This chapter contains sections titled: What Is It To Be Fashionable? Appearing Fashionable Two Concepts of Fashion Fashion and Alienation The Metaphysics of Fashion.

The attention that prominent fashion houses have been paying to climate change and environmental concerns has never been so prominent. Fashion week of 2019 and 2020 made such a concern a staple of the fashion discourse. Designers and fashion houses are exploring fabric alternatives such as Piñatex (derived from discarded pineapple skins), they are advertising their runways as “carbon neutral,” and fashion colossuses such as Burberry, Gap, Levi’s, and H&M are vowing to reduce greenhouse gas (...) emission by 30% by 2030. However, the genuine nature of such intentions is not impermeable to criticism. While “sustainable fashion” – arguably the “it” vocabulary choice of the past couple of years – certainly has its praiseworthy sides, it is also, at times, another strategy to spike consumerism. In this chapter, I aim to investigate the viability of fashion’s current interest in environmental concerns in light of an analysis of fashion’s most indisputably prominent side: its relation to the aesthetic realm. Playing along the lines of the analytic debate gauging the relative impact of ethical values over aesthetic values and vice versa, I will consider how aesthetic demands can be steered by the necessity of ethical reflection without for this reason erasing, or at least hiding, the appreciation of style, glamour, and couture. I will conclude with a reassessment and potential solution, based on the inherently performative side of fashion, to the question of whether sustainable fashion can be seen as a current, viable, and potentially effective way of responding to contemporary environmental concerns. (shrink)

One of the barrier of the Fashion, Textile and Clothing (FTC) domain is the multiplicity and the evolving vocabulary used by the industry players as well as stylists or common users. Some projects...

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Theory in the “Post” Era: A Vocabulary for the 21st-Century Conceptual Commons ed. by Alexandru Matei, Christian Moraru and Andrei TerianLaura Elena Savu WalkerMatei, Alexandru, Christian Moraru, and Andrei Terian, editors. Theory in the “Post” Era: A Vocabulary for the 21st-Century Conceptual Commons. Bloomsbury, 2021. 376pp.Far from “mourning” the demise of theory, this timely and thoughtfully curated essay collection testifies to its “renewed vitality,” its compelling (...) presence “across fields, domains of life, and geocultural boundaries,” and its power to build an ever-expanding world community of practioners who are forming what has come to be known as a “theory commons” (ix). As the collection’s editors point out, theory’s new lease on life hinges on ensuring both the democratic workings of this “world discourse formation” (1) and on the responsible theorizing of the very notion of community in “a world threatened by all kinds of anti-communal actions and reactions, from runaway globalization to exacerbated tribalism and tunnel-vision politics” (x). Working on the margins, specifically, out of a Romanian “lab” called The Critical Theory Institute (CTI), which opened its doors in early 2000, the contributors seek to revise the “standard history of theory,” one whose “Western origins, authority, and cultural compass ” strike them as “exceedingly reductive” (3). This project of geotheoretical repositioning and recalibration aims to recast theory as a “quintessentially cross-linguistic, cross-cultural, trans- and intercontinental undertaking” (4). As such, it carries on the project, launched in a previous volume, Romanian Literature as World Literature (2018), of fashioning an alternative to the nation-state paradigm that has long shaped literary and intellectual histories. In both of these works, Romanian critics and theorists have tuned into a wide range of voices, and tapped into a shared conceptual and methodological apparatus—itself the product of “an ethno-linguistic medley of traditions” (8). This approach informs what editors see as the “epoch-making” (17) discursive paradigm that has taken shape in globally networked post-Cold War societies (17), a viral model of cultural influence that fosters an ontology of “contact, contagion, of infection, dissemination, and horizontal accumulation” (15).To give us a sense of theory’s complex genealogy and evolution, the editors reference the Bulgarian critic Galin Tihanov, who has attributed [End Page 122] important developments in contemporary theory to the achievements of theorists (Nikolai Trubetskoi, Roman Jakobson, Vladimir Propp, and Georg Lukács) and schools of thought (Russian Formalism and the Prague Linguistic Circle). In “Traveling Theory” (1983) and “Traveling Theory Reconsidered” (2000), Edward Said called attention to the migratory nature of contributions made, for instance, by Georg Lukács, whose theories moved across different European locales in this period. Since then, contemporary theory has branched out to integrate the travels and travails of scholars affiliated with theory labs located in Bulgaria, Hungary, Slovakia, and last, but not least, Romania (10).Theory in the “Post” Era highlights five characteristics that distinguish theory in the “post” era from earlier forms: 1) It has a “reluctantly epoch-alist” thrust (19; original italics), which assumes that the “post” lexicon entails “rupture, discontinuity, and opposition” (19), radical departures, tentative claims, provisional conclusions, and ex-centric perspectives; 2) it adopts a “self-reflexive and experimental” (20; original italics) stance in which theorists invoke inherited approaches or invent new ones; 3) it introduces a “transdisciplinary” (21; original italics) scope that allows authors to interrogate the foundations, aims, and methods of theoretical discourse and practice across several knowledge domains, from which they “borrow whole vocabularies and toolkits” (21); 4) it is “nationally, transnationally, and ecologically affiliative” (20) in ways that allow theorists to “think with others at a distance” (21) about global issues; and 5) it is programmatic, placing critical and theoretical concerns in the service of “the ethical, the political, and the communal” (22). Organized around three main themes (“Aesthetics,” “Temporalities,” and “Critical Modes”), the essays juxtapose discussions of pivotal historical events and cultural phenomena with literary analyses of Romantic era “classics,” modernist experiments, and postmodern works of the post-Communist era, a corpus that includes, but is not limited to, landmark works of national culture that are now part of a fast-expanding planetary... (shrink)

The entire Upper Silesian dialect is based on the Polish language system, and all elements from German are treated as borrowings. The main aim of the research was to focus on the issue of German loanwords in the field of clothing vocabulary that appear in the Upper Silesian dialect and which are listed in the “Dictionary of Silesian dialect” by Barbara and Adam Podgórski. The question of the assimilation of these borrowings was analysed on three levels: morphological, graphic and (...) semantic. (shrink)

In this study we present a self-organizing connectionist model of early lexical development. We call this model DevLex-II, based on the earlier DevLex model. DevLex-II can simulate a variety of empirical patterns in children's acquisition of words. These include a clear vocabulary spurt, effects of word frequency and length on age of acquisition, and individual differences as a function of phonological short-term memory and associative capacity. Further results from lesioned models indicate developmental plasticity in the network's recovery from damage, (...) in a non-monotonic fashion. We attribute the network's abilities in accounting for lexical development to interactive dynamics in the learning process. In particular, variations displayed by the model in the rate and size of early vocabulary development are modulated by (a) input characteristics, such as word frequency and word length, (b) consolidation of lexical-semantic representation, meaning-form association, and phonological short-term memory, and (c) delayed processes due to interactions among timing, severity, and recoverability of lesion. Together, DevLex and DevLex-II provide an accurate computational account of early lexical development. (shrink)

This paper addresses a problem that has so far been neglected by scholars investigating the ethics of Big Data and policy makers: that is the ethical implications of Big Data initiatives’ environmental impact. Building on literature in environmental studies, cultural studies and Science and Technology Studies, the article draws attention to the physical presence of data, the material configuration of digital service, and the space occupied by data. It then explains how this material and situated character of data raises questions (...) concerning the ethics of the increasingly fashionable Big Data discourses. It argues that attention should be paid to the vocabulary currently used when discussing the governance of data initiatives; the internal tension between current data initiatives and environmental policies; issues of fair distribution. The article explains how taking into account these aspects would allow for a more responsible behaviour in the context of data storage and production. (shrink)

How are “interesting” research problems identified and made durable by academic researchers, particularly in situations defined by multiple evaluation principles? Building on two case studies of research groups working on rare diseases in academic biomedicine, we explore how group leaders arrange their groups to encompass research problems that latch onto distinct evaluation principles by dividing and combining work into “basic-oriented” and “clinical-oriented” spheres of inquiry. Following recent developments in the sociology of valuation comparing academics to capitalist entrepreneurs in pursuit of (...) varying kinds of worth, we argue that the metaphor of the portfolio is helpful in analyzing how group leaders manage these different research lines as “alternative investment options” from which they were variously hoping to capitalize. We argue portfolio development is a useful concept for exploring how group leaders fashion “entrepreneurial” practices to manage and exploit tensions between multiple matrices of valuation and conclude with suggestions for how this vocabulary can further extend analysis of epistemic capitalism within science and technology studies. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.2 (2000) 43-69 [Access article in PDF] Tracing Ricoeur Dudley Andrew François Dosse. Paul Ricoeur: Les Sens D'une Vie. Paris: La Découverte, 1997. [PR] The Time of the Tortoise Gilles Deleuze chose not to see the end of the century that Michel Foucault claimed would be named after him, a century that began just as philosophy registered the aftershocks caused by the work of his closest progenitors, Nietzsche (...) and Bergson. Amplifying the waves they made with tempests of his own, Deleuze tried to capsize the flat-bottom boat of academic philosophy by insisting that it look beyond its own discourse for both the life and the vocabulary to account for life that should be its only mission. Scanning French philosophy for what it might contribute to art, fiction, and cinema, I invoke the stirring character of Deleuze, but I do so to deflect attention to another figure, Paul Ricoeur, whom Deleuze conveniently sets off by contrast.Less than a decade since his death, Deleuze is in danger of having ceded his claim to Ricoeur, the real long-distance runner, who is now pressing his publications into the new century, moving relentlessly beyond his exhausted reviewers. Last year, a fanfare of publicity greeted La mémoire, l'histoire, l'oubli, another magisterial tome appearing too late to be included in François Dosse's intellectual biography or in my overview here, which lifts off from that biography. Ricoeur, destined to keep writing--unable to conclude his conversation with philosophy--has outlasted Deleuze, whose notoriety derives from the radical break he makes with the thought of our times, for his abrupt deviations and more abrupt conclusions. Ricoeur's reputation rests seldom on anything conclusive but instead on his persistent interaction with and deployment of so much of that thought. By accident or by savvy design, Ricoeur's trajectory (initiated in the phenomenological atmosphere of the prewar era) has taken him through myth criticism, psychoanalysis, structuralism, language philosophy, analytic philosophy, deconstruction, poetics, historiography, ethics, and epistemology. He carries his learning forward to each new endeavor, not believing in "the radical break" or the prefix post-.François Dosse tracks Ricoeur in a magnificent account that places its subject in relation to each of these movements. But Parisian academic fashion forms only one facet of a life whose brilliance is refracted as well by theology, politics, and a remarkable social network. The thickness of his life evidently provides Ricoeur the necessary ballast to maintain his orientation on the stormy seas of intellectual debate. In fact, across a span of seventy years of uninterrupted reading and writing, he has anticipated, invoked, or debated virtually every important school of French thought, doing so in a way that both establishes their value and serves his own agenda. Ricoeur profits from the productive tension that results, even--indeed, especially--when this brings about a dislocation of his views. These exchanges inevitably leave his own ideas clearer, more defensible, and invulnerable to charges of parochialism. Although Ricoeur concludes his three-volume Time and Narrative with an aggressive chapter explicitly asking, [End Page 43] "Should We Renounce Hegel?," there is something deeply Hegelian about this strategy of taking on, then managing to assimilate, all comers so as to emerge stronger. Ricoeur may not share Hegel's limitless arrogance (literally arrogating everything to himself), but his humility is equally ambitious.There was never any question for Deleuze about renouncing Hegel. His antipathy to this "philosophe de l'État" was immediate, total, and itself completely arrogant. As for Ricoeur, Deleuze apparently avoided the man Dosse dubs "philosophe de la Cité," at least before 1986. Then, he links their names after each had just published a multivolume treatise on temporality and fabulation, Deleuze's cinema books picking up the notion of "bifurcated time" that Ricoeur had just developed in Time and Narrative. Proust was explicitly a key source for both of their studies. But apparently, and outwardly, it gets no closer than this. In concatenating these two French philosophers, I follow the lead of Olivier Mongin, who finds them both to be supreme philosophers of time, yet incompatible on... (shrink)

Associé à l’instabilité et à l’insaisissable, mais aussi aux liens et contacts multiples, le concept d’entre-deux semble échapper à toute définition construite sur des oppositions binaires. Il figure parmi les notions à la mode. Nous semblons innover « entre ». L’« entre-deux » nous intéresse comme image heuristique. Parce que le lexique est source de questionnement, laboratoire ou observatoire de nos imaginaires, nous proposons ici une exploration lexicale de cet « entre-deux ». Elusive, associated to the instability, but also to (...) multiple relationship and contacts, the concept of in-between seems to decline any definition built on binary oppositions. This notion is in fashion. It seems that we innovate “between”. The in-between interests us greatly as metaphor and heuristic image. Because the vocabulary originates questions, and appears as a laboratory or an observatory of ours imaginaries, we want to explore the vocabulary of the in-between. (shrink)

The European Union is working towards harmonizing legislation across Europe, in order to improve cross-border interchange of legal information. This goal is supported for instance via standards such as the European Law Identifier and the European Case Law Identifier, which provide technical specifications for Web identifiers and suggestions for vocabularies to be used to describe metadata pertaining to legal documents in a machine readable format. Notably, these ECLI and ELI metadata standards adhere to the RDF data format which forms the (...) basis of Linked Data, and therefore have the potential to form a basis for a pan-European legal Knowledge Graph. Unfortunately, to date said specifications have only been partially adopted by EU member states. In this paper we describe a methodology to transform the existing legal information system used in Austria to such a legal knowledge graph covering different steps from modeling national specific aspects, to population, and finally the integration of legal data from other countries through linked data. We demonstrate the usefulness of this approach by exemplifying practical use cases from legal information search, which are not possible in an automated fashion so far. (shrink)

In this article, we present an ethics framework for health practice in humanitarian and development work: the ethics of engaged presence. The ethics of engaged presence framework aims to articulate in a systematic fashion approaches and orientations that support the engagement of expatriate health care professionals in ways that align with diverse obligations and responsibilities, and promote respectful and effective action and relationships. Drawn from a range of sources, the framework provides a vocabulary and narrative structure for examining (...) the moral dimensions of providing development or humanitarian health assistance to individuals and communities, and working with and alongside local and international actors. The elements also help minimize or avoid certain miscalculations and harms. Emphasis is placed on the shared humanity of those who provide and those who receive assistance, acknowledgement of limits and risks related to the contributions of expatriate health care professionals, and the importance of providing skillful and relevant assistance. These elements articulate a moral posture for expatriate health care professionals that contributes to orienting the practice of clinicians in ways that reflect respect, humility, and solidarity. Health care professionals whose understanding and actions are consistent with the ethics of engaged presence will be oriented toward introspection and reflective practice and toward developing, sustaining and promoting collaborative partnerships. (shrink)

So-called grand or paradigmatic theories—structural functionalism, psychoanalysis, Marxism, rational-choice theory—provide their proponents with a conceptual vocabulary and syntax that allows for the classification and configuring of wide ranges of phenomena. Advocates for any particular “analytical grammar” are accordingly prone to conflating the internal coherence of their paradigm—its integrated complex of definitions, axioms, and inferences—with a corresponding capacity for representational verisimilitude. The distinction between Theory-as-heuristic and Theory-as-imposition is of course difficult to negotiate in practice, given that empirical observation and measurement (...) are not entirely “theory neutral” or independent of prior analytical conceptualization. Nonetheless, the scientific cogency of any theory is ultimately evaluated by the substantive realism of its foundational assumptions and categorical designations; that is, the accuracy with which it identifies and tracks the determinant properties and processes of the phenomena to be explicated. The paradigm of sociocultural evolutionism—despite extensive revamping by contemporary proponents—does not carry warrant in this regard, as its recourse to an analytical grammar fashioned and derived from another discipline raises doubts about its empirical veridicality. This article revisits the contentious issue of remodeling social phenomena in accordance with biological categories and offers both a theoretical and a substantive critique of the “selectionist” paradigm. The transdisciplinary program of historical social science is affirmed by way of counterpoint. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 33.2 (2005) 3-9 [Access article in PDF] The Suspended Substantive On Animals and Men in Giorgio Agamben's The Open Leland de la Durantaye Giorgio Agamben. The Open: Man and Animal. Trans. Kevin Attell. Stanford: Stanford UP, 2004. [O] Trans. of L'aperto: L'uomo e l'animale. Torino: Bollati Boringhieri, 2002. [A] With a title as enigmatic as The Open, the reader might well wonder, "the open what?" Is the title's (...) adjective to stand alone? Does it need no substantive to support it? This unfamiliar title is not what one might first guess—it is not an awkward translation from the work's original title. No substantive follows in the original, and none is meant to. The idea that gives Agamben's book its title is that of an openness which is unconditioned—and perhaps unconditional, an openness which is unspecified—and perhaps unspecifiable.If the answer to the question "the open what?" can be answered with no substantive, might we ask in what this opening occurs? Between what more substantive things has an indefinable space been opened? The first answer to the question can be found in the work's subtitle—Man and Animal. The open space in question is that which separates and distinguishes man from animal. Philosophers, anthropologists, social scientists, zoologists, chemists, taxonomists—and many others—have had no small difficulty in agreeing upon the matter.Philosophers have traditionally had a low opinion of animals [cf. de Fontenay]. Descartes had especially little respect for the minds of animals and influentially classified them as automata mechanica. As Agamben notes, the great naturalist and taxonomist Linnaeus responded to this assertion with the laconic rejoinder: "Descartes obviously never saw an ape" [cf. O 23/A 30; translation modified]. Philosophers have been more eager than taxonomists to put distance between themselves and the animals—and for this reason have been particularly interested in studying what separates man from animal. The last great philosophical attempt in this regard is that of Martin Heidegger. Despite his preference for the primordial, his openness to the woods and the wilderness, his opinion of animals' faculties was not much higher than that of Descartes. In his view, animals live in an environment in which they are receptive to various stimuli, but where they have nothing approximating what we call a "world"—animals are, as he claims, "poor in world" (weltarm)—or even "without world" (weltlos). They live in such intense and incessant proximity to their environment and its stimuli that they do not see the existential forest for the environmental trees. They can never take a step away from the immediacy of their perception and for this reason cannot be said to possess a "world" in the sense that man, in Heidegger's view, does.As mentioned above, the title The Open is, for all its strangeness, not the result of [End Page 3] an awkward translation from Agamben's Italian. Its strangeness stems, nevertheless, in large part from a translation. Or, to be more precise, from two translations. The first of these is from the German. The German in question is a special one—that of the profoundly idiosyncratic technical vocabulary that Heidegger fashioned for his philosophical purposes. For Heidegger, "the open" is something literally fundamental which lay at the heart of his thought. "The open" is the space revealed to us in the moment when the world we live in, which because of our many tasks and travails we tend to take no distance from (like animals with their stimuli), opens out onto something larger. This moment of distancing ourselves from our everyday concern with means and ends, with stimuli and response, is what gives us not just an environment, but a "world." "The open" is what we find ourselves in when the bustle and haste of our environment recedes and we see that environment in all its strangeness and immensity—as a "world," greater and less graspable than our restricted and finite representations. This experience of "the open" is, for Heidegger, what makes us human, and... (shrink)

In his work on somaesthetics, Richard Shusterman employs Confucianism’s take on ritualized self-cultivation to address blind spots in Euro-American accounts. However, Shusterman’s remarks on the later classical-era thinker Xún Zǐ hint at a possible tension with the former’s pragmatism and promotion of somatic self-fashioning. The classical Confucian debate between Mencius and Xún Zǐ on human nature being either “good” or “bad” broaches issues of somaesthetics, namely as concerns self-cultivation being either internally spontaneous or externally imposed. Looking at this debate can (...) thus help the project of somaesthetics by bringing old, though in this case novel, vocabulary to bear on an issue with which Shusterman wrestles – the “ontic” status of somaesthetic practice. (shrink)

This article describes how cc. 39 and 37 create distinct tones of voice and use them to preclude the social pretensions of Egnatius in different spheres. The style of c. 39, markedly oratorical—and non-Catullan—in the syntax of its opening lines, develops into the voice of a respectable senex by way of archaisms of vocabulary and syntax and is capped by a figure of humor otherwise absent from the polymetrics, the apologus. The style thus creates a voice perfectly suited to (...) chastise Egnatius' social ineptitudes and, more importantly, constitutes on the verbal level an embodiment of the standards of the urban elite. Catullus thus illustrates to Egnatius that a subtle system of social gestures can be learned - something which Egnatius, for all his apparent pretensions to social prominence, manifestly has not grasped, marred as he is by the habit of grinning inappropriately. C. 37, which ends with an attack on the same Egnatius, is far different in tone, commingling tokens of artfulness with vulgarity and forcefulness. That mixed style exercises ironic decorum towards Lesbia's lovers, who are themselves an oddly mixed group, well-off on the one hand, but "backstreet adulterers" on the other. But the two tones of voice, and indeed the two groups of lovers, also embody the paradoxes of the Roman construction of stylish behavior, which could be represented as elegant dalliance or reprehensible vice. Inasmuch as Egnatius' fashion affectations, ridiculed at the poem's end, fail to qualify him for the ranks of Lesbia's lovers, he is represented as outside sophisticated society, however it be constructed. In concert the two poems utterly derail Egnatius' social pretensions: c. 39 as it were outflanks him on the "right," barring him from respectable society, and c. 37 outflanks him on the "left," barring him from the "jet set.". (shrink)

Philosophers contributing new ideas are commonly caught within a received philosophical vocabulary and will often coin new, technical terms. Husserl understood himself as advancing a new theory of intentionality, and he fashioned the new vocabulary of `noesis' and `noema'. But Husserl's own statements regarding the noema are ambiguous. Hence, it is no surprise that controversy has ensued. The articles in this book elucidate and clarify the notion of the noema; the book includes articles which phenomenologically describe and analyze (...) the noemata of various experiences as well as articles which undertake the `metaphenomenological' explication of the doctrine of the noema. These two enterprises cannot be isolated from one another. Any analysis of the noema of a particular type of experience will necessarily illustrate, at least by instantiating the general notion of noema. And any metaphenomenological account of the noema itself will guide particular researches into the noemata of particular experiences. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MARITAIN ON RIGHTS AND NATURAL LAW THOMAS A. FAY St. John's University Jamaica, New York T:HE WAY RIGHTS a11e viewed in our time creates urmoil in our society. But this one-sided view of rights ad ]ts origin in the philosophy of Jean Jacques Rousseaiu, in which the" Rights of Man" were divinized and hence made unlimited. In contrast, Maritain based his notion of rights on the natu:rail law, and (...) this phifosophic base can ground a more balanced view of rights, one which can protoot both against those who would assert arbitmry rights without any restraints whatever and against an authoritarian State which would subordinate an individual rights to its requirements. I. Maritain's Notion of the Natural Law For Marita:in, the ultimate groundiing of human rights is in the natural law.1 But just what does he mean by the term "natural law? " It is by no means obvious. Certa:inly from antiquity man has had some gmsp of a narturaJ faw, rthat is, of a law which transcends merely positive law, the law fashioned by men. In!J1an and the State, Maritain cites the case of Antigone, the heroine in Sophocles' pJ.ay of the same name. She breaks a positive faw in giving buriaJl to her brother 'and justifies her act by making an appeal to a law higher than any merely human law. And so she says " Nor did I deem Your ordinance of so much binding force, As that a mortal man could overbear The unchangeable unwritten code of heaven; 1 Les droits de l'homme et la, loi naturclle (New York: Editions de la Maison Frnncaise, Hl42), p. 84. 439 440 THOMAS A. FAY This is not of today and yesterday, But lives forever, having origin Whence no man knows...2 The Stoic philosophers spol{'e of a natural law; so did tnpian in the ancient Roman period, and St. Augus:tine in the early Middle Ages. The se-y;enteenth and eighteenth century saw the classical Law of Nature philosophers, such as Hugo Grotius, Thomas Hobbes, Benedict Spinoza, and John Locke. And of course, by no means least on our list, there was Thomas Aquinas. Mal11'tain takes Thomas's to be the most perfect statement of natural law. But even here there are certain ambiguities and problems. For example, with 11egard to the "primary " and " seconda,ry" precepts of natural law, the statements of St. Thomas in early work The Commentary On The Sentences are at variance with the vocabulary and the teaiching of the Summa theologiae, I-II, q. 94. Maritain attempts to clarify these obscurities by introducing what he rtakes to he the key to Thomas's 1 doctrine of natUl"al law-the notion of knowledge through inclination.3 As Maritain sees it, there are two aspects of natural law, one ontological and the other gnoseologicaL4 The ontological.aspect of natural law means that man has a being-structure which is the locus of inrtelligible necessities, that he possesses ends which necessarily correspond to his essential constitution and which are common to all men. This means that there is, by virtue of human nature itself, an order or a disposition which human reason can discover and accol'lding to which the human will should act if lit is to attain the necessary and essential ends of being human. This order or disposition is what he means by nrutural law. From this it follows that 001y being in nature, be it a tree or a dog or whatevier, has its own na.tural law, which is the normality of its funotioning, the proper way in which, by reason 2 Man and the State (Chicago: University of Chicago Press, 1951), p. 85. s Ibid., p. 91. 4!bill., pp. 85-94. MARITAIN ON RIGHTS AND NATURAL LAW 441 of its specific structure and specific ends, it " should " achieve the fullness of its being, The " shou1d " here is not a moral imperative but rather an ontological one, just as we say that a "good" eye" shou1d" be :able to perceive certain objects with clarity at a certain disrtance. But as soon as we enter the realm of free... (shrink)

Globalization is a topic of some anxiety among international lawyers. On the one hand, its fluid dynamics — fragmentation, deformalization and empire — undermine traditional diplomatic rules and institutions. On the other hand, the effort to reimagine international law in purely managerial terms appears intellectually shallow and politically objectionable. To avoid marginalization and instrumentalization, many lawyers have begun to think about international problems through a constitutional vocabulary and have often cited Kant in that connection. This Article argues that, while (...) it is always possible to grasp the world through a constitutional vocabulary, this does not provide determinate answers to international problems. Instead of an institutional architecture or a set of legal rules, constitutionalism is best seen as a mindset — a tradition and a sensibility about how to act in a political world. Contrary to a widespread assumption, Kant’s political writings may also be read in this fashion and, if so, a meaningful international transformation might necessitate not only legislative or institutional intervention but a professional and perhaps spiritual regeneration. (shrink)

'At last, a volume on civilization that truly reflects the complexity of multiple civilizations. The wealth of contributions Arjomand and Tiryakian have assembled demonstrates the value of an old concept for understanding the awful dilemmas confronting human kind in the global age. Its thoroughgoing renewal here establishes this book as the essential benchmark for future scholars of civilization' - Martin Albrow, Founding Editor of International Sociology and author of The Global Age - winner of the European Amalfi Prize, 1997 'In (...) our tension filled world, many are heralding, and others fearing, a"clash of civilizations." The contributors to this volume provides a healthy and persuasive argument about why this clash need not, and certainly should not, take place. They do so, moreover, not by rejecting the concept of civilization, but by developing a less primordial, homogenous, and essentialist concept of it. An important collection that provides illumination in this sometimes frighteningly dark time' - Jeffrey Alexander, Professor and Chair of Sociology at Yale University 'The concept of civilization may well replace the notions of globalization and identity as the core component in the vocabulary of 21st century sociology. The authors contribute a great deal to the clarification of fashionable controversies around the "clash of civilizations" and "multiculturalism". They go a long way toward purging the concept of civilization of its ideological overtones, and they suceed admirably in turning it into powerful analytic tool of an emerging fleld of macrosociology, known already as civilizational analysis' - Piotr Sztompka, President, International Sociological Association Although the concept of 'civilization' has deep roots in the social sciences, there is an urgent need to re-think it for contemporary times. This book points to an exhaustion in using 'the nation state' and 'world system' as the basic macro-units of social analysis because they do not get to grips with the 'soft power' variable of cultural factors involved in global aspects of development. Also, globalization requires us to reconsider the link between civilization and a fixed or given territory. This book focuses upon the dynamic aspect of civilizations. Among the topics covered are: · Civilizational analysis and social theory · Global civilization and local cultures · Civilizational forms · Rationalization and Civilization · Civilizations as zones of prestige · Historical and comparative dimensions of civilization · The clash of civilizations. (shrink)

Abortion, euthanasia, capital punishment, war, genetic engineering and fetal experimentation, environmental and animal rights--these topics inspire some of today's most heated public controversies. And it is fashionable to pursue these debates in terms of the negative query "Under what conditions may life be disregarded or terminated?" John Kleinig asks a different, more positive question: What may be said in behalf of life? Looking at the full range of appeals to life's value, he considers a variety of issues. Is livingness as (...) such to be affirmed and respected? Is there an ascending order of plant, animal, and human life? Does human life possess a distinctive claim, or must we discriminate between humans that do and humans that do not have claims on us? Kleinig shows that assertions about valuing life camouflage a complex normative vocabulary about worth, reverence, sanctity, dignity, respect, and rights. And "life," too, is subject to an assortment of understandings. Sensitive to the frameworks informing diverse appeals to life's value, this comprehensive work will interest readers concerned with the environment, animal rights, or bioethics. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Method in Ancient PhilosophyDavid K. GliddenJyl Gentzler, editor. Method in Ancient Philosophy. Oxford: Clarendon Press, 1998. Pp. viii + 398. Cloth, $72.00.The fifteen papers in this collection constitute revisions of conference proceedings and reflect the varied interests of participants. The ensemble exhibits a thoroughly modern methodology. Whatever and however various ancient methods of philosophy may have been, in Anglo-American scholarship it is standard practice to first address established (...) scholarly interpretations as the primary entry point to critical discussionóoften displacing antiquity with a critical vocabulary of philosophical modernity. Scholars may come to understand each other better, but at the risk of asking the wrong questions or sacrificing ancient texts themselves as mere means of producing papers.Most scholars are progressives. They believe philosophy has advanced past the comparatively primitive wisdom of antiquity, and so such scholars feel perfectly entitled to make better sense of ancient texts, by patiently explaining what the ancients would have meant had they only been able to get it right. There are, of course, exceptions. And some papers in this collection suggest deeper faith in our philosophic fathers. So, the battle between the ancients and the moderns is joined once more, between those who would adorn their papers with footnotes for their peers and those who would attempt more anthropological an inquiry into ancient philosophic practices.Ian Mueller and Robert Bolton each address the same passage in Plato's Phaedo, both beginning with an article from Vlastos, first published in 1969. Mueller thoughtfully explores three different yet related accounts of what we might call scientific method in explaining Plato's views on natural change. Bolton wonders whether scholars are asking the wrong questions. Patricia Curd attempts a progressivist account of Eleatic thought, notwithstanding her recognition of the paucity of ancient sources. Complete with elaborately numbered sentences, Gail Fine focuses primarily on Burnyeat (1976) on Plato on Protagoras. Constance Meinwald presents a rather near-sighted account of two passages in the Philebus that employ the peras-apeiron distinction, with a view toward Plato's allegedly modernist mathematization of understanding. Lesley Brown revisits five pages of the Sophist that were hotly debated in the 1960s. With charity and elegance, she offers several plausible solutions to puzzles posed by previous scholars. Sometimes time smoothes over differences.A. A. Long's essay on Plato's presentation of Socrates in the Theaetetus might appear more philosophically anthropological. Yet Long reveals progressive sympathies, suggesting that Plato dispatches Socrates in the Theaetetus, so as to prepare the way for a more rigorously academic form of philosophizing, such as that exhibited in the Sophist. [End Page 111] In this way, Long speculates, Plato abandoned practical ethics for the academic life of research, so familiar to university professors and conference participants. It might be hard to square such speculation with Plato's Laws and the reception of Plato's writings among his own contemporaries. Still, Socrates' shifting role in Plato's dialogues is well worth pondering.By comparison, T. H. Irwin's contribution is wonderfully old-fashioned. His paper addresses the background knowledge to be presumed by ancient readers of Plato's dialogues and how that knowledge is artfully put to use in Plato's depiction of Socrates' reflections on the unity of virtue. By speculating on Plato's relation to his ancient readers, Irwin displaces many modernist preoccupations, though not without himself falling victim to that peculiar scholarly obsession of dating Plato's dialogues by their doctrines.With characteristic conservatism, Gisela Striker cautions scholars not to over-read Aristotle's Prior Analytics. While that extraordinary work may have deep implications for the history of formal logic, it probably was instead intended to be part of a general account of argument. In a similar vein, Charlotte Witt attempts to rescue Aristotle from scholars who would delimit Aristotle's multifarious uses of the "for the sake of" explanation, which altogether pervade his metaphysics, physics, biology and ethics. Yet, Witt soon finds herself competing in a contest over interpretive distinctions, a sport that will certainly never capture Aristotle's own authorial intentions.Facing another mass of scholarship, in this case on Aristotle's dialectic, C. D. C. Reeve sensibly attempts to... (shrink)

The chief purpose of this paper is to advance a defense of the old-fashioned view that empty names are neither proper names nor any other kind of interpretable expressions. A view of this sort usually makes it easy to account for the meaning of first-order sentences in which they occur in subject position: taken literally, they express no fully-fledged particular propositions, are not truth-evaluable, cannot be used to make assertions, and so on. Yet, semantic issues arise when those very sentences (...) are embedded in the scope of propositional attitude verbs. Such (intensional) constructions, indeed, turn out to be literally meaningful, truth-evaluable, and eligible for making assertions. The novel solution put forward here is to combine a version of sententialism with the idea that de dicto reports play a distinctive kind of metalinguistic expressive function. Roughly, that of enabling the ascriber to make explicit a mismatch between the way the embedded sentences are used by the ascribee and the way they are ordinarily used ̶ and, in turn, a mismatch between the way the (empty) names occurring in them are used by the ascribee and the way they are ordinarily used. Fictional names are then regarded as a mere subset of empty names. Accordingly, the above strategy is applied to account for the meaning and use of parafictional (and fictional) sentences and fictional vocabulary in general. (shrink)

In his first research project, Greimas developed and applied new methods in the historical lexicology of modern French. His theoretical articles formulate a sociological approach that analyses vocabulary as a history of culture, illustrated in his two dissertations on fashion in 1830. In the 1980s, from the perspective of his semiotics, Greimas dismissed his early scholarship as failed experiments that taught him what not to do. In the changed epistemological context of the 21st century, the work appears as (...) pioneering research in cultural studies which possesses clear scholarly value. Greimas’ philological and lexicological training bore fruit directly and indirectly throughout his career. Two decades before he launched his semiotics, his project for lexicology proposes a semantic methodology, envisions the construction of an organon for the human sciences, and explicitly calls for a multi-generational collaborative enterprise. Like his structural semantics and semiotics, this lexicology entails three inseparable components: epistemological foundations, concrete methodologies, and robust applications. Moreover, a focus on the lexeme characterizes Greimas’ structural semantics and persists in his semiotics.В своей первой научно-исследовательской работе Греймас разработал и применил новые методы в исторической лексикологии современного французского языка. В его теоретических статьях сформулирован социологический подход, который анализирует лексику как историю культуры. Это иллюстрируют две диссертации Греймаса о моде в 1830 году. В 1980-х годах он отошел от своих ранних работ, считая их неудачными. Но в изменившемся эпистемологическом контексте 21-го века эти работы выглядят в культурных исследованиях новаторскими, обладающими несомненными академическими достоинствами. Филологическое и лексикологическое образование Греймаса давало прямые и косвенные результаты в течение всей его карьеры. За два десятилетия до начала семиотических исследований Греймас предлагает в своем лексикологическом проекте семантическую методологию, строительство органона для гуманитарных наук, а также призывает к междисциплинарному сотрудничеству. Как и структурная семантика и семиотика Греймаса, эта лексикология включает в себя три неразделимых компонента: эпистемологические основы, конкретные методологии и возможности применения. Кроме того, внимание к лексеме характеризует всю структурную семантику Греймаса и сохраняется в его семиотике. Oma esimeses teadusprojektis tootas Greimas valja nuudisprantsuse keele ajaloolise leksikoloogia uued meetodid ning rakendas neid. Tema teoreetilistes artiklites sonastatakse sotsioloogiline lahenemine, mis analuusib sonavara kui kultuuriajalugu ja mida illustreerivad tema kaks vaitekirja 1830ndate aastate moe kohta. 1980ndatel aastatel taandus Greimas oma varajastest uurimustest kui ebaonnestunud katsetustest. 21. sajandi muutunud epistemolooglises kontekstis osutub tema looming teedrajavaks uurimistooks kultuuriuuringute vallas. Greimase fi loloogiline ja leksikoloogiline ettevalmistus kandis kogu tema karjaari valtel vilja nii otseselt kui kaudselt. Kaks aastakummet enne seda, kui ta tuli valja oma semiootikaga, pakkus tema leksikoloogiaprojekt valja semantilise metoodika, nagi ette humanitaarteaduste organoni loomist ning kutsus otsesonu ules multidistsiplinaarsele koostoole. Nagu tema strukturaalne semantika ja semiootika sisaldab ka see leksikoloogia kolme uksteisest lahutamatut komponenti: epistemoloogilisi aluseid, konkreetseid meetodeid ja julgeid rakendusi. Lisaks iseloomustab lekseemile keskendumine Greimase strukturaalset semantikat ning jaab pusima tema semiootikas. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Caught Between History and ImaginationVico's Ingenium for a Rhetorical Renovation of CitizenshipAlessandra Beasley Von BurgCitizenship is usually thought of as synonymous with nationality and the rights and duties associated with the people who live, work, and participate politically, socially, and economically within the borders of their nation-state. In this conception, the main criterion used to decide who is and who is not a citizen is nationality. As the nature (...) of nation-state governance evolves and the acceleration of citizen mobility hastens interdependence, pressures for new definitions and paradigms of citizenship build. As Joseph Weiler argues, this pressure produces cognitive dissonance because "the traditional, classical vocabulary of citizenship is the vocabulary of the State, the Nation and Peoplehood" (qtd. in La Torre 1998, 1).1 The classical association of citizenship with nationality blocks our ability to grasp new, nonstatist conceptions of citizenship, even as postnational political visions take shape in institutions like the European Union (EU).2 In 1992, EU citizenship was established in the Treaty of Maastricht, which granted some additional rights to citizens of the member states in the same way that single nation-states grant their inhabitants special status as nationals, rights that are not nullified when citizens leave their home country to live and work in other member states.3 [End Page 26]The relationship between nationality and citizenship in the EU context is complicated by the fact that although Maastricht guidelines set postnational membership criteria for EU citizens, they also limit the scope of EU citizenship. In trying to reach beyond the nation while anchoring its very essence to the nation, EU citizenship remains limited as it relies on the traditional language of national membership to found its postnational concept of equality and inclusion for noncitizens. The contradictory elements of EU citizenship are exemplified in its current definition, which includes all member states' citizens and excludes millions who are living in Europe as third-country nationals (TCNs), defined as "any person who is not a citizen of one of the member states" of the EU but permanently and legally resides in one.4 The current debate over the status of legal, long-term TCNs challenges the relationship between citizenship and nationality, as advocates from EU institutions, national governments, nongovernmental organizations and academia argue that TCNs should be granted EU citizenship rather than be naturalized in the member states and push for a new, postnational mode of citizenship based on residency. Advocates for the inclusion of TCNs as EU citizens have to work with the limited vocabulary of national citizenship yet articulate a case for a new kind of citizenship divorced from nationality. They suggest that the EU should be viewed as a deliberative community, in which all long-term residents like TCNs are given an equal opportunity to practice citizenship. The deliberative community rationale is based on an idea of citizenship as performance with residents enacting citizenship by living together and deliberating with each other about common interests and concerns.5This reordering of the concept of community arising out of political practice calls for a full philosophical and rhetorical reimagining of the meaning of citizenship. The act of reimagining citizenship creates a new practice of citizenship and grounds citizenship in a philosophical context as well as a practical one. There is no better philosophical and rhetorical tradition to turn to for this purpose than that of Giambattista Vico. Vico, and to a larger extent the entire tradition of Italian humanism, has been overlooked in modern Western philosophy. Yet Vico embodies a seamless marriage of philosophy and rhetoric. Vico's philosophically grounded rhetoric provides the means in an investigation of EU citizenship as an innovative rhetorical practice beyond nationality, for understanding how new practices become persuasive through imaginative language, until citizens separate citizenship from nationality and accept residence and deliberative practices as legitimate criteria for citizenship. Vico argues that "every study method [End Page 27] may be said to be made up of three things: instruments, complementary aids, and aim envisaged" and notes that "the instruments presuppose and include a systematic, orderly manner of proceeding" (1990, 6). This essay proceeds in this fashion to reveal how a new vocabulary of citizenship... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Task of Criticism: Essays on Philosophy, History, and Community, and: The Active Life: Miller's Metaphysics of DemocracyShannon KincaidJoseph P. Fell, Vincent Colapietro, and Michael J. McGandy, editors The Task of Criticism: Essays on Philosophy, History, and CommunityNew York: W. W. Norton, 2005. 366 pp.Michael J. McGandy The Active Life: Miller's Metaphysics of Democracy Albany: State University of New York Press, 2005. 231 pp.I must admit that my (...) first encounter with the philosophy of John William Miller was not a pretty one. I first read of him in these pages a decade or so ago, and even though I was thinking a lot about pragmatism and democratic theory, and shared many of his interests, I didn't much like his philosophy. While I liked his style, the vocabulary seemed awkward. His finite idealism confused me. I had problems with his ontology, and his tendency towards historicism seemed odd. I even wrote an essay critical of The Midworld (New York: W. W. Norton, 1982), though I never made an aggressive effort to publish it. [End Page 289]This is a good thing, because I would have regretted publishing that essay. I say this because both Michael J. McGandy's The Active Life: Miller's Metaphysics of Democracy, and the new edited collection of Miller's writings entitled The Task of Criticism, do an excellent job of revealing the contemporary significance of Miller's work. Collectively, they have convinced this skeptic that the midworld and its ontology of functioning objects are an important contribution to contemporary American philosophy.The Task of Criticism faces several challenges. First, George P. Brockway supervised the publication of five volumes of Miller's collected works, and Fell himself edited a 1990 volume on Miller's philosophy (The Philosophy of John William Miller, Lewisburg: Bucknell University Press), followed by Stephen Tyman's Decrying the Ideal (Carbondale: Southern Illinois University Press, 1993). Colapietro published Fateful Shapes of Human Freedom: John William Miller and the Crises of Modernity (Nashville: Vanderbilt University Press) in 2003. Do we really need another volume? Second, Miller's brand of idealism is not very fashionable these days. Is there any hope that pragmatic idealism can inform contemporary social theory, and make a contribution to the very real and concrete problems faced by modern democratic institutions?I believe that the answer to both of these questions is "yes." Recognizing the importance of previous volumes devoted to Miller's philosophy, the editors present The Task of Criticism as the first comprehensive introduction to Miller's philosophy, and it attempts to cut a middle ground between a complete collection of essays and a "best of" anthology. The editors want to provide a framework for understanding Miller's philosophy, and in this attempt they succeed admirably.Why? Because the editors have provided a structure for Miller's thought that was lacking in earlier collections, and by focusing on the issues of philosophical method, historiography, and community, they have provided a framework for understanding Miller's philosophy. In so doing, they have also firmly established the continuing relevance of Miller's work. The recent revival of pragmatic idealism (as evidenced by a recent surge in publications on idealists like Royce and Hocking) is an important development in contemporary American philosophy, and I think Miller deserves a significant role in this movement.One of the things I like about this collection is its presentation as a work of three generations of Miller's students, all indebted to the work of Brockway, and all dedicated to the task of demonstrating the fundamental importance of Miller's work. The text itself not only includes a variety of Miller's writing on a wide range of topics, but also a very effective introduction to Miller's philosophy, short introductory passages for each essay, and a comprehensive index, as well as a bibliography of works by and about Miller. This is, in short, the first textbook of Miller's philosophy, and it does a fine job of capturing the breadth and depth of his philosophy.The scope of Miller's philosophical interests is made even more remarkable by the fact that Miller himself showed little interest... (shrink)

The object of study in the article is the Russian culture of the post-Soviet period. The subject of the study is the well-known rock band "Gaza Strip", which is considered as a cultural phenomenon that has influenced Russian culture as a whole. This band was created by the author-performer Yuri Klinskikh (creative pseudonym – Khoy) in the late 1980s in Voronezh. The band soon became super-popular, with virtually no media promotion. The band ceased to exist in 2000 due to the (...) death of its leader. But as shown in the article, Khoy's work has not been forgotten, it has largely grown into Russian popular culture and is still in great demand. The author makes an attempt to understand the reasons for this. The research is based on the study of numerous newspaper notes about the band, interviews with Yuri Khoy, books about the "Gaza Strip", lyrics of the band, as well as on the author's own memoirs. The novelty of the research lies in the fact that for the first time the creativity of the "Gaza Strip" band was subjected to philosophical reflection. An attempt has been made to understand the reasons for the popularity of this band and the demand for its work a quarter of a century after the death of its leader. Several reasons have been identified that determined the success of the band. The music of the Gaza Strip has found a completely new niche in the Russian music market. Due to its expression, it meets the psycho-emotional needs of adolescents. The use of obscene vocabulary contributed to the scandalous fame. At the same time, the swearing in most cases serves as an organic means of reflecting the social environment in which the lyrical hero of Hoy's songs is located. Apparently, the main ingredient of the band's success is the widest range of topics covered in the songs, as well as the presentation of material understandable to a wide audience, including through humor. At the same time, despite the obscenities in the vocabulary and artistic images, the humanistic pathos is obvious in the songs of the band. The combination of the primordial folk linguistic and cultural elements, the bearer of which was Yuri Klinskikh, with fashionable musical trends gave rise to a curious phenomenon that exists in three dimensions at once – counterculture, grassroots, folk culture and "big", nationwide mass culture. (shrink)

It has been argued recently that tyranny is a persisting phenomenon very much alive today, a greater danger than newer forms of misrule such as totalitarianism. One argument is based on human nature being such that the temptation to abuse political power in the form of tyranny remains a possibility in all societies. Another defines tyranny as a spiritual disorder of the soul and polity. Both date the 19th century as the time when tyranny dropped out of the western political (...) vocabulary. In this view, modern political thought, like political science generally, has been impoverished by ignorance of, or indifference to, the nature of tyranny. By contrast, I treat tyranny not as possessing an essential, unchanging nature, but as a contested political concept used for a variety of purposes by different regimes and groups. Nor do I agree that, because ‘tyranny’ was used infrequently during the 19th century, systematic abuses of political power went unnoticed and unclassified. I treat a number of cases by postulating a family of controversial and contested regime types: tyranny, despotism, absolute monarchy, Bonapartism, Caesarism, and dictatorship. From them I conclude that, after tyranny was conflated with despotism at the end of the 18th century, both concepts were redescribed in terms of newer classifications belonging to the same conceptual family. Because ‘tyranny’ was then extended to many non-political arenas, it became so trivialized as to leave no prospect of our retrieving its once potent political meanings. If ‘tyranny’ is equally applicable to teachers, husbands, fashions, or public opinion, the concept has lost its political cutting edge. It now lacks any distinctive meaning that might frame a situation and define it as calling for urgent and decisive action, especially in foreign policy. (shrink)

The Symposium that Xenophon wrote has lived in the shadow of the more famous one by Plato, so much so that it has not received a full commentary in English for well over a hundred years. Yet it is a work as useful for its Greek as it is precious for its content. Socrates is the hero of each Symposium, but most of our understanding of him is usually owed to Plato; we risk assuming that his portrait of Socrates is (...) right. Xenophon saw the man differently: his picture is independent, and it is the only significant surviving alternative view. Moreover, the scene that Xenophon paints in his Symposium has a vigour and wit of its own. The work is a document of prime importance for the classical Greek society which we study most and know best: it is set at the male heart of it. Thirdly, Xenophon's Greek is lucid and unforced. The editor has been using the text for a number of years to help students bridge the gap between what they learn from their beginners' courses and the richer Greek of more fashionable texts. Hence an unprecedented amount of help with the language, and a large vocabulary, as well as the notes usual in this series on the content. (shrink)

Whether “biomimetic” or “bioinspired,” the projects of bioengineering tend to refer their devices or inventions to the biological systems that provide models or originals for detachable functionalities. And yet, they do not satisfy the picturing relation of original and copy. They are mimetic or imitative in the sense of reenacting a function in a different setting with its own principles of composition or its own parameters that select for salience. The taking up of salient features for the purposes of producing (...) a performance of functionality results not in the copy of an original but in its parody. Parodies are not judged for their veracity but for their effectiveness. They have a heuristic value in the context of design and for knowing the world through making and building. In somewhat experimental fashion, this paper seeks to develop a vocabulary for the parodistic qualities of Synthetic Biology, genome editing, or other bioengineering practices. In order to do so, it introduces categories from aesthetics to qualify modeling relations, one of these categories being the notion of “parody” itself. (shrink)

As development of the speech recognition system entirely depends upon the spoken language used for its development, and the very fact that speech technology is highly language dependent and reverse engineering is not possible, there is an utmost need to develop such systems for Indian languages. In this paper we present the implementation of a time delay neural network system (TDNN) in a modular fashion by exploiting the hidden structure of previously phonetic subcategory network for recognition of Hindi consonants. (...) For the present study we have selected all the Hindi phonemes for srecognition. A vocabulary of 207 Hindi words was designed for the task-specific environment and used as a database. For the recognition of phoneme, a three-layered network was constructed and the network was trained using the back propagation learning algorithm. Experiments were conducted to categorize the Hindi voiced, unvoiced stops, semi vowels, vowels, nasals and fricatives. A close observation of confusion matrix of Hindi stops revealed maximum confusion of retroflex stops with their non-retroflex counterparts. (shrink)

By its method of posing problems successively, the curiosity of modern historians towards antiquity may sometimes give the impression of snobism or of complaisance towards a “fashion,” even when it is actually following a logical bent : just before the last war the multiplication of works on the “imperial cult,” or the “imperial mystique” of the first centuries of our era, presented dangerous temptations for exploitation in interpretations favorable to the rule of personal authority. Notably in Germany, the most (...) serious and objective study of the notion of “principat” among the first Caesars found itself compromised even by the vocabulary with which the Latin words were translated: how many dissertations of articles appeared at that time on ancient “Fuehrertum”! (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ethics, Theory and the NovelRichard FreadmanEthics, Theory and the Novel, by David Parker; x & 218 pp. Cambridge: Cambridge University Press, 1994, $54.95 paper.“The word ‘ethics’ seems to have replaced ‘textuality’ as the most charged term in the vocabulary of contemporary literary and cultural theory”— so writes Steven Connor in the TLS. The claim will strike some as surprising—not least the so-called “humanist” critics who for almost (...) three decades have been defending ethical discourse against attacks from proponents of “literary and cultural theory.” There have been various intellectual sources for these attacks: neo-Marxists have claimed that ethical discourse is intrinsically class-specific and therefore ideological; psychoanalytic critics and theorists have often eschewed ethical inquiry in the belief that human conduct is predominantly determined by amoral unconscious forces; many feminists have argued that traditional ethical discourses are rendered untenable by their “gendered” histories; poststructuralists, while in some cases wanting to keep ethics on the agenda, have found it disconcertingly hard—even impossible—to conjure worthwhile ethical discourse out of a position which denies the existence of “centered” moral agents, and which sees language as inherently slippery and self-contradictory; postcolonialists tend to see Western ethical discourses as culpably ethnocentric. And so on.Yet, whatever the rhetoric of these and other strands of literary and cultural theory, it is too simple to say that they have renounced ethics altogether. Clearly, feminism, postcolonialism, Marxism, and other movements are ethical projects, and one of David Parker’s central points in Ethics, Theory, and the Novel is that the rhetoric of ethical refusal on the part of some proponents of these movements reflects an act of costly and unwarranted cultural repression: “the expansive moment of poststructuralism in the 1970s and early 1980s has suppressed some discursive possibilities which, constituted as we are partly by [End Page 519] various religious and humanistic traditions, we stand in abiding need of, and are poorer without” (pp. 3–4). Another casualty of the process, he argues, has been literature itself: it has been downgraded by the proponents of cultural studies, relegated to secondary, evidential status. Parker wants to retrieve cultural centrality and prestige for literature, and to insist that literary theory needs a rich conception of canonical literature, which “ought to be regarded as Theory’s resistant Other” (p. 6). Together with humanist criticism itself, such texts should function as the “subversive Other to the suppressive will of hegemonic Theory” (p. 146).The sense of regret at suppressed human richness and possibility is everywhere apparent in this subtle, deeply considered book. Parker’s characterization of our ethical and broader cultural predicament owes much to Charles Taylor’s monumental Sources of the Self; in particular, to Taylor’s claim that we need to “acknowledge the full range of goods we live by” (p. 20), and his three-fold account of our ethical traditions: Kantian/Judeo-Christian, Enlightenment, Romantic. Out of the cultural pluralism inherent in Taylor’s project Parker fashions a critical pluralism which reads, and also evaluates, novels in the light of their treatment of the “various goods”—the ethical strands—they explore, dramatize, and embody. His principle texts are Middlemarch, Anna Karenina, The White Peacock, and Women in Love. It is central to his case that with variousness comes tension and conflict, and that the greatest literature is that which gives ethical complexity and diversity the least reductive, “the fullest, most engaged and most intelligent examination” (p. 197). Such writing constitutes a canon—an institution for which Parker offers a courageous and compelling defense. He argues that some texts just are better than others at reflecting “the full range of good we live by,” and that, far from being merely an expression of supremacist cultural bias, the ethnocentrism of the Western canon actually schools us in “a long ethical tradition of self-reflection precisely on the tendency to self-righteous superiority” (p. 50).Literature’s contribution to “self-reflection” is crucial precisely because we are so prone to repress, to forget: the cultural selectivity against which Taylor warns is mirrored and enacted in the individual psyche. Parker is particularly concerned with two kinds of forgetting: a righteousness which blinds us... (shrink)

This study focuses on al-Taftāzānī’s discussion of the ontological status of divine attributes in his _Sharḥ al-ʿAqāid_ and aims to demonstrate that al-Rāzī’s (d. 606/1210) reluctantly and ambiguously proposed formula that divine attributes are possible by themselves and necessary by God, which itself is an adaptation of Avicennian formula about the ontological status of the divine intellects, received much more recognition after a more sophisticated and advanced version of it was introduced to Sunnī _kalām_ tradition by al-Taftāzānī (d. 792/1390). His (...) improvements generated a considerable amount of intellectual interest within the subsequent commentary and super-commentary tradition and were then refined by the later commentators, a crucial development which has been almost entirely neglected in the modern scholarship. This study further argues that the orientation of post-classical _kalām_ extends to the point where it embraces a specific formula promoted by the _Falāsifa_ to refine Sunnī theory about the ontological status of the divine attributes. Consequently, Sunnī theology deliberately adapted a previously rejected theory to one of its most exclusive and core subjects, that is the discussion of the divine attributes. This study will also show that dramatic transformations in the approach and the structure indicate that Sunnī _kalām_, especially in _Sharḥ al-ʿAqāid_ commentaries and super-commentaries, was significantly influenced by philosophical theories and was required to adopt both the vocabulary and the framework fashioned in philosophical debates on a greater scale after its first transformation due to al-Rāzī’s influence. Because of the voluminous commentaries and super-commentaries on _Sharḥ al-ʿAqāid_ and their extended coverage of a variety of subjects, the current study limits itself to al-Taftāzānī’s _Sharḥ al-ʿAqāid_ and its super-commentaries by Musa Khayālī (d. 862/1457) and Ramazan Efendi al-Ḥanafī (d. 1025/1616?). (shrink)

Normal 0 21 false false false MicrosoftInternetExplorer4 This article will present an interpretation of Wittgenstein ’ s understanding of the relationship between ethics and aesthetics. In extension, it will inform recent discussions regarding a special kind of nonsensicality , which forms a central part of ethical and aesthetical expressions. Instead of identity between ethics and aesthetics, we should understand the relationship in terms of interdependence . Both attitudes provide a view sub specie aeternitatis and thus permit a view of the (...) world as a whole. Employing the vocabulary of Charles Taylor and Harry Frankfurt, it must be remembered that rather than a neutral view from nowhere, such wholeness arises out of strong evaluations that are made against the backdrop of a constitutive framework of intelligibility. At this point, the epistemic gain of actualizing Wittgenstein will reveal itself: it will put us in a position where it is possible to differentiate between ethical and aesthetical forms of identification that Taylor and Frankfurt neglect. However, in order to actualize Wittgenstein ’ s ideas, it is necessary to argue that Tractatus should not be understood in a Kantian fashion as suggested by Tilghman for instance. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nature and Freedom, Purity and Impurity in Reconsidering the Life of PowerJames Garrison (bio)My book Reconsidering the Life of Power: Ritual, Body, and Art in Critical Theory and Chinese Philosophy is not so much about providing a systematic account of what it means to be a self-monitoring, self-regulating subject, the branches of which might resolve down to some single root, despite its clear debt to Judith Butler's 1997 The (...) Psychic Life of Power: Theories in Subjection.1 My book is instead more self-consciously rhizomatic in the [End Page 833] manner of Gilles Deleuze and Félix Guattari.2 Describing my rhizomatic approach in this book, Joseph Harroff observes in his preceding article that:Instead of thinking about thinking as being conducive to the construction of totalizing systems, final vocabularies, or epistemic closure, Garrison connects our embodied reflection in the interstices of habit to the always changing life of power—that is, the conditions for the possibility of becoming a thinking, feeling, body-subject—to the dynamic and amorphous nature of the multitudinous processes by which we are constantly being rendered subjectival in daily life by forces working relatively synchronically in the present as "subjectivation" and relatively diachronically in cultural traditions as so many forms of "subjectality"3This is a very nuanced way of saying that my efforts to present subject life as being (1) relational, (2) bodily, (3) discursive, and (4) ritually philosophy. Indeed, thoughmpelled have led to a book that sprawls.4 This sprawl is thus like that of a rhizome (think of ginger), not proceeding from a single source of growth with a single, clear arche. Do I revel in the imprecision? Yes, but only when it is justified by the investigation itself. And in the case of this inquiry—which spans what Judith Butler captures regarding ritual performativity by drawing on figures like Hegel, Nietzsche, Freud, and Foucault and the complex approaches to ritual seen in classical and contemporary Rú 儒 philosophy (Confucianism)—the rhizomatic approach very much is.With my book having hopefully earned its own rhizomatic badge of honor, my response to the thoughtful questions posed by Kelly Coble and Joseph Harroff likewise takes up this spirit and cuts its own course through what has been presented in their articles. Hence, I will proceed in a non-linear fashion that draws links between ideas capriciously and unapologetically.That said, my way of looking at Reconsidering the Life of Power and what I immodestly call its insights is far from the only perspective. I hold a copyright on the book (fact check: ctually, it's SUNY Press), but in the marketplace of ideas, I hold no monopoly, even over what I have authored. Therefore, while I feel a degree of ownership over the ideas presented here, I am delighted to see my thinking challenged and extended by people like Kelly Coble and Joseph Harroff in this forum and by others (like Michael J. Ardoline in the article "Building a Way: Becoming Active in One's Own Subjectivation through Deleuze and Xunzi" from the journal Philosophies),5 all of whom see so much present in the text beyond what I, even in its conception, was able.To wit, Joseph Harroff's characterization of my efforts to reclaim and redefine the term "liberal arts" captures so much of what I tried to convey so much more succinctly and with so much more in the way of provocative connection to a wealth of texts of a decidedly European lineage on the connection between freedom, the arts, and self-cultivation.6 However, as he well identifies, whereas classical European conceptions of liberal arts tend to [End Page 834] be more about self-cultivation of an atomic individual, what I am offering is more about finding freedom while taking the "self" in question to be deeply and constitutively relational along the lines that he very effectively links to the pragmatism of John Dewey and also in Rú, philosophy. Indeed, though not much of this specific pragmatist thread made it directly into this book, the influence of Roger T. Ames from my time at the University of Hawai'i at Mānoa pervades Reconsidering the Life... (shrink)

The article applauds the early Christians for their courage in embracing Greek, the lingua franca of the time. In this embrace they were not seduced by Greek philosophy. Rather, the early councils of the Church fashioned a theological vocabulary that expressed with remarkable fidelity the key concepts of the Christian message.

The author brings to the study of the two concepts of "religious" and "secular" the same intellectual honesty and analytical rigor that we met in his early work Pacifism: An Historical and Sociological Study. This is a "book of demolition" which attempts to eliminate the term "secularization" from the vocabulary of sociology due to the simple-minded fashion in which the word has been applied to describe the decline of religious faith in the present day. He tries to show (...) that the term is not monolithic and cannot be used legitimately merely to support some ideological perspective. It is rooted in various ideologies of utopianism and betrays many elements which were derived from Christianity. Certain identities of structure which he calls "an ontological privileged strata" are present--Israel as the Chosen People, Intelligentsia, Proletariat-who think of themselves as "seers" who bear the truth on behalf of the world. He mentions such examples as scientific messianism and Marxist messianism which have tried to translate the monism of nature into the monism of society so as to collapse certain dialectical opposites in Judaism and Christianity--e.g., God and Man, Heaven and Earth, Church and State--and to convert certain undefensible metaphysical views into technical issues which can be subjected to the strategies spun out by rational planning. Having pointed out the complementary relationship between the "religious" and the "secular," Martin proceeds to examine so-called secularization in music, theology, and sociology. In conclusion, Martin indicates that the application of these two concepts can be made only if the institutional setting and historical background is kept firmly in view, and he shows convincingly that it is not "a simple convergent process consequent on industrialism and the scientific and technological revolution."--J. B. L. (shrink)

Anthony Grafton, like Jacob Burckhardt before him, begins his appreciation of Leon Battista Alberti by reviewing how the fifteenth‐century Italian author created a many‐faceted identity through willful self‐fashioning. Grafton, however, offers the reader a much richer Bildungsroman than the older portrait and exposes many forces undercutting the monolithic character of Burckhardt's Renaissance, the same forces that may provide a key to the contrary and doubt‐ridden persona frequenting Alberti's writings. Alberti's ambitions and the leitmotifs of his life from his youthful aspirations (...) to their later glorious fulfillment are laid out in stunning detail.Moving well beyond the unrelenting brightness of Burckhardt's presentation, Grafton also attempts to fuse what have become for scholars the dramatic polarities of Alberti's enigmatic personality. An ambitious scholar and writer on academic subjects, on the visual and practical arts, Alberti was a lover of nature and a sensitive commentator on aesthetic, familial, and cultural ideals. He was also given to irony, despair, and bitter isolation. Grafton makes a strong case for Alberti's dependence on an unwavering determination that compelled him to assume many guises and foster numerous strategies to achieve his literary, social, and economic goals. As his friend Cristoforo Landino once noted, Alberti was like a chameleon. In Grafton's hands, however, Alberti remains dazzlingly inventive and radically humanist, and he endures as appropriately leonine and the hero of his own tale.With a predictable outpouring of references, Grafton evokes Alberti's social, political, and intellectual world and, reprising his earlier writings, develops several themes. These include Alberti's literary erudition and the high price he paid to achieve it; how Alberti applied the lessons of ancient sources to the problems of his own world, and in so doing subverted those lessons to create something new; how the humanist author developed special vocabularies for writing about such novel subjects as the visual arts, instruments of measure, and other current technologies; and, perhaps most surprisingly for a man given to bitterly mocking his contemporaries, how Alberti became involved in the creative energy of early modern life with apparent enthusiasm and accomplished the astonishing feat for a humanist of becoming a practicing architect.Grafton finds Alberti's confidence in a material culture driven by technology, theoretical knowledge, and careful observation expressed forcefully in the dedicatory letter of his essay On Painting addressed to the builder Filippo Brunelleschi. Brunelleschi deserved to be praised not for slavishly drinking from the fountain of the ancients, but for the brilliance of his intelligence and the successful application of his knowledge. Further, by requesting that the architect emend his essay, Alberti, the scholar, is shown to have treated Brunelleschi, the builder, as an equal and thereby to have elevated all technical knowledge. Alberti cleverly places himself within the circle of the ingenious engineers who were masters of practical knowledge based on underlying principles and therefore at the forefront of an intellectual parade led by its most renowned practitioner. One wonders, perhaps, what Brunelleschi at the height of his fame might have desired to learn from the audacious savant.As Alberti masters how to make his way in Florence and among the elegant courts of his day, he is seen to revisit the themes of his youthful writings with ever‐deepening insight. Grafton's reflections on Alberti and Florence, though generally convincing, have been greatly enriched by Luca Boschetto's recent book devoted to that subject . In addition, some of Grafton's notions about the influence of On Painting as centered in courtly art seem to reach beyond the evidence and the explicit directives found in Alberti's writings.The reader interested in Alberti's involvement in science and technology will still want to consult Joan Gadol's Leon Battista Alberti: Universal Man of the Early Renaissance , and the lack of a general bibliography will be an irritation to those who like to follow an author's research trail, the trekker in this case having to stumble through a thicket of footnotes. Nonetheless, Grafton has created a richly drawn portrait of Alberti. Scholar and student alike will garner much that is important about this immensely gifted and mercurial man whose writings continue to influence our understanding of the beginnings of early modernity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ethics, Theory and the NovelLeon SuretteEthics, Theory and the Novel, by David Parker; x & 218 pp. Cambridge: Cambridge University Press, 1994, $54.95.David Parker’s stated purpose in Ethics, Theory and the Novel is to ground the value of “canonical works” of literature in the “ethical interest,” which each of them embodies in the meditation and exploration of “the clashes of moral value” (p. 38). He is self-consciously responding (...) to the strictures of neo-Marxism, feminism, and deconstruction which allegedly see “the canon simply as the repository of conservative values” and therefore reject it (p. 51). In order to demonstrate this capacity of imaginative literature Parker provides ethical analyses of scenes in George Eliot’s Middlemarch, Tolstoy’s Anna Karenina, and D. H. Lawrence’s The White Peacock, Women in Love, and Lady Chatterley’s Lover. The book divides into two projects, since Parker also argues for the pertinence of ethics itself quite apart from the value of imaginative literature as a repository of serious ethical thought. Part one makes the theoretical case, and part two applies the theory.For the theory he takes as his champions Martha Nussbaum, Iris Murdoch, the late Australian critic, S. L. Golberg, and the Canadian political scientist, Charles Taylor. From Nussbaum he derives the claim that “literature can be moral philosophy” (p. 34). From Taylor he takes a triadic schema of Western [End Page 247] culture: Judeo-Christian-Kantian, Liberal-Enlightenment-rational, and Romantic-irrational-egoistic (p. 20) as the sources of our ethical thinking. Murdoch and Goldberg are deployed as predecessors in his own practice of ethical analysis of literary works. Parker’s claim is that imaginative literature exhibits the dynamic tensions of these conflicting ethical discourses.Parker’s discussion is intelligent and well-informed. His position is, in my view, perfectly defensible—indeed traditional. That said, this book seems to be as much a symptom of the malaise afflicting literary criticism as a cure. To this reader the theoretical portion is not faithful to any of his champions, but is a dog’s breakfast of “theoretical” postures gathered from Derrida, Cavell, de Man, Rorty, Foucault, and Frederic Jameson—as well as from those named above. The problem is not that Parker misunderstands or misrepresents their thought, but rather that he treats theoretical discourse as a flea market from which he can assemble pre-owned furniture for his own residence.The practice of literary criticism encourages such rummaging among other people’s belongings. It is appropriate for commentators on a literary work of art to select from previous commentary those observations and insights they regard as sound, and to reject or ignore those viewed as unsound. Nonetheless it is difficult to understand how a discourse which finds one leg in Marxist discourse, a second in Freudian, a third in phenomenological, and a fourth in Heideggerean or Derridean discourse can be expected to stand four square.Ethics, Theory and the Novel can be defended as an exercise in bricolage—and quite an impressive one in its own way. Like the handyman, Parker has cobbled together an ethicist criticism out of what is available or ready-at-hand in other discourses. But—as with many a home project—one can still see its flea market provenance. In his critical analysis of the novels, Parker shows himself to be a careful and perceptive reader. But I must confess that his ethical analyses seemed very like old-fashioned moral analysis of character motivation. I would not disagree with his claim that “an ethical vocabulary... is essential to the full understanding of the created fictional situation” (p. 191). However, his argument for a dialogic plurivocity in the ethical discourse of Western fiction is one that has been previously put by Mikhail Bakhtin from within Marxism. It is, I think, a serious oversight that Bakhtin is never mentioned—even though Parker’s position is distinguishable from Bakhtin’s in that his dialogue is between perennial ethical schemata and Bakhtin’s is between hegemonic and subversive discourses.Leon SuretteUniversity of Western OntarioCopyright © 1996 The Johns Hopkins University Press... (shrink)

Brain imaging is a persuasive visual rhetoric by which neuroscience is articulated as relevant to the construction and maintenance of desirable selves. In this essay, I describe how “brain-based self-help” literature disseminates neuroscientific vocabularies to public audiences. In this genre, brain images are an authoritative visual resource for translating neuroscience into a comprehensive program for living. I use Foucault’s discussion of biopower to describe the ways in which brain-based self-help literature enables self-constitution in a biosocial age where health is a (...) central means of communicating personal worth, social value and political order. The implications of this continuous self-fashioning are not limited to the personal realm but have important political consequences. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:A Defense of Poetry: Reflections on the Occasion of WritingJack KolbA Defense of Poetry: Reflections on the Occasion of Writing, by Paul H. Fry; 256 pp. Stanford: Stanford University Press, 1995, $45.00 cloth, $16.95 paper.And the worm turns. It might elicit dubious laughter from those Yale critics who taught Paul Fry, now William Lampson Professor at their institution, by his admission a Berkeley student in the 1960s (and (...) still, clearly, trying to come to terms with the absolutism of his era), to have him (a)rise to the occasion of verse. After all, the question he asks at the outset of his study—“how are we to account for all the poetry, not to mention fiction, not to mention all the criticism... that still gets written?”—seems anathema except to us academic conservatives, those who resent the encroachment of sterile philosophic approaches into literature. And irrelevant to those writers who don’t give a damn about academic criticism. Fry’s reality, and not just his literary reality, here confronts the weight of academia.What is most troublesome to me about this worthy book is the vast prolegomena that seems, alas, de rigueur these days, the critical dross that Fry must apparently spend an inordinate amount of time attempting to placate, dodge, and negotiate. If academic criticism must perform such elaborate obeisance to questionable philosophies of literature, then academic criticism is truly dead. No reason to grieve: it will be replaced by those who seek to understand and relish literature, still informed by the worthy questions of imitation and audience and authorial psychology, and even internal construction that have enticed readers for centuries.Fry is anything but a happy deconstructionist. One senses immediately that he is distinctly discontented with theoretical discourse, that what he really wants to discuss is poetry, and the poetic impulse. And when he does, he does it brilliantly. Indeed, it is only his argument that inhibits him. To oversimplify (an inevitable process in this book), Fry wants to rescue some poetry from the self-destructiveness, as he sees it, of sterile critical approaches—mostly from the neo-historicists, but also from all others who would deny the essential job of poetry to replicate reality. Both human and historical values have got in the way [End Page 522] of this “pure” conveyance. Somehow poetry (unique of the arts) can escape this:It is the function of indication, of saying that something just is (to which until now I have confined my notion of ostension), to estrange utterance from its historical situation by refusing to say that that something is predicated upon, determined by, something else, whether in narrative, description, or explanation....This is the moment, completing the structure of ostension, which reduces the estranged, necessarily “situated” utterance to sound and trace, and thus returns it to the unsignifying sphere of actuality, of things in themselves, from which history for its part is by nature forever estranged. Literature, then, is that mode of utterance which lays bare the irreducible distance between history and actuality from the parti pris of the latter. By suspending our purposeful engagement with the world, it reattaches itself to the world.(pp. 54–55)No single passage can do Fry justice, for his approach is accretive, and fearsomely intelligent (this is one of the few books of contemporary criticism I’ve read in which I felt that the awful vocabulary was merited). Yet, ultimately, Fry’s ontology sounds very much like old-fashioned mimesis; it is the universality of experience, he asserts, that escapes the historicist or the dogmatist or the deconstructionist. At some level poetry is what it is. In fact what Fry seemingly wants is in his terms an obliteration of the mediation of mimesis: his true poetry wants to be reality, or at least as close as we come to it in art.Of course the problem with this definition of poetry is that it is, despite Fry’s twistings and turnings, a definition of poetry. Poetry, as even Plato tells us, is an imitation. So how do we try to get closest to reality? With poetry, Fry suggests; poetry that acknowledges the universal reality... (shrink)

In Lucian's highly competitive and exhibitionist world, hyper-Atticism, the use of recondite, archaic words for the sake of impression, has become a sort of plague. In this article, I discuss how Lexiphanes focuses precisely on the literal and metaphorical associations of hyper-Atticism as a disease, by paying particular attention on the medical verdict - articulated in the text by Lucian's authorial double, Lycinus - that the dialogue's eponymous character suffers from melancholia. Rather than constitute a passing reference to the colloquial (...) vocabulary of insanity, melancholia, I argue, helps Lucian forcefully assimilate the accumulation of pretentious words to the raving of the insane, a non-sensical blabbering that is void of meaning. At the same time, Lucian aims also to expose the presence of melancholy in the cultural and medical idiom of his time as a disease that typically affects 'great spirits', people of exceptional intelligence. By calling Lexiphanes 'melancholic', Lucian scolds Lexiphanes' pretentiousness both as a hyper-Atticist and, no less importantly, as a pseudo-intellectual who is shaping his public image, temperamentally and physiognomically, as a genius whose atrabilious constitution entitles him to act and speak in strange ways. (shrink)

Statistics play a critical role in biological and clinical research. However, most reports of scientific results in the published literature make it difficult for the reader to reproduce the statistical analyses performed in achieving those results because they provide inadequate documentation of the statistical tests and algorithms applied. The Ontology of Biological and Clinical Statistics (OBCS) is put forward here as a step towards solving this problem. Terms in OBCS, including ‘data collection’, ‘data transformation in statistics’, ‘data visualization’, ‘statistical data (...) analysis’, and ‘drawing a conclusion based on data’, cover the major types of statistical processes used in basic biological research and clinical outcome studies. OBCS is aligned with the Basic Formal Ontology (BFO) and extends the Ontology of Biomedical Investigations (OBI), an OBO (Open Biological and Biomedical Ontologies) Foundry ontology supported by over 20 research communities. We discuss two examples illustrating how the ontology is being applied. In the first (biological) use case, we describe how OBCS was applied to represent the high throughput microarray data analysis of immunological transcriptional profiles in human subjects vaccinated with an influenza vaccine. In the second (clinical outcomes) use case, we applied OBCS to represent the processing of electronic health care data to determine the associations between hospital staffing levels and patient mortality. Our case studies were designed to show how OBCS can be used for the consistent representation of statistical analysis pipelines under two different research paradigms. By representing statistics-related terms and their relations in a rigorous fashion, OBCS facilitates standard data analysis and integration, and supports reproducible biological and clinical research. (shrink)

Revered as the ‘Queen of Qawwali’ and ‘Queen of Sufi music’, sixty-seven-year-old Abida Parveen is a spiritual phenomenon who transcends gender while performing. She is known for her signature fashion style of buttoned-up masculine-cut kurta with matching shalwar and an ajrak shawl. Her aesthetic circulates within transnational and national fashion media and popular cultural spaces through descriptors such as androgynous, masculine, modest, indigenous and sacred. As a highly respected figure with widely circulating performances on both the national and (...) international stages, as well through multiple media circuits, including television, social/digital media and broadcast concerts, Parveen's undeniable fame and her transgressive entry into an otherwise male-dominated music genre raises important questions about gender, embodiment, spirituality and the sacred. In analysing Parveen's body and dress in performance, I centre her sartorial style as sites of spirituality and affect to ask: what does it mean for Parveen to transcend gender through a performance of androgynous Sufism and mobilise it as an entry way into spiritual iconism? What imaginations around spirituality and the sacred become available through Parveen's sartorial practices? How does Parveen's style offer an alternative route to Muslim spirituality? Taking up Parveen's embodied coagulation between fashion and the sacred reveals an absence in feminist fashion studies on which subjects and styles are viewed as important, relevant, resistant or transgressive and thus worthy of theorisation. As a feminist scholar interested in the relationship between gender, power and self/representation, I see Parveen as a key global cultural and spiritual figure who necessitates transnational feminist analysis. This article is situated at the intersections of fashion and cultural studies, feminist, queer and trans spiritualities and South Asia studies. (shrink)

“Power dressing,” itself a women’s dress reform movement, as it came to be called in the 1970s, used to distinguish typical feminine dress styles and was seen as a necessary strategy for a more subdued image on par with the masculine, serious, and formal professional dress, namely the ubiquitous suit and tie. This new ‘career’ woman became visible by her appearance and choice of dress codes that reinforced her position as a businesswoman who was seriously committed to her work. But (...) from the perspective of the first decades of the new millennium, power dressing and power and fashion have far wider meanings and ramifications. For Michel Foucault, power is a regulatory principle that is used to control social interactions and to impose structures that inform the ways in which we act and appear. In line with Foucault’s analysis, to dress is already to respond to tacit frameworks of power, and because it involves already accepted codes of visualisation and behaviour, to “power dress” is not simply to wield or enact power voluntarily but to succumb to it as well. Further, as this paper will reveal, power dressing can also be understood according to Foucault’s “technologies of self”, which sees the historical subject as both subject and object of a network of discursive forces that are considered normative as opposed to constructed. Power dressing still exists today but according to a more nuanced and multivalent configuration. It can also be thought of as a particular form of renunciation that facilitates an embodiment of power much as religious asceticism and privation is (purportedly) constitutive of a more authentic self. (shrink)

This chapter contains sections titled: Being Fashionable Tryhards and Fashion Victims Effortless Cool Self‐effacing Goals.