systems and allowing these systems to control our lives. The technologically honed minds of our current technocrats are perhaps too limited to guide us into this future, because AI-based technology is relatively unchartered territory, as any new, complex technology is by nature. Lem’s visions of future societies oriented around AI and robotics portray AI technology in a deeper and more nuanced way than the current technological visions offered by our leading technological prophets. Based on Lem’s visions, what is to come may not turn out to be an AI-driven nirvana. (shrink)

Lemovo dílo Dokonalá prázdnota je sbírkou recenzí fiktivních autorů na neexistující vědecké práce. Patří sem i přednáška Alfreda Testy proslovená u příležitosti udělení Nobelovy ceny za fyziku. Je to vlastně rekapitulace kosmologického konceptu postaveného na objevu pozapomenuté myšlenky Aristida Acheropoula, která má vysvětlit silentium universi. Proč vesmír mlčí? Proč nám nikdo neodpovídá na naše výzvy posílané do mezihvězdných dálek? Proč je naše pátrání po mimozemských civilizacích neúspěšné? Testa ve své přednášce před posluchače postupně vrství fundamentální otázky vztahu matematiky a fyziky, (...) intertpretaci posledních objevů moderní kosmologie, vysvětlení fyzikálních zákonitostí teorie relativity a kvantové mechaniky včetně metafyzické otázky proč jsou právě takové. Protože Lem staví před čtenáře příběh vědeckého objevu, nabízí se možnost, vzít je zcela vážně nikoli jako fiction, ale jako science a podívat se na jeho jednotlivé komponenty očima soudobé vědy. (shrink)

Within science fiction the topic of ‘first contact’ is a popular theme. How will an encounter with aliens unfold? Will we succeed in communicating with them? Although such questions are present in the background of many science fiction novels, they are not always explicitly dealt with and even if so, often in a poor way. In this article, I will introduce a typology of five dominant types of solutions to the problem of first contact in science fiction works. The first (...) four solutions are the more dominant, but also the least interesting ones. There is a fifth category that addresses the question of first contact in a more interesting way, exemplified by the work of Stanisław Lem. This fifth option defines itself as a critique of the four previous categories, or of their shared assumption of what Lem (1967) has called ‘the myth of cognitive universality’. Lem is sceptical of the common optimism that first contact will always be successful. In books such as Solaris (1961), His Master’s Voice (1967) and Fiasco (1986), humanity makes first contact with an alien phenomenon, but fails to comprehend the phenomenon. Fundamentally, it will be argued that Lem’s work shows that in such an encounter we will typically not only lack the right answers to our questions, but that we also often lack the correct questions: we simply do not have the right categories or instruments to even recognize, let alone meaningfully interrogate, the alien phenomenon. The article ends with an exploration of the implications of Lem’s pessimism and whether it is the most plausible option for first contact. Moreover, the article will draw some lessons for philosophy of science, by exploring the parallel with the confrontation of novel or deviant phenomena in science. Lem’s work is helpful here because it succeeds in articulating what has not always been appreciated in the philosophy of science, namely that the right questions by which to interrogate scientific phenomena are not given, but that their articulation always requires work. (shrink)

En este artículo se examinan las posibles razones por las puede fallar nuestro reconocimiento de las especies extraterrestres en el universo. Tras un breve escrutinio de la paradoja de Fermi, se analizan otras posibles causas por las que no seríamos capaces de reconocer otras especies u entes racionales, a través de las novelas de ciencia ficción de Stanislaw Lem. Éstas inciden sobre todo en la incapacidad humana de situarse en el lugar de «humildad copernicana», es decir, de concebirse meramente (...) como habitantes de una región del Universo y no como medida de todas las cosas. La dificultad en relativizarse así desemboca, por un lado, en un problema a la hora de reconocer otros seres vivos, como se muestra en la segunda parte de este artículo, y, por otro lado, en una imposibilidad para comprender otras formas de comunicación. Por eso, en última instancia, el artículo aboga por reexaminar nuestro modo de comprender la racionalidad y exhorta a realizar variaciones eidéticas para poder concebir distintas formas de convivencia multiplanetaria. El problema de contacto se desvela, a raíz del análisis de dos novelas de Lem, como un problema antropológico y subjetivo y no necesariamente solo objetivo. Esto se lleva a cabo aludiendo brevemente a dos posturas acerca del sentido de la trascendentalidad y racionalidad fenomenológicas. (shrink)

At the turn of 1960s and 1970s, Stanisław Lem devoted some of his non-fiction writing to a discussion and considerations of semiotics. Most of them were expressions of a critical approach mainly directed against structuralism. However, Lem also formulated some positive statements although they were not developed systematically. The article offers an analysis of Lem’s semiotic ideas from the perspective of semiotic functionalism of Jerzy Pelc, mainly considering its two main components: contextualism and typological approach. Special attention is paid to (...) the latter because both Pelc and Lem proposed some original solutions in this respect. What is meant here is the multidimensional typology of symbolic uses of signs developed by Pelc and Lem’s multidimensional typology of the situations of the reception of texts. Although they are independent form each other, these proposals show some convergence both in their ways of construction and roles they are supposed to perform. Henceforth, one can say that Lem was a crypto-functionalist. (shrink)

V září letošního roku si připomínáme 100. výročí narození jednoho z nejslavnějších a nejpřekládanějších polských autorů – Stanisława Lema (1921–2006). Toto nedožité jubileum je pro nás příležitostí ke krátkému zamyšlení nad pozoruhodně pestrou a různorodou podobou jeho díla. Nejprve se pokusíme o stručnou obecnější charakteristiku Lemovy tvorby, abychom se následně zaměřili na jeden z jeho zajímavých teoretických textů. Vyslovením svérázné evoluční hypotézy zde Lem reagoval na pandemickou situaci, s níž je lidstvo konfrontováno od 80. let minulého století – nákazu virem (...) HIV. (shrink)

The article reviews the regular international scientific conference on science fiction – Stanisław Lem Readings. The conference is held since 2007 by the Department of Philosophy in collaboration with the Department of Russian and Foreign Literature and Public Relations of the Samara National Research University. The summary shows the history of the conference, formulates the main definitions of the category of science fiction, proposed by its participants, demonstrates the topics, genres, and key approaches that make up the problem field, lists (...) its most eminent speakers. Lem Readings are currently an international platform for a regular interdisciplinary dialogue between philosophers of technology and futurologists, active engineers and scientists, anthropologists and sociologists. The basic principles of the conference – freedom of expression, professionalism, striving for the synthesis of heterogeneous systems – remain unchanged during the years, and they correspond to the idea of the science fictional as a possibility that can be realized. (shrink)

Stanisław Lem, a philosopher and futurologist, in his many works devoted much attention to the condition of human and the relation between human and technology. He coined the term ‘autoevolution’ in the course of forecasting unlimited technological augmentation of human abilities. Nowadays, the term may be associated with the conceptions presented by transhumanism, a 20th-century-born philosophical movement which advocates radical transformation of Homo sapiens by means of the achievements of scientific and technological progress. Lem’s attitude towards such a transformation of (...) human is complicated yet ultimately critical due to the fact that it poses a threat to human culture as such. The phenomenon of autoevolution undermines existing values and raises a question of authenticity of a future posthuman. We examine dependence between technology and culture, present Lem’s conception of autoevolution and his philosophy of culture, then we sketch a post-metaphysical dispute about authenticity, and finally show that Lem’s thought belongs to one of the arguing sides. (shrink)

In the seventy years since AI became a field of study, the theoretical work of philosophers has played increasingly important roles in understanding many aspects of the AI project, from the metaphysics of mind and what kinds of systems can or cannot implement them, the epistemology of objectivity and algorithmic bias, the ethics of automation, drones, and specific implementations of AI, as well as analyses of AI embedded in social contexts (for example). Serious scholarship in AI ethics sometimes quotes Asimov’s (...) speculative laws of robotics as if they were genuine proposals, and yet Lem remains historically undervalued as a theorist who uses fiction as his vehicle. Here, I argue that Lem’s fiction (in particular his fiction about robots) is overlooked but highly nuanced philosophy of AI, and that we should recognize the lessons he tried to offer us, which focused on the human and social failures rather than technological breakdowns. Stories like “How the World Was Saved” and “Upside Down Evolution” ask serious philosophical questions about AI metaphysics and ethics, and offer insightful answers that deserve more attention. Highlighting some of this work from The Cyberiad and the stories in Mortal Engines in particular, I argue that the time has never been more appropriate to attend to his philosophy in light of the widespread technological and social failures brought about by the quest for artificial intelligence. In service of this argument, I discuss some of the history and philosophical debates around AI in the last decades, as well as contemporary events that illustrate Lem’s strongest claims in critique of the human side of AI. (shrink)

Stanisław Lem’s short story Are you there Mr. Jones?, first published in 1955, is set in a courtroom. The plaintiff is Cybernetics Company – a provider of prosthetics – and the defendant is Harry Jones, a race-car driver. It turns out that Mr. Jones, after a series of grave accidents, has had his entire body gradually replaced by prostheses. He is now deep in debt to the provider, Cybernetics Company, which consequently has sued him to reclaim their property. We aim (...) to show that this short story illustrates important philosophical questions concerning personal identity and persistence over time, and that Lem in fact anticipates several of the main insights of functionalism, later introduced by Putnam (1967) and today a main contender for a theory of the mind. If the identity of Mr. Jones is constituted solely by his prostheses’ functional role, i.e., their causal relations to input, output and other bodily and mental states, Lem here gives us an early example of causal-theoretical functionalism. This brings us to the next question, implicitly raised by Lem: Is functional identity sufficient for personal identity? Is Mr. Jones the same person as he was before replacing all his body parts? In court, Mr. Jones argues for his continued personhood by appealing to memories from the past. This suggests the view that his persistence as a person depends on some form of psychological continuity, and we will discuss how the case of Mr. Jones relates to views on personal identity. (shrink)

From Literature to Biterature is based on the premise that in the foreseeable future computers will become capable of creating works of literature. Among hundreds of other questions, it considers: Under which conditions would machines become capable of creative writing? Given that computer evolution will exceed the pace of natural evolution a million-fold, what will such a state of affairs entail in terms of art, culture, social life, and even nonhuman rights? Drawing a map of impending literary, cultural, social, and (...) technological revolutions, Peter Swirski boldly assumes that computers will leap from mere syntax-driven processing to semantically rich understanding. He argues that acknowledging biterature as a species of literature will involve adopting the same range of attitudes to computer authors (computhors) as to human ones and that it will be necessary to approach them as agents with internal states and creative intentions. Ranging from the metafiction of Stanislaw Lem to the "Turing test" (familiar to scientists working in Artificial Intelligence and the philosophers of mind) to the evolutionary trends of culture and machines, Swirski's scenarios lay the groundwork for a new area of study on the cusp of literary futurology, evolutionary cognition, and philosophy of the future. (shrink)

The article is an attempt to reconstruct the Stanisław Lem’s views on the relationship between science and faith presented in his The star diaries. The author discusses three stories: The twenty­‑second voyage, The twenty­‑first voyage, and The twentieth voyage. The following questions are considered during the analysis of these novels: Does theology (as depicted by Lem), despite having no competence in the area, attempt to solve scientific problems? Does Lem suggest that Christian claims are potentially falsifiable? Can science lay the (...) foundations of theodicy? The answers to these questions appear helpful in explicating three models of the relationship between science and faith embedded in Lem’s stories: conflict regarding content, conflict regarding form, and cooperation. (shrink)

In Between Literature and Science Peter Swirski examines the true intellectual scope of Edgar Allan Poe and Stanislaw Lem.

The paper analyses selected philosophical aspects of Stanisław Lem’s Solaris. I argue that there is an interesting similarity between the history of “Solarist studies” –the fictional scientific discipline depicted by Lem and cognitive science. I show that both disciplines go through similar stages as they try to describe their main subject. In the further part of the paper, I focus on two problems identified in cognitive science that can be directly related to the themes found in Solaris: the problem of (...) the detection of intelligence and the problem of the notion of mental representations. I finish the paper by looking at the mysterious guests that stalk the main protagonists and show that they can be understood as heuristic models that are taken into account in the theories of mind uploading. (shrink)

Since 1959, when C.P. Snow delivered his seminal lecture The Two Cultures on the lack of understanding between scholars working in the humanities and their colleagues from science departments, the gap between the two groups has been one of the most notorious clichés of contemporary Western culture. The aim of this article is to show that this seemingly insurmountable abyss between sciences and the humanities that was brought to the forefront during the mid-20th century is slowly receding into history. Literature (...) studies today is heavily indebted to modern science. Biology, physics, and ecology are among the most important subjects scholars of literature have to take into account. In order to prove this point I shortly describe literary genres which introduce modern science to the readers: science fiction, cyberpunk, solarpunk, lablit, quantum fiction, and cli-fi. I also refer to the newly-emerged schools of criticism-science fiction studies, ecocriticism and evocriticism-to show how scholars discuss these texts within the framework of the humanities. Additionally, I give a sample discussion of one of the cli-fi’s classics, J.G. Ballard’s The Drowned World and also shortly discuss two science fiction novels concerned with the civilisational conflict between science and humanities: Stanislaw Lem’s His Master’s Voice and Margaret Atwood’s Oryx and Crake. (shrink)

The aim of this paper is to present a certain kind of argumentation against the idea of the Turing test and to discuss the issue of its first formulation. Ned Block, with his idea of “Aunt Bubbles” argument, is thought of as a founding father of CCSC, but we present the results of our bibliographical researches which clearly show that the first formulation of CCSC should be ascribed to Polish writer and philosopher Stanisław Lem.

The article aims to explore some of the more strictly aesthetic-philosophical as-pects of Stanislaw Lem's famous novel Solaris. Beginning with a historical recon-struction of the use of the concepts of fantasy and imagination in Western culture, and exploring the relationship between these two terms and the idea of matter with which they are intertwined, the article offers an interpretation of the novel in which the relationship between matter and imagination plays a crucial role for the characters themselves.

Now that we know that Earth-like planets are ubiquitous in the universe, as well as that most of them are much older than the Earth, it is justified to ask to what extent evolutionary outcomes on other such planets are similar, or indeed commensurable, to the outcomes we perceive around us. In order to assess the degree of specialty or mediocrity of our trajectory of biospheric evolution, we need to take into account recent advances in theoretical astrobiology, in particular (i) (...) establishing the history of habitable planets’ formation in the Galaxy, and (ii) understanding the crucial importance of “Gaian” feedback loops and temporal windows for the interaction of early life with its physical environment. Hereby we consider an alternative macroevolutionary pathway that may result in tight functional integration of all sub-planetary ecosystems, eventually giving rise to a true superorganism at the biospheric level. The blueprint for a possible outcome of this scenario has been masterfully provided by the great Polish novelist Stanisław Lem in his 1961 novel Solaris. In fact, Solaris offers such a persuasive and powerful case for an “extremely strong” Gaia hypothesis that it is, arguably, high time to investigate it in a discursive astrobiological and philosophical context. In addition to novel predictions in the domain of potentially detectable biosignatures, some additional cognitive and heuristic benefits of studying such extreme cases of functional integration are briefly discussed. (shrink)

If X loves Y does it follow that X has reasons to love a physiologically exact replacement for Y? Can love's reasons be duplicated? One response to the problem is to suggest that X lacks reasons for loving such a duplicate because the reason-conferring properties of Y cannot be fully duplicated. But a concern, played upon by Derek Parfit, is that this response may result from a failure to take account of the psychological pressures of an actual duplication scenario. In (...) the face of the actual loss of a loved one and the subsequent appearance of a duplicate, how could we resist the inclination to love? Drawing upon duplication scenarios from Parfit and from Stanislaw Lem's Solaris, this paper will argue that there could be reasons for X to come to love a duplicate of Y but that these would not be identical with the reasons that X had (and may still have) to love Y. Nor (in the case of an agent with a normal causal history) could they be reasons for a love that violates the requirement that love is a response to a relationship and therefore takes time to emerge. (shrink)

Paisley Livingston on Stanislaw Lem and the history and philosophy of Virtual Reality. The technologies and speculations associated with “virtual reality” and cognate terms have recently made it possible for scores of journalists and academics to develop variations on a favorite theme - the newness of the new, and more specifically, the newness of that new and wildly different world-historical epoch, era, or Zeitgeist into which we are supposedly entering with the creation of powerful new machines of simulation. The (...) innovative powers of the machines of virtual reality are so extensive, it would seem, that they are even supposed to be able to achieve the extraordinary feat of revitalizing that tired journalist genre, “gee-whiz” scientific reporting. “Gee whiz,” one can now read, “you just put on a data glove and don the head-mounted display helmet, and step right into a whole new world where the old reality - and even the tired, old-fashioned notion of reality as such - gets replaced by the non-existent reality simulated by the machine. You can fight battles and have sex with people who aren’t anywhere near you, or who never even existed. Why you can actually, I mean really, interact with an illusion!”. (shrink)

Artykuł poświęcony jest jednej z najbardziej wieloznacznych powieści Stanisława Lema — Pamiętnikowi znalezionemu w wannie. Świat bohatera Pamiętnika, pozbawiony łączności z tym, co zewnętrzne, zawiera się w umyśle postaci. Samoidentyfikacja wiążąca się nierozerwalnie z odosobnieniem, jest paradoksalnie niemożliwa do osiągnięcia w labiryncie korytarzy budowli. „Ja” bohatera, dążące do „bycia sobą”, nie może zdobyć pełni tożsamości, ponieważ niezdolne pozostaje do dookreślenia siebie w relacji do struktur Gmachu.

The boundaries of the ethical have traditionally coincided with the boundaries of humanity. This, however, is no longer the case. Scientific developments, such as genetic engineering, stem-cell research, cloning, the Human Genome Project, new paleontological evidence, and the rise of neuropsychology call into question the very notion of human being and thus require a new conceptual map for ethical judgment. The contours of this map may be seen to emerge in works of science fiction (SF), which not only vividly dramatize (...) the implications and consequences of new technologies and discoveries, but also exert a powerful influence on culture, creating a feedback loop of images and ideas. This essay focuses on three SF topoi: the human/animal evolutionary boundary; non-biological subjectivity (AI); and the human/alien interaction. It explores each of these topoi in a selection of SF texts, including novels by H. G. Wells, Olaf Stapledon, Stephen Baxter, William Gibson, Stanislaw Lem and others, showing how the boundaries of humanity are expanded and then exploded through the radical subversion of the tenets of liberal humanism. (shrink)

The behaviour of matter and the affect of gravity, whether real or hypothetical, have often acted as a source for imaginative speculation. In science fiction many of these ideas have been discussed in relation to human consciousness. This article considers the literary work of Stanislaw Lem and Italo Calvino, both of whom employ the metaphor of the mutability of matter to explore affect in other worlds. Extending the laws of physics by placing narratives in other, stranger worlds enables the (...) writer to experiment with the interface or threshold between substance and thought. Calvino moulds and structures the matter of the Universe to human form and thought, whereas in Solaris (Stanislaw Lem, 1970), Lem creates a cold and almost incomprehensible Universe outside of the limits of human intellect or consciousness. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Gilgamesh among Us: Modern Encounters with the Ancient Epic by Theodore ZiolkowskiJohannes HauboldTheodore Ziolkowski. Gilgamesh among Us: Modern Encounters with the Ancient Epic. Ithaca, N.Y.: Cornell University Press, 2011. xvi + 226 pp. 3 black-and-white ills. Cloth, $35.This book surveys modern receptions of the Gilgamesh Epic from the earliest lectures and publications of George Smith to recent reworkings of the epic in Western literature and art. The argument (...) is divided into five chapters. After an introduction which outlines the contents of the poem and tells the story of its rediscovery, chapter 1, “The Initial Reception (1884–1935),” takes us from Leonidas Le Cenci Hamilton’s Ishtar and Izdubar of 1884 via the “Babel and Bible” controversy of the early twentieth century to the predominantly German reception prior to World War II. Several major figures make an appearance here, including Freud, Jung, Rilke, Hesse, Mann, Döblin, Canetti, and Pannwitz. Chapter 2, “Representative Beginnings (1941–1958),” takes up the thread of German engagement with the towering achievements of Hermann Kasack’s Die Stadt hinter dem Strom (61–64) and, especially, Hans Henny Jahnn’s Fluß ohne Ufer (67–74), an enigmatic re-imagining of the Gilgamesh story on a scale that deserves a monograph study of its own. Elsewhere, the reception of Gilgamesh continues with “four poets in English” (Lucas and Bridson in Britain; Olson and Corso in the United States; 48–59) and with the first musical settings, among them Martinů’s oratorio The Epic of Gilgamesh (75–77). Chapter 3, “The Popularization of Gilgamesh (1959–1978),” surveys new translations into the major European languages (79–80), and with them a range of popular responses. Ziolkowski notes a surge in adaptations for children, as well as other initiatives aimed at a wider public (81–82). It is against this background, he argues, that we need to see more ambitious experiments in musical and literary reception, including Per Nørgård’s opera Gilgamesh (105–7); Louis Zukofsky’s “canto 23” (which forms part of his larger poetic cycle entitled “A,” 85–88); Stanisław Lem’s review of an imaginary Gilgamesh adaptation in his A Perfect Vacuum (Doskonała Próżnia, 97–99); and the “fictional exuberances” of John Gardner’s The Sunlight Dialogues, Philip Roth’s The Great American Novel, and Rhoda Lerman’s Call Me Ishtar (99–105). Ziolkowski also draws attention to what he argues was the first overtly gay reworking of Gilgamesh, in Guido Bachmann’s novel of the same name (91–94). Chapter 4, “The Contemporization of Gilgamesh (1979–1999),” continues the theme of popularization in a political key: Ziolkowski takes us on a whistle-stop tour of late twentieth-century preoccupations, from successive crises in the Near East (109) to post-colonialism (109–10); the spread of psychoanalysis, both in a Freudian and a Jungian key (112–19); deconstruction (118–19); the rise of ecologism [End Page 669] (110, 123–35); and minority politics in the USA (135–38). Chapter 5, “Gilgamesh in the Twenty-First Century (2000–2009),” sets out to show that “Gilgamesh, who was born and flourished in the mid-third millennium b.c.e., is alive and well” (154). Ziolkowski identifies “a new focus” (167) on cultural and religious conflict in the wake of Samuel Huntington and the events of 9/11, although it must be said that the responses of Schrott and Begrich (171–78) do not fit this framework particularly well, and in practice much of the chapter seems designed to tie up loose ends. The book is equipped with a timeline of works discussed (199–205), end notes (207–20), and an index (221–26), but no bibliography.In lucid and unpretentious prose, Ziolkowski sets out what he sees as the most significant “Western” responses to the epic of Gilgamesh. He leaves the Near and Far East to “appropriately qualified scholars” (x): one hopes that others will take up the invitation, and that they will make connections with the materials explored in this book. Ziolkowski also passes over Latin America and the Caribbean—perhaps he felt there was nothing to say (for a possible starting point, see C... (shrink)

My favorite poststructuralist is Gilles Deleuze (with or without Guattari). I like to think that he was really writing an elaborate series of works of science fiction, in a non-fictional format (much as Stanislaw Lem did in Imaginary Magnitude and A Perfect Vacuum ), only without letting anyone in on the joke. Partly this is because there are moments where what he says is almost right (such as the definition of "relation" he gives in his interview with Claire Parnet, (...) where he visibly reaches for, but can't quite grasp, the notion of a set of ordered pairs), much as many science fiction writers get things almost right. That, plus the fact that he was obviously channeling La Mettrie, which seems to have escaped many people. (shrink)

The cognitive value of film art. The implications of Stanisław Lem’s philosophy of literatureSince the mid-twentieth century, audiovisuality has taken over the means of communication. Progress in technology has contributed to the dynamic development of media such as film and television. Today we can safely admit that life is under the pressure of audiovisual media. The film is an element of common experience, part of everyday life. The question is whether it is also cognitively valuable? Can a movie be a (...) model that helps you to know yourself, your place in the world, relationships with others? And if so, how much can you trust such knowledge? The aim of this article is to reflect on the cognitive value of films, in the light of Stanislaw Lem’s theory of the reception of literature. The author compares a literary work to a model that represents a fragment or the whole of reality. Modeling is a design that lets us look at old problems from a new perspective or sheds light on the issues we did not realize before. An artwork becomes a model when, over time, it is recognized as outstanding by the public. Then the presented vision of the world begins to function as cognitively valuable. However, this is largely a random process. Similarly, it can be applied to a movie. The use of Lem’s theory for the analysis of literature and film aims to illustrate the importance of cognitive and culture-creating role of these arts. (shrink)

One of the core themes of Stanisław Lem’s 1961 novel Solaris is the encounter with radical otherness. The ocean planet being studied by scientists form earth is usually interpreted as a representation of radical otherness, which eludes human efforts of understanding. In this paper we argue that in Solaris Lem attempts to show not merely that the ocean is unknowable, but that the unknowability is itself impossible to adequately conceptualise and represent. However, we further argue that this impossibility is the (...) subject of an experience in which the presence of otherness is made available. We focus on the images of chaos which Kelvin discovers on Solaris to show that Lem presents the epistemic situation of the main protagonist as radically unstable. Contrary to most interpretations, however, we argue that the discursive narration in the novel engages with the presence of otherness only superficially. Rather, we suggest that the encounter with otherness is shown as something that manifests itself in bodily emotions, and is, therefore, only possible to convey non-discursively. The fear and dread inspired by the vastness and strangeness of the ocean are always presented by appeal to sensuality and bodily experience. These emotive reactions to encounters with otherness subvert its conceptual representations. We suggest that in this way Lem attempts to convey what cannot be discursively described, or even depicted. He presents radical otherness as something impossible to represent conceptually but offers a vision of the possibility of an encounter with otherness through bodily emotions. On this interpretation Solaris is not only a novel about the encounter with otherness, but also about the very possibility of representing such an encounter. (shrink)

Artykuł jest próbą nakreślenia różnych sposobów konstruowania światów w wybranych utworach literackich i filmowych. Roger Caillois i – nieco później – Stanisław Lem dokonali dość szczegółowego rozróżnienia metod kreowania literackich światów, ze względu na ich gatunkowe zróżnicowanie. Inaczej konstruowane są zasady rządzące rzeczywistością w utworach kryminalnych, inaczej w literaturze grozy, inaczej w science fiction. Owe „strategie ontologiczne” mogą być podyktowane również innego rodzaju – niż zróżnicowanie gatunkowe – przyczynami.

Celem niniejszej pracy jest zastosowanie wizji „Lewiatana” Thomasa Hobbesa do koncepcji superinteligencji lub nadludzkiej inteligencji, które dyskutowane jest wśród transhumanistów i poruszone jest przez takich filozofów i futurologów jak między innymi Nick Bostrom, Stanisław Lem, albo Ray Kurzweil. Inspiracją mojej pracy były pytania w rodzaju: „kiedy człowiek przestaje być autonomicznym podmiotem?” albo „czy człowiek w ogóle może być samodzielny?”. Niemniej jednak wydaje mi się, że takie pytania mogą się pojawić wtedy, kiedy człowieka rozpoznamy jako zwierzę polityczne (politikon zoon w sensie (...) Arystotelesowskim). Albowiem trudno wyobrażać sobie wyłonienie pojęcia polityki wobec człowieka samotnego, to znaczy w izolacji od innych ludzi i bez odniesienia się lub ustosunkowania się do nich. Będę argumentował z perspektywy historyka ewolucyjnego. Za badaczy posiadających wkład do takiego stanowiska można uznać Karola Darwina, Samuela Butlera, George’a Dysona i szczególnie Yuvala Noaha Harariego. Opieram się głównie na pracach dwóch ostatnich. (shrink)

En este artículo intentaré mostrar el discurso moralista empleado por Persson y Savulescu en su obra _¿Preparados para el futuro? La necesidad del mejoramiento moral_. La primera parte del trabajo expondrá la necesidad de demarcar claramente las cuestiones de justicia de la idea de bien, considerando que esta es una distinción central para el filósofo moral y el bioeticista. Intentaré responder a una cuestión: en la actualidad, ¿el filósofo moral emplea un discurso moralista? En la segunda parte del artículo, relacionaré (...) la propuesta de Persson y Savulescu con la novela de Stanislaw Lem _Congreso de futurología_. (shrink)

Bringing together literary scholars, computer scientists, ethicists, philosophers of mind, and scholars from affiliated disciplines, this collection of essays offers important and timely insights into the pasts, presents, and, above all, possible futures of Artificial Intelligence. This book covers topics such as ethics and morality, identity and selfhood, and broader issues about AI, addressing questions about the individual, social, and existential impacts of such technologies. Through the works of science fiction authors such as Isaac Asimov, Stanislaw Lem, Ann Leckie, (...) Iain M. Banks, and Martha Wells, alongside key visual productions such as Ex Machina, Westworld, and Her, contributions illustrate how science fiction might inform potential futures as well as acting as a springboard to bring disciplinary knowledge to bear on significant developments of Artificial Intelligence. Addressing a broad, interdisciplinary audience, both expert and non-expert readers gain an in-depth understanding of the wide range of pressing issues to which Artificial Intelligence gives rise, and the ways in which science fiction narratives have been used to represent them. Using science fiction in this manner enables readers to see how even fictional worlds and imagined futures have very real impacts on how we understand these technologies. As such, readers are introduced to theoretical positions on Artificial Intelligence through fictional works as well as encouraged to reflect on the diverse aspects of Artificial Intelligence through its many philosophical, social, legal, scientific, and cultural ramifications. (shrink)

This book focuses on the often-overlooked mid period of Socialism in twentieth century Poland, tracing the transgressive variations of humanist thought that emerged as forms of resistance amid the intellectual crisis of the late 1960s and early 1970s. It analyses how an upsurge in anti-Semitism and discourses of exclusion in the period stimulated environmental explorations beyond the hegemonic notion of the human subject and humanity. Readers will find a synthetic analysis not only of the atmosphere of the mid-socialist period, but (...) also of fragmented, decentered, and marginalised phenomena in film, literature, theory, and theatre, in which transgressive moments in well-known work such as the theatre of Tadeusz Kantor, Stanisław Lem's writing, Maria Janion's cultural studies, or Jerzy Skolimowski's early films feature alongside artistic output that was never broadly known or is mostly forgotten now. By acknowledging the specificities of transgressive humanism in socialist Poland, the book enriches post-anthropocentric theory with a distinct perspective from the so-called semi-periphery. The volume is relevant for scholars of post-humanist studies, the history of knowledge, studies on socialist Europe and Polish studies. (shrink)